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After three years in the wilderness, hardboiled reporter Gerry Conway is back at his desk at the Glasgow Tribune. But three years is a long time on newspapers and things have changed - readers are dwindling, budgets are tightening, and the Trib's once rigorous standards are slipping. Once the paper's star reporter, Conway now plays second fiddle to his former protégé, crime reporter Martin Moir. But when Moir goes AWOL as a big story breaks, Conway is dispatched to cover a gangland shooting. And when Moir's body turns up in a flooded quarry, Conway is drawn deeper into the city's criminal underworld as he looks for the truth about his colleague's death. Braving the hostility of gangsters, ambitious politicians and his own newspaper bosses, Conway discovers he still has what it takes to break a big story. But this is a story not everyone wants to hear as the city prepares to host the Commonwealth Games and the country gears up for a make-or-break referendum on independence. In this, the second book in the Conway Trilogy, McIlvanney explores the murky interface of crime and politics in the New Scotland.
"You already been a punk. Least you can do is go out like a man." Then a dull popping sound and a quiet splash. In his third appearance in George Pelecanos's acclaimed series, Nick Stefanos has been spending too much time with bad women and bad booze. Which is why he wakes up one blurry morning on the banks of the Anacostia River, hungover and miserable -- and now a witness to a murder. With the help of a partner as straight-arrow as Nick is bent, Nick decides to track down the killer, an investigation that leads them through the roughest part of the nation's capital, and into the blackest parts of the human soul.
When the necrons rise, a mining planet descends into a cauldron of war and the remorseless foes decimate the human defenders. Salvation comes in an unlikely form – the Death Korps of Kreig, a force as unfeeling as the Necrons themselves. When the two powers go to war, casualties are high and the magnitude of the destruction is unimaginable.
The International Bestseller from the author The New York Times called "blisteringly funny" — it's the wild and wooly crew from Trainspotting back for one last adventure You don't need to have seen the blockbuster movie—nor read the earlier mega-bestselling books—to get what's going on in Dead Men's Trousers: Four no-longer-young men who constantly think back to their bawdy, drug-filled youth together on the streets of Edinburgh, decide they want to join forces for one last caper. Careful what you wish for... "Manages a sort of ragged glory, a life-affirming comic energy . . . A whooping last hurrah for the Trainspotting gang." —The Guardian "Crackles with idiomatic energy and brio." —Publishers Weekly Mark Renton is finally a success. He now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms, and broken relationships have left him dissatisfied with life. Then he runs into his old partner in crime, Frank Begbie, from whom he'd been hiding for years. But the psychotic Begbie appears to have reinvented himself as a celebrated artist in Los Angeles, and doesn't seem interested in revenge. Meanwhile, back in Edinburgh, Sick Boy and Spud are intrigued to learn that their old friends are back in town, and concoct a new scheme for them all . . . Which is when things start to go horribly wrong. The four men, driven by their personal histories and addictions, circle each other, confused, angry, and desperate. One of these four will not survive . . . Which one is wearing Dead Men's Trousers? Fast and furious, scabrously funny, and weirdly moving, this is a spectacular return of the crew from Trainspotting.
Cooking class is back in session for best friends—and sometime sleuths—Annie and Eve. But this time, Annie finds herself on the teacher’s side of the cutting board, and her best friend Eve in more hot water than ever. Bar food. You wouldn’t think it requires any special talent. But the newly redesigned Bellywasher’s, featuring simple, delicious fare, is D.C.’s latest hotspot. There’s something about its down-home ambience that draws people. The owner, Annie’s boyfriend Jim, is offering a six-week bar food cooking class, and Annie is rolling up her sleeves to help. She knows Jim’s food is good—but she’s about to learn that it’s to die for. When one of the students, Brad Peterson, is murdered, Eve becomes the primary suspect. The whole class heard her say she wanted to kill him. She had good reason, too: Brad was the former boss who had her fired when she spurned his advances. But now, to prove Eve’s innocence, she and Annie must make sure all their ducks á l’orange are in a row.
A smart-talking supernatural noir, full of twists and turns, delivered at a whipalong pace about a dead investigative-journalist-turned-soul-collector on the trail of his nemesis – and murderer. Perfect for fans of Ben Aaranovitch and Richard Kadrey. “Secret Dead Men is the most inventive, uplifting, hilarious, moving novel since Catcher in the Rye” – Ken Bruen Del Farmer isn’t your ordinary hardboiled private eye. Instead of collecting fingerprints or clues, he collects souls of the recently dead. His latest dead guy, Brad Larsen, might just be the key to destroying Farmer’s long-time nemesis, The Association. Of course, Farmer is sadly mistaken. An FBI agent unstuck in time is toying with him. A mysterious couple keeps trying to kill him. Another job―a mundane babysitting gig that pays the bills―is threatening to steer him way off course into a violent hell of sexual deceit, fractured identities, and cheap apartment toilets. With only a head packed full of nagging ghosts, Farmer realises this case might just drive him out of his mind, literally.
A New York Times Best Book of the Year Nobel Prize Laureate Mazurka for Two Dead Men, the culmination of Camilo José Cela‘s literary art, opens in 1936 at the beginning of the Spanish Civil War: Lionheart Gamuzo is savagely murdered. In 1939, as the war ends, his brother avenges his death. For both deaths, the blind accordion player Gaudencio plays the same mazurka. Set in backward rural Galicia, Cela’s excellent novel portrays a reign of fools, and works like contrapuntal music, its themes calling and responding, alternately brutal, melancholy, funny, lyrical, and coarse.
At the same time that Matt and Parker find the body of the dead man in the creek, they recognize George Evans, the owner of the antique shop where Parker's mother works.
Put yourself at the heart of the story... War is brewing between the kingdoms of Sidonia and Glorianne, a war waged for control of the territories of the New World. Galleons laden with gold ply the seas, and in their wake sail pirates and privateers eager for plunder. Adrift in an open boat, you make your desperate bid to escape from the sadistic Captain Skarvench. The odds are stacked against you. Even if thirst, hunger and storms don't kill you, there are still formidable dangers to overcome in crossing hundreds of miles of uncharted ocean to reach safe harbour. Yet you must make it. Because only you know Skarvench's latest and most wicked plan. You are determined to round up a crew, get yourself a ship, and set sail on a voyage of vengeance and justice. You are destined to face many perils: undead pirates, sea monsters, cursed ships, witches and ancient gods. And the greatest threat of all: the vision you have seen of your own death at the hands of your hated foe. * * * Critical IF books are interactive adventures with a difference. You can be a mutant with the power to warp reality. A buccaneer whose sword and pistol are a match for any foe. A daring rogue leaping between rooftops. A wizard who can command the elements. Be anyone you can imagine. Choose from almost five hundred different character types, each with their own unique skills. Strong stories, vivid settings and compelling characters make Critical IF the game-changers of the interactive fiction genre.