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Bootstraps tells the history of racial subordination in the U.S., explaining how white racism has caused today's black-white inequality. Comprehensive but brief, it is written for the general reader but has extensive endnotes that will make it useful to scholars and students as well.
At the same time that the Civil Rights Movement brought increasing opportunities for blacks, the United States liberalized its immigration policy. While the broadening of the United States's borders to non-European immigrants fits with a black political agenda of social justice, recent waves of immigration have presented a dilemma for blacks, prompting ambivalent or even negative attitudes toward migrants. What has an expanded immigration regime meant for how blacks express national attachment? In this book, Niambi Michele Carter argues that immigration, both historically and in the contemporary moment, has served as a reminder of the limited inclusion of African Americans in the body politic. As Carter contends, blacks use the issue of immigration as a way to understand the nature and meaning of their American citizenship-specifically the way that white supremacy structures and constrains not just their place in the American political landscape, but their political opinions as well. White supremacy gaslights black people, and others, into critiquing themselves and each other instead of white supremacy itself. But what may appear to be a conflict between blacks and other minorities is about self-preservation. Carter draws on original interview material and empirical data on African American political opinion to offer the first theory of black public opinion toward immigration.
Lynch mobs in late nineteenth- and early twentieth-century America exacted horrifying public torture and mutilation on their victims. In Lynching and Spectacle, Amy Wood explains what it meant for white Americans to perform and witness these sadistic spectacles and how lynching played a role in establishing and affirming white supremacy. Lynching, Wood argues, overlapped with a variety of cultural practices and performances, both traditional and modern, including public executions, religious rituals, photography, and cinema, all which encouraged the horrific violence and gave it social acceptability. However, she also shows how the national dissemination of lynching images ultimately fueled the momentum of the antilynching movement and the decline of the practice. Using a wide range of sources, including photos, newspaper reports, pro- and antilynching pamphlets, early films, and local city and church records, Wood reconfigures our understanding of lynching's relationship to modern life. Wood expounds on the critical role lynching spectacles played in establishing and affirming white supremacy at the turn of the century, particularly in towns and cities experiencing great social instability and change. She also shows how the national dissemination of lynching images fueled the momentum of the antilynching movement and ultimately led to the decline of lynching. By examining lynching spectacles alongside both traditional and modern practices and within both local and national contexts, Wood reconfigures our understanding of lynching's relationship to modern life.