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From the ancient Phoenicians through Maimonides to Pablo Picasso's retrospective exhibit at the Museum of Moden Art in 1980, this fascinating swift trip through the past spans more than three thousand years of Spain's Andalusian civilization, the oldest in the Western world. Allen Josephs focuses on the cultural distinctions that have set Andalucia apart throughout recorded history: its Oriental origins, its ancient commerce and industry, its religious practices, and its varied artistic expression of those practices through music, dance, and the drama of toreo. In a marvel of synthesis, Josephs interweaves the writings of poets, historians, and archaeologists from Strabo and Polybius to Adolph Schulten, Richard Ford, Jose Ortega y Gasset, and Federico Garcia Lorca to illuminate the pervasive influence of this ancient culture on all Hispanic peoples.
From the ancient Phoenicians through Maimonides to Pablo Picasso's retrospective exhibit at the Museum of Moden Art in 1980, this fascinating swift trip through the past spans more than three thousand years of Spain's Andalusian civilization, the oldest in the Western world. Allen Josephs focuses on the cultural distinctions that have set Andalucia apart throughout recorded history: its Oriental origins, its ancient commerce and industry, its religious practices, and its varied artistic expression of those practices through music, dance, and the drama of toreo. In a marvel of synthesis, Josephs interweaves the writings of poets, historians, and archaeologists from Strabo and Polybius to Adolph Schulten, Richard Ford, Jose Ortega y Gasset, and Federico Garcia Lorca to illuminate the pervasive influence of this ancient culture on all Hispanic peoples. Allen Josephs is University Research Professor and professor of Spanish in the Department of English and Foreign Languages at the University of West Florida, Pensacola. He has published a number of books, as well as articles in scholarly journals and in the Atlantic, Boston Review, New Republic, and New York Times Book Review.
'Wall to Wall: Law as Culture in Latin America and Spain' comprises interventions from a wide array of scholars based in the US, Spain, and Latin America, exploring the encounter of Hispanophone cultures and the law. Its contributors delineate a fraught relationship of complicity, negotiation, and outright confrontation covering five centuries and a truly global landscape, from Inquisitorial processes at the onset of the Spanish Empire to last-ditch plans to preserve it in the 19th century Philippines, to the challenges to contemporary articulations of the nation-state in Catalonia. Beyond single, specialized time-period and national cultures, 'Wall to Wall' embraces and showcases the heterogeneity of the field, covering both well-known territory (Argentina, Mexico, Spain) and often-neglected cultures (Venezuela, Philippines, and indigenous communities in the Yucatan area), as well as problems that cannot be narrowed down to the nation-state (exile, independence processes, non-state laws, translation of foreign cultures). Contributors include: Aurélie Vialette, Daniel Aguirre-Oteiza, Daniela Dorfman, María Fernanda Lander, Gloria Elizabeth Chacón, Iván Trujillo, Benjamin Easton, Pauline de Tholozany, Lauren G.J. Reynolds, Ignasi Gozalo-Salellas, and Gabriela Balcarce. The chapters included foreground the conceptual diversity of the field, in dialogue with issues in literary and visual culture, (post-)colonialism, race, nationalism, gender, and class. Not only do they place vernacular objects in dialogue with current international concepts and methods, but these essays also aim to advance an autonomous conceptual and theoretical work-based approach. Its chapters aspire to enter a global discussion around the state-centered aspiration to shape culture and the many literary and cultural practices that escape it; researchers of those issues and Latin American and Iberian studies will find new venues to rethink their global archive.
Modern Spain is a revelation in this up-to-date overview. Stanton vibrantly describes the startling variety of landscape, people, and culture that make up Spain today. Included are a context chapter and others on religion, customs, media, cinema, literature, performing arts, and visual arts. Students of Spanish and a general audience will be rewarded with engrossing insights into what writer Ernest Hemingway called the very best country of all. Spain is a modern European nation, yet Spaniards are fiercely tied to their individual towns and regions—with their distinct social customs, dialects or languages, foods, landscape, and lifestyles—more than to a united country. Culture and Customs of Spain conveys the extremes, such as the hard-working Catalan contrasted to the leisurely paced Castilian, coexisting in first and third world conditions, and the love/hate relationship with the Catholic Church. Spain's institutions are described, and its contributions to the world—from unparalleled literature and cuisine to flamenco and filmmaker Pedro Almodovar—are celebrated. A chronology and glossary complement the text.
Luminous new photography showcases contemporary and historic homes in the beloved Spanish Style in Southern California, while offering, as well, a rare look at the original inspirations to the style, born in Andalusia, Spain. The great appeal of Spanish Style homes lies in their aura of romance and drama, a sense of story, of magic, as well as in their very comfortable and engaging proportions and the great livability of the interior spaces. Deep shadow, arched doorways, trickling courtyard fountains, climbing bougainvillea on wrought-iron window grilles, wood-beamed ceilings, and white plaster walls are all hallmarks of the style. Here, through a celebration of contemporary and historic homes in Southern California, as well as existing historic precedents in Andalusia, Spain--most notably the intricately detailed Casa de Pilatos in Seville and the Alhambra of Granada--The Spanish Style House presents the definitive picture of the style as it exists today. Featured homes include the George Washington Smith-designed Casa Blanca (1928)--a fantasy made real in stone and stucco replete with the romance of old Morocco in its horseshoe arches, domes, and evocative tile murals--and a Marc Appleton-designed beach house (2007) in Del Mar, California, which is a dream on the sea and an eloquent testament to the virtues of the style for today.