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The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.
For centuries, poets have looked into the mirror of classical myth to show us the many ways our emotional lives are still reflected in the ancient stories of heroism, hubris, transformation, and loss that myths so eloquently tell. Now, in Gods and Mortals: Modern Poems on Classical Myths, we have the first anthology to gather the great 20th century myth-inspired poems from around the world. "Perhaps it is because the myths echo the structure of our unconscious that every new generation of poets finds them a source of inspiration and self-recognition," says Nina Kossman in her introduction to this marvelous collection. Indeed, from Valery, Yeats, Lawrence, Rilke, Akhmatova, and Auden writing in the first half of the century to such contemporary poets as Lucille Clifton, Derek Walcott, Rita Dove, Wislawa Szymborska, and Mark Strand, the material of Greek myth has elicited a poetry of remarkably high achievement. And by organizing the poems first into broad categories such as "Heroes," "Lovers," "Trespassers," and secondly around particular mythological figures such as Persephone, Orpheus, or Narcissus, readers are treated to a fascinating spectrum of poems on the same subject. For example, the section on Odysseus includes poems by Cavafy, W. S. Merwin, Gregory Corso, Gabriel Zaid, Louise Gluck, Wallace Stevens, and many others. Thus we are allowed to see the familiar Greek hero refracted through the eyes, and sharply varying stylistic approaches, of a wide range of poets from around the world. Here, then, is a collection of extraordinary poems that testifies to--and amply rewards--our ongoing fascination with classical myth.
As ancient immortals are left reeling, a modern Athena and Hermes search the world for answers in Mortal Gods, the second Goddess War novel by Kendare Blake, acclaimed author of Anna Dressed in Blood. Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Cassandra Weaver is a weapon of fate. The girl who kills gods. But all she wants is for the god she loved and lost to return to life. If she can't have that, then the other gods will burn, starting with his murderer, Aphrodite. The alliance between Cassandra and Athena is fragile. Cassandra suspects Athena lacks the will to truly kill her own family. And Athena fears that Cassandra's hate will get them all killed. The war takes them across the globe, searching for lost gods, old enemies, and Achilles, the greatest warrior the world has ever seen. As the struggle escalates, Athena and Cassandra must find a way to work together. Because if they can't, fates far worse than death await. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Learn all the secrets of 15 powerful yet mysterious deities in Pathfinder Campaign Setting: Inner Sea Faiths! This extra-large 96-page softcover sourcebook details gods and goddesses that are just as mighty as Golarion's core deities, but not as widely worshiped in the Inner Sea. From Achaekek, god of divine punishment and patron of the deadly Red Mantis assassins, to Milani, vehement enemy of tyranny and slavery, to Naderi, goddess of romantic tragedy and forbidden love, this book details all the histories, dogmas, and rituals needed to enrich campaigns with divine lore. Further, obediences and boons for each deity allow characters of all stripes to become champions of their religion. Harness the power of the divine and bring these hidden religions of Golarion to life with Pathfinder Campaign Setting: Inner Sea Faiths!
Studies of rituals in sacred gardens and landscapes offer tantalizing insights into the significance of gardens and landscapes in the societies of India, ancient Greece, Pre-Columbian Mexico, medieval Japan, post-Renaissance Europe, and America. Sacred gardens and landscapes engaged their visitors into three specific modes of agency: as anterooms spurring encounters with the netherworld; as journeys through mystical lands; and as a means of establishing a sense of locality, metaphorically rooting the dweller's own identity in a well-defined part of the material world. Each section of this book is devoted to one of these forms of agency. Together the essays reveal a profound cultural significance of gardens previously overlooked by studies of garden styles.
An entrancing new telling of ancient Greek myths “This book is a triumph! . . . [A] magnificent retelling of the Greek myths.”—Alexander McCall Smith, author of the No. 1 Ladies’ Detective Agency series “Move over, Edith Hamilton! Sarah Iles Johnston has hit the magical refresh button on Greek myths.”—Maria Tatar, author of The Heroine with 1001 Faces Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world’s preeminent experts. In a fresh, vibrant, and compelling style that draws readers into the lives of the characters, Sarah Iles Johnston offers new narrations of all the best-known tales as well as others that are seldom told, taking readers on an enthralling journey from the origin of the cosmos to the aftermath of the Trojan War. Some of the mortals in these stories are cursed by the gods, while luckier ones are blessed with resourcefulness and resilience. Gods transform themselves into animals, humans, and shimmering gold to visit the earth in disguise—where they sometimes transform offending mortals into new forms, too: a wolf, a spider, a craggy rock. Other mortals—both women and men—use their wits and strength to conquer the monsters created by the gods—gorgons, dragons, harpies, fire-breathing bulls. Featuring captivating original illustrations by Tristan Johnston, Gods and Mortals highlights the rich connections between the different characters and stories, draws attention to the often-overlooked perspectives of female characters, and stays true both to the tales and to the world in which ancient people lived. The result is an engaging and entertaining new take on the Greek myths.