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The moon is bored with his humdrum nightly duties. He is always around the same old stars in the same old boring sky. Where’s the fun in that? The sun could use a change of scenery, too, and so the moon comes up with a brilliant solution—they will swap jobs! When the moon goes to work during the day, he does his best to shine, but he just isn’t as bright as the sun. It’s too chilly for people to enjoy the beach, and everything is in chaos. The sun doesn’t have it any better that night. His rays make it too hot to sleep, which makes people pretty angry. Maybe this trade isn’t such a bright idea after all. From author/illustrator Jules Miller comes When Night Became Day—a pleasant reminder that we are all born with unique and special abilities. Children and parents alike will enjoy pointing out all the imaginative details in Miller’s modern yet folksy illustrations. Day or night, this is a wonderful book to read aloud. Sky Pony Press, with our Good Books, Racehorse and Arcade imprints, is proud to publish a broad range of books for young readers—picture books for small children, chapter books, books for middle grade readers, and novels for young adults. Our list includes bestsellers for children who love to play Minecraft; stories told with LEGO bricks; books that teach lessons about tolerance, patience, and the environment, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
La notte diventa giorno, e il giorno diventa luce. La luce diventa sole, e il sole comincia a splendere. Lo splendore diventa bagliore, e il bagliore diventa ruscello. Il ruscello diventa fiume... (dal testo) "La notte diventa giorno" è un viaggio poetico nel cambiamento, in cui oggetti e sensazioni si plasmano uno nell'altro seguendo l'ordine ciclico della natura, in un'atmosfera sospesa fra l'alba e il tramonto di un giorno qualunque. L'alternarsi di notte e giorno è infatti il modello per una catena di metamorfosi che coinvolge situazioni e oggetti quotidiani, spesso di confine fra il mondo naturale e quello tipico dell'uomo, fino al ritorno finale al punto di partenza. Nello stile essenziale di Richard McGuire, le trasformazioni sono vivaci e personali, immaginate secondo la logica dei sogni e sempre immediate e riconoscibili da tutti, bambini e adulti. Le illustrazioni privilegiano tinte forti e definite, dai contrasti netti e con poche sfumature, mentre i contorni lineari degli oggetti e delle persone accompagnano graficamente la musicalità del testo, ricreando il senso di costante movimento che fa da sottofondo all'intero libro. Annotation Supplied by Informazioni Editoriali
"Sleep is one of the most important but least understood aspects of our life, wellness, and longevity ... An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now ... neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming"--Amazon.com.
How did ancient peoples experience, view, and portray the night? What was it like to live in the past when total nocturnal darkness was the norm? Archaeology of the Night explores the archaeology, anthropology, mythology, iconography, and epigraphy of nocturnal practices and questions the dominant models of daily ancient life. A diverse team of experienced scholars uses a variety of methods and resources to reconstruct how ancient peoples navigated the night and what their associated daily—and nightly—practices were. This collection challenges modern ideas and misconceptions regarding the night and what darkness and night symbolized in the ancient world, and it highlights the inherent research bias in favor of “daytime” archaeology. Numerous case studies from around the world (including Oman, Mesoamerica, Scandinavia, Rome, Great Zimbabwe, Indus Valley, Peru, and Cahokia) illuminate subversive, social, ritual, domestic, and work activities, such as witchcraft, ceremonies, feasting, sleeping, nocturnal agriculture, and much more. Were there artifacts particularly associated with the night? Authors investigate individuals and groups (both real and mythological) who share a special connection to nighttime life. Reconsidering the archaeological record, Archaeology of the Night views sites, artifacts, features, and cultures from a unique perspective. This book is relevant to anthropologists and archaeologists and also to scholars of human geography, history, astronomy, sensory studies, human biology, folklore, and mythology. Contributors: Susan Alt, Anthony F. Aveni, Jane Eva Baxter, Shadreck Chirikure, Minette Church, Jeremy D. Coltman, Margaret Conkey, Tom Dillehay, Christine C. Dixon, Zenobie Garrett, Nancy Gonlin, Kathryn Kamp, Erin Halstad McGuire, Abigail Joy Moffett, Jerry D. Moore, Smiti Nathan, April Nowell, Scott C. Smith, Glenn R. Storey, Meghan Strong, Cynthia Van Gilder, Alexei Vranich, John C. Whittaker, Rita Wright
How will she choose, knowing all she must sacrifice? Libby has been given a powerful gift: to live one life in 1774 Colonial Williamsburg and the other in 1914 Gilded Age New York City. When she falls asleep in one life, she wakes up in the other. While she's the same person at her core in both times, she's leading two vastly different lives. In Colonial Williamsburg, Libby is a public printer for the House of Burgesses and the Royal Governor, trying to provide for her family and support the Patriot cause. The man she loves, Henry Montgomery, has his own secrets. As the revolution draws near, both their lives--and any hope of love--are put in jeopardy. Libby's life in 1914 New York is filled with wealth, drawing room conversations, and bachelors. But the only work she cares about--women's suffrage--is discouraged, and her mother is intent on marrying her off to an English marquess. The growing talk of war in Europe only complicates matters. But Libby knows she's not destined to live two lives forever. On her twenty-first birthday, she must choose one path and forfeit the other--but how can she choose when she has so much to lose in each life?
