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In Whistler's Walk: The Appalachian Trail in 142 Days, author Bill Monk brings readers his real-life, day-to-day account of hiking the Appalachian Trail in its entirety, from intense, necessary preparation at the start to the emotionally charged conclusion of summiting Mount Katahdin. Based on Monk's journal entries written daily along the way, readers are afforded the up-close and intimate privilege of witnessing his very real trials and triumphs, and each incredible, beautiful moment as he experienced it. Anyone who has hiked, or plans on hiking the Appalachian Trail, lovers of nature, and those who know what it's like to accomplish a seemingly insurmountable feat will relish the uplifting story of Monk's successful, 2,189-mile trek. With every milestone achieved throughout his life-changing, unbelievably difficult journey, Monk paints a magnificent portrait of the outdoors, and what it's like to fully immerse oneself in nature's glorious, awe-inspiring-and challenging-beauty.
The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket. In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ruskin was the battle of a lifetime—or more accurately, a battle of their two lifetimes. Paul Thomas Murphy’s Falling Rocket also recounts James Whistler’s turbulent but triumphant development from artistic oblivion in the 1880s to artistic deification in the 1890s, and also Ruskin’s isolated, befogged, silent final years after his public humiliation. The story of Whistler v Ruskin has a dramatic arc of its own, but this riveting new book also vividly evokes an artistic world in energetic motion, culturally and socially, in the last decades of the nineteenth century.
Scotland, 1899. When young orphan Ellen Luath starts work as a kitchen maid in a remote farm, she hopes she has left her troubled past behind. But something is not right at Kingsinch farm. Soon, supernatural forces of long past return to haunt Ellen, and she finds herself in a circle of darkness that invades her mind, and threatens her life. As time and place alter, can Ellen keep her sanity, and find her place in an increasingly confusing world?
A biography of James McNeill Whistler (1834-1903) that dispels the popular notion of Whistler as merely a combative, eccentric and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother.
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Superhero Matilda Plum works in the world of counselling. She never faces murderers or real evil. At least not until now. With the help of her friends Aiden and Jack, Poker superhero Octavia, and Goddess Natalia, she might be able to solve some of the mystery. But her hardest case comes a set of mysterious incidents. Has a God gone rogue? If you enjoy gripping, enthralling fantasy books. You need to read this one! BUY NOW!
A collection of breathtaking images and thought-provoking words sure to bring joy to your heart and enrich your spirit. Take an inspiring journey into the world of the great bear and discover the true and often unseen nature of black bears, grizzlies and polar bears. Celebrate all that is wild! (Proceeds from the sale of this book support Get Bear Smart Society's work helping people to understand and live with our neigh-bears.)
The Rough Guide to Canada is the ultimate travel guide to this staggeringly beautiful country with detailed coverage of all the top attractions. Inspired by stunning colour photography and insightful background information, discover both the urban and the wild with expert guidance on exploring everything from the glistening skyscrapers of Toronto, the restaurants of Montreal and the laid-back ambience of Vancouver, to the spectacular Niagra falls and the rolling plains of the Prairies. You'll find specialist information on a host of outdoor activities including winter sports in the Rockies, trekking through the Northwest Territories, and wildlife spotting in the country's great wilderness, complimented with full-colour sections on the National Parks and Skiing and Snowboarding. Choose what to see and do whilst relying on up-to-date descriptions of the best hotels, bars, clubs, shops and restaurants for all budgets. Explore every corner of this stunning country with clear maps and expert background on everything from sea cliffs and tidal bores in the Bay of Fundy to the walled Old Town in Québec City. Make the most of your holiday with The Rough Guide to Canada.
Whistler's work can be divided into four periods. The first was a research period in which the artist was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Gray and Black, and this is symbolic of his aesthetic theories.