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With Whigs and Hunters, the author of The Making of the English Working Class, E. P. Thompson plunged into the murky waters of the early eighteenth century to chart the violently conflicting currents that boiled beneath the apparent calm of the time. The subject is the Black Act, a law of unprecedented savagery passed by Parliament in 1723 to deal with 'wicked and evil-disposed men going armed in disguise'. These men were pillaging the royal forest of deer, conducting a running battle against the forest officers with blackmail, threats and violence. These 'Blacks', however, were men of some substance; their protest (for such it was) took issue with the equally wholsesale plunder of the forest by Whig nominees to the forest offices. And Robert Walpole, still consolidating his power, took an active part in the prosecution of the 'Blacks'. The episode is laden with political and social implications, affording us glimpses of considerable popular discontent, political chicanery, judicial inequity, corrupt ambition and crime.
This account of artisan and working-class society in its formative years, 1780 to 1832, adds an important dimension to our understanding of the nineteenth century. E.P. Thompson shows how the working class took part in its own making and re-creates the whole life experience of people who suffered loss of status and freedom, who underwent degradation and who yet created a culture and political consciousness of great vitality.
In the popular imagination, informed as it is by Hogarth, Swift, Defoe and Fielding, the eighteenth-century underworld is a place of bawdy knockabout, rife with colourful eccentrics. But the artistic portrayals we have only hint at the dark reality. In this new edition of a classic collection of essays, renowned social historians from Britain and America examine the gangs of criminals who tore apart English society, while a criminal law of unexampled savagery struggled to maintain stability. Douglas Hay deals with the legal system that maintained the propertied classes, and in another essay shows it in brutal action against poachers; John G. Rule and Cal Winslow tell of smugglers and wreckers, showing how these activities formed a natural part of the life of traditional communities. Together with Peter Linebaugh s piece on the riots against the surgeons at Tyburn, and E. P. Thompson s illuminating work on anonymous threatening letters, these essays form a powerful contribution to the study of social tensions at a transformative and vibrant stage in English history. This new edition includes a new introduction by Winslow, Hay and Linebaugh, reflecting on the turning point in the social history of crime that the book represents
The characteristic form taken by English Marxism since the war has been the study of history. No writer exemplifies its achievements better than Edward Thompson, whose Making of the English Working Class is probably the most influential single work of historical scholarship by a socialist today. An editor of The New Reasoner in 1957–59, a founder of the New Left in 1960, now an eloquent champion of civil rights, Thompson has most recently aroused widespread interest with the appearance of his Poverty of Theory, which combines philosophical and political polemic with Louis Althusser, and powerful advocacy of the historian’s craft. Arguments Within English Marxism is an assessment of its central theses that relates them to Thompson’s major historical writings themselves. Thus the role of human agency—the part of the conscious choice and active will—in history is discussed through consideration of its treatment in The Making of the English Working Class. The problems of base and superstructure in historical materialism, and of affiliation to values in the past, are reviewed in the light of Whigs and Hunters. The claims of utopian imagination are illustrated from the findings of William Morris. Questions of socialist strategy are broached in part through the articles now collected in Writing by Candlelight. Exploring at once differences and convergences between New Left Review and one of its founders, the essay concludes by suggesting the virtues of diversity within a common socialist culture.
Argues that institutions and culture serve as important elements of international legal order.
Challenging the view that England had no peasantry or that it had disappeared before industrialization, this text shows that common right and petty landholding shaped social relations in English villages. Their loss at enclosure sharpened social antagonisms and imprinted a pervasive sense of loss.
A new history that overturns the received wisdom that science displaced magic in Enlightenment Britain--named a Best Book of 2020 by the Financial Times In early modern Britain, belief in prophecies, omens, ghosts, apparitions and fairies was commonplace. Among both educated and ordinary people the absolute existence of a spiritual world was taken for granted. Yet in the eighteenth century such certainties were swept away. Credit for this great change is usually given to science - and in particular to the scientists of the Royal Society. But is this justified? Michael Hunter argues that those pioneering the change in attitude were not scientists but freethinkers. While some scientists defended the reality of supernatural phenomena, these sceptical humanists drew on ancient authors to mount a critique both of orthodox religion and, by extension, of magic and other forms of superstition. Even if the religious heterodoxy of such men tarnished their reputation and postponed the general acceptance of anti-magical views, slowly change did come about. When it did, this owed less to the testing of magic than to the growth of confidence in a stable world in which magic no longer had a place.
What distinguishes history as a discipline from other fields of study? That's the animating question of Sarah Maza’s Thinking About History, a general introduction to the field of history that revels in its eclecticism and highlights the inherent tensions and controversies that shape it. Designed for the classroom, Thinking About History is organized around big questions: Whose history do we write, and how does that affect what stories get told and how they are told? How did we come to view the nation as the inevitable context for history, and what happens when we move outside those boundaries? What is the relation among popular, academic, and public history, and how should we evaluate sources? What is the difference between description and interpretation, and how do we balance them? Maza provides choice examples in place of definitive answers, and the result is a book that will spark classroom discussion and offer students a view of history as a vibrant, ever-changing field of inquiry that is thoroughly relevant to our daily lives.
A collection of essays by Hunter Thompson that chart the high and low moments of his thirty-year career as a journalist
Empress Elizabeth of Austria, known as Sisi, is the Princess Diana of nineteenth-century Europe. Famously beautiful, as captured in a portrait with diamond stars in her hair, she is unfulfilled in her marriage to the older Emperor Franz Joseph. Sisi has spent years evading the stifling formality of royal life on her private train or yacht or, whenever she can, on the back of a horse. Captain Bay Middleton is dashing, young, and the finest horseman in England. He is also impoverished, with no hope of buying the horse needed to win the Grand National—until he meets Charlotte Baird. A clever, plainspoken heiress whose money gives her a choice among suitors, Charlotte falls in love with Bay, the first man to really notice her, for his vulnerability as well as his glamour. When Sisi joins the legendary hunt organized by Earl Spencer in England, Bay is asked to guide her on the treacherous course. Their shared passion for riding leads to an infatuation that jeopardizes the growing bond between Bay and Charlotte, and threatens all of their futures. The Fortune Hunter, a brilliant new novel by Daisy Goodwin, is a lush, irresistible story of the public lives and private longings of grand historical figures.