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara, once Hollywood's biggest star. Rechy describes this world with candour and understanding in a prose that is highly personal and vividly descriptive.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
Day follows night. Night comes after day. What makes this cycle of days and nights happen? Through beautiful photos and spare text, beginning readers will learn about the basic patterns of the Sun and Earth and what causes day and night.
The companion to the #1 blockbuster bestseller, The Day the Crayons Quit! “Highly anticipated (yes, even for adults)” —Entertainment Weekly I'm not sure what it is about this kid Duncan, but his crayons sure are a colorful bunch of characters! Having soothed the hurt feelings of one group who threatened to quit, Duncan now faces a whole new group of crayons asking to be rescued. From Maroon Crayon, who was lost beneath the sofa cushions and then broken in two after Dad sat on him; to poor Turquoise, whose head is now stuck to one of Duncan's stinky socks after they both ended up in the dryer together; to Pea Green, who knows darn well that no kid likes peas and who ran away—each and every crayon has a woeful tale to tell and a plea to be brought home to the crayon box. Praise for The Day the Crayons Came Home "Mr. Daywalt’s text blends with Mr. Jeffers’s illustrations to make a picture book that will have children clamoring for more crayon adventures."—The Wall Street Journal * "A masterwork of humor and design . . . Sure to be as popular as The Day the Crayons Quit."—Booklist, starred review * "A brilliant, colorful tale that begs to be read aloud and a must-have for all collections."—School Library Journal, starred review * "Once again, Daywalt and Jeffers create rich emotional lives and personalities for their colorful cast, and it’s hard to imagine a reader who won’t be delighted."—Publishers Weekly, starred review “Drew Daywalt and Oliver Jeffers once again offer perceptive and frequently hilarious insights…The Day the Crayons Came Home will have readers of all ages chuckling—and will inspire kids’ empathy and imagination in equal measure.”—BookPage Praise for The Day the Crayons Quit The #1 New York Times bestselling phenomenon—over two years on the bestseller list! Winner of the E.B. White Read-Aloud Award Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle
“A lyrical and erotic reimagining of the gay Greek-Alexandrian poet C.P. Cavafy’s three-day trip to Paris in 1897 . . . dizzying, fevered and beautiful.” —The Millions Winner of the 2019 National Translation Award In June 1897, the young Constantine Cavafy arrives in Paris on the last stop of a long European tour, a trip that will deeply shape his future and push him toward his poetic inclination. With this lyrical novel, tinged with a hallucinatory eroticism that unfolds over three unforgettable days, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery across a continent on the brink of massive change. He is by turns exhilarated and tormented by his homosexuality; the Greek-Turkish War has ended in Greece’s defeat and humiliation; France is torn by the Dreyfus Affair, and Cavafy’s native Alexandria has surrendered to the indolent rhythms of the East. A stunning portrait of a budding author—before he became one of the 20th century’s greatest poets—that illuminates the complex relationship of art, life, and the erotic desires that trigger creativity. “A perfect book.” ―Edmund White, author of A Boy’s Own Story “The novel is as sen­sual as it is eru­dite, a stir­ringly in­ti­mate ex­plo­ration of the pri­vate, earthy place where cre­ation commences.” ―The Wall Street Journal “A remarkable novel . . . both a radiant work of the imagination and a fitting tribute to the greatest Greek poet of the twentieth century.” ―The Times Literary Supplement “Engaging and original . . . powerfully erotic . . . This is a hallucinatory work of art, in every sense.” ―The Literary Review