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An indispensable practical toolkit for dismantling racism in the workplace without fear Reporting and personal testimonials have exposed racism in every institution in this country. But knowing that racism exists isn’t nearly enough. Social media posts about #BlackLivesMatter are nice, but how do you push leadership towards real anti-racist action? Diversity and inclusion strategist Y-Vonne Hutchinson helps tech giants, political leaders, and Fortune 500 companies speak more productively about racism and bias and turn talk into action. In this clear and accessible guide, Hutchinson equips employees with a framework to think about race at work, prepares them to have frank and effective conversations with more powerful leaders, helps them center marginalized perspectives, and explains how to leverage power dynamics to get results while navigating backlash and gaslighting. How to Talk To Your Boss About Race is a crucial handbook to moving beyond fear to push for change. No matter how much formal power you have, you can create antiracist change at work.
'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD
This intriguing novel chronicles one migrant worker's experiences on a colonial plantation in West Africa. Martin Tebi cannot wait to board a truck to the south where he hopes to become a pioneer at a newly established oil palm plantation. Once he arrives, he realizes that becoming a 'Big man' in a new environment would not be as easy as he had thought. Set in the South West Region of Cameroon near the Bakassi region, this captivating story told in an authentic voice that fuses Pidgin and Standard English would keep readers spellbound as they follow Martin through his many struggles to become the first African manager. The experiences of Martin Tebi would resonate with economically displaced people in any part of the world.
The challenges of interracial fieldwork
TEXT GOOD2GO to 31996 To receive new release updates via text message. Young Resean 'Boss' Holmes is known and loved throughout the city of Atlanta. But his home life is vastly different. He and his Stepfather despise each other. Forcing his Mother to make a difficult choice, choosing her lover over her own son. She sends Boss to Miami to live with his real father. Or so she says. Resean's arrival in Miami unlocks many shocking family secrets, which not only anger him. But place Boss in a very tough predicament. Especially financially. However Boss is nothing if not resourceful. He plants himself within the Miami drug scene. Pushing an original product called 'Blue Devil.' Which is a combination of coke, and another drug which is an offshoot of molly. As expected, the new recipe is a hit with his customers... and the money comes rolling in. But it also makes Boss 'hot' on the streets. News of his success gets back to a local druglord who immediately sends numerous hit squads to gather intel. Then find and eliminate Magic City's newest 'player.' Boss considers going into hiding until he realizes his newfound wealth has gained him a few loyal followers of his own. He then instead, chooses to go to all-out war with his unknown but powerful enemy. A foe whose very identity, may be the deadliest 'family secret' of them all!
A Broadway classic, a call to action, and an incredibly malleable popular song, "Ol' Man River" is not your typical musical theater standard. Written by Jerome Kern and Oscar Hammerstein II in the 1920s for Show Boat, "Ol Man River" perfectly blends two seemingly incongruous traits-the gravity of a Negro spiritual and the crowd-pleasing power of a Broadway anthem. Inspired by the voice of African American singer Paul Robeson, who adopted the tune for his own goals as an activist, "Ol' Man River" is both iconic and transformative. In Who Should Sing "Ol' Man River"? The Lives of an American Song, author Todd Decker examines how the song has shaped, and been shaped by, the African American experience. Yet "Ol' Man River" also transcends both its genre and original conception as a song written for an African American male. Beyond musical theater, this Broadway ballad has been reworked in musical genres from pop to jazz, opera to doo wop, rhythm and blues to gospel to reggae. Pop singers such as Bing Crosby, Frank Sinatra, and Judy Garland made "Ol' Man River" one of their signature songs. Jazz artists such as Bix Biederbecke, Duke Ellington, Dave Brubeck, Count Basie, and Keith Jarrett have all played "Ol' Man River," as have stars of the rock and roll era, such as Sam Cooke, Ray Charles, Aretha Franklin, the Temptations, Cher, and Rod Stewart. Black or white, male or female-anyone who sings "Ol' Man River" must confront and consider its charged racial content and activist history. Performers and fans of musical theater as well as students of the Civil Rights movement will find Who Should Sing "Ol' Man River" an unprecedented examination of a song that's played a groundbreaking role in American history.
Ye Feng, who once stood at the peak of the world and made the world tremble. Conspiracy had allowed him to be reborn into a useless cripple with the same surname and surname. And to see, how could Ye Feng return to the peak from being a loser. As long as I, Ye Feng, am not dead, I will make the world cry.