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With her best friend, Kovit's, life in danger, Nita is determined to take down the black market once and for all.
In a world with stark lines between heroes and villains, trifling with morals or loyalties could cost your life. So someone really should tell Star that seducing his nemesis Nightingale would not be very heroic and that he should probably stop before they both catch feelings.Night was supposed to be a hero, just like Star. His chemical makeup should make him the perfect definition of 'hero,' but his crimes tell a different story. Throughout his career as a public menace, he leaves a trail of clues that point toward a future horrific massacre--one that neither Night nor Star would survive. As Star pieces together Night's mysteries and advances on Troy's headquarters, Star realizes that the only one able to save them might not be willing to.
Alex Knight struggles to find a place between superheroes and supervillains in this explosive sequel to The Cloak Society, which School Library Journal says has "the same wide appeal as Rick Riordan's Percy Jackson books." The Cloak Society has just pulled off the greatest takedown in Sterling City's history—but twelve-year-old Alex Knight has turned his back on the supervillains who raised him, and is fighting for the other side. Working with the superheroes is easier said than done, though . . . especially when your new teammates aren't sure your days as a villain are over. Praised by Publishers Weekly for its "rapid-fire, comic book–style action," the Cloak Society trilogy delivers high-stakes battles, extraordinary superpowers, and an original twist on the superhero stories readers know and love. Fans of the 39 Clues and the Alex Rider Adventures will be hooked!
Through rich and research-grounded clinical applications, Using Superheroes and Villains in Counseling and Play Therapy explores creative techniques for integrating superhero stories and metaphors in clinical work with children, adolescents, adults and families. Each chapter draws on the latest empirically supported approaches and techniques to address a wide range of clinical challenges in individual, family and group settings. The chapters also explore important contextual issues of race, gender, culture, age and ethnicity and provide case studies and practical tips that clinicians can use to support clients on their healing journey.
The sequel to Super Powers of Mass Destruction weaves together a brutal and bloody second act that threatens the future of the entire planet. As the war for the Empire erupts, the Zharkovs do everything in their power to tighten their grip on the throne. While Andre finds a new path to reach his dream of becoming a supervillain, Wesley learns the truth behind the House of Psi. Lucy and Connor try to navigate their roles in the Alliance of Heroes, as Hector plots a way to take down the entire Zharkovian Empire. When villains rise, heroes will fall, and the world will never be the same.
The television series Gotham gave viewers a unique perspective on the fascinating world of Batman, the legendary comic book character. More than a simple "origin story," the series introduces viewers to a pre-Batman Gotham City, where young hero-cop James Gordon fights a one-man war on crime. In a city where crime is evolving from traditional organized crime to a city plagued by flamboyant and psychotic "super villains," there is a desperate need for a Batman. All of this is witnessed by Bruce Wayne, who was orphaned after his parents were murdered. This book details how characters and story lines throughout the series touch on modern America: our ethics and flaws, our fears and aspirations. Chapters also explore the show's unique twists to classic depictions of the franchise's characters, who have been adored by millions of fans across the decades. Throughout the text, the authors examine Gotham for its insight into 21st-century America, concluding in the exhilarating and frightening conclusion that "We ARE Gotham."
Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.