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With the aid of more than 40 myths from the oral traditions of 30 native American tribes, ranging from the Eskimos to the Indians of Guiana, Pijoan invites readers to take a close look at the common spirit that binds together all forms of life.The native American heroes and heroines in these myths, imbued with the strength of this common spirit, possess the power to transform themselves into snakes, birds, bears, wolves, and occasionally as in the Sikyatki tale, Water Jar Boy into everyday objects.
A twelve-year-old girl struggles to understand her mother’s sudden and unexplained disappearance, only to have her heart broken when her mother returns as a cold, indifferent shell of the woman she once was. This begins a journey of grief, depression, abuse, and physical illness for the girl, who tells her life story through the narration of Crying on the Inside. The young girl grows up to be a woman who is a victim of her own mind, believing she’s a Superwoman who can complete any task to perfection. But she becomes a target for a con artist who marries her only to use her. The psychological and verbal abuse soon become physical, and the Superwoman realizes that she never recognized the warning signs of an abusive partner. White Wolf Woman wants her readers, particularly women, to be spared the pain of abuse by alerting them to the signs they need to heed to avoid the men who will prey on them. This riveting novel, the first of a trilogy, clearly illustrates how a high-achieving, successful woman can become the victim of the most heinous abuse, yet still rise above it.
A classic ethnography of continuing importance
Frederick Marryat was one of the pioneers of the sea novel, and a major influence on writers such as Joseph Conrad and Ernest Hemingway. In his day, his short fiction was wildly popular, and 'The White Wolf of the Hartz Mountains' remains widely anthologised. Many of the horror stories of monsters and ghouls, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
NEW YORK TIMES BESTSELLER • One million copies sold! “A deeply spiritual book [that] honors what is tough, smart and untamed in women.”—The Washington Post Book World Book club pick for Emma Watson’s Our Shared Shelf Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society’s attempt to “civilize” us into rigid roles has muffled the deep, life-giving messages of our own souls. In Women Who Run with the Wolves, Dr. Clarissa Pinkola Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The great farm hall was ablaze with the fire-light, and noisy with laughter and talk and many-sounding work. None could be idle but the very young and the very old: little Rol, who was hugging a puppy, and old Trella, whose palsied hand fumbled over her knitting. The early evening had closed in, and the farm-servants, come from their outdoor work, had assembled in the ample hall, which gave space for a score or more of workers. Several of the men were engaged in carving, and to these were yielded the best place and light; others made or repaired fishing-tackle and harness, and a great seine net occupied three pairs of hands. Of the women most were sorting and mixing eider feather and chopping straw to add to it. Looms were there, though not in present use, but three wheels whirred emulously, and the finest and swiftest thread of the three ran between the fingers of the house-mistress. Near her were some children, busy too, plaiting wicks for candles and lamps. Each group of workers had a lamp in its centre, and those farthest from the fire had live heat from two braziers filled with glowing wood embers, replenished now and again from the generous hearth. But the flicker of the great fire was manifest to remotest corners, and prevailed beyond the limits of the weaker lights.
"The Woman of the Wolf, written in 1904, is probably Renée Vivien's finest achievement, the one work in which she combines powerful characters and exciting narratives with the poetic clarity of style and vision so apparent in her other works. In this collection of short stories and prose poems, Vivien manages to touch on all the themes and ideas that obsessed her throughout her short life." --from back cover
What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. A novella from Black Dog Game Factory that examines the vampire as a sexual metaphor. For adults only.
As bloody battles rage through the lawless region of Nemerl, Scarlet of Lysia is trying to cross the land but encounters Liall, the Wolf of Omara who demands a toll too high to pay.