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Bringing together all of Viorst's best-loved poetry, this collection includes many of the poet's previously out-of-print favorites.
When Did I Stop Being Twenty And Other Injustices brings together all of Judith Viorst's best-loved poetry--including many previously out-of-print favorites that her fans have been waiting to own.
Bringing together some of the best of Judith Viorst’s witty and perceptive poetry—and featuring the illustrations from the original edition by John Alcorn—Viorst explores the all-too-true ironies and absurdities of being a woman in the modern world. Whether she’s finding herself or finding a sitter, contemplating her sex life as she rubs hormone night cream on her face, or wrestling with the contradiction of falling in love with a man her parents would actually approve of, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. Here is the young single girl leaving her parents’ home for life in the big city (“No I do not believe in free love/And yes I will be home for Sunday dinners”). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, “Hoping that someday someone will be impressed/With all I know.” Here is that married woman, coping with motherhood (“The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul”) and fantasy affairs (“I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses”) and all-too-real family reunions (“Four aunts in pain taking pills/One cousin in analysis taking notes”). And here she is at mid-life, wondering whether a woman who used to wear a “Ban the Bomb” button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, It’s Hard to be Hip Over Thirty and Other Tragedies of Married Life demonstrates once and for all that no one understands American women coming of age like Judith Viorst. *It’s Hard to be Hip Over Thirty and Other Tragedies of Married Life is a reissue of the previous collection originally titled When Did I Stop Being Twenty and Other Injustices.
Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.
Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day; nonfiction titles, including the bestseller Necessary Losses; and her collections of humorous poetry in her "decade" series, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. Suddenly Sixty is a funny and touching book that speaks directly to the sixty-ish woman, inviting her to laugh about, sigh over, and come to hopeful terms with the complex issues of this decade of life. Among the poems in this charmingly illustrated collection are those exploring the joys—and strains—of children and grandchildren, and the intimacy of old friends who’ve ‘known each other so long/We knew each other back when we were virgins.” There are poems that tip their hat to mortality, wrestle with a husband’s retirement —“He’s coming with me when I shop at the supermarket/So I won't have to shop alone. I like alone.”— and acknowledge the fact that at this stage of life we’d “give up a night of wild rapture with Denzel Washington for a nice report on my next bone density test.” Offering plenty of laughs, a few tears, and cover-to-cover truths, these are poems for everyone who would “rather say never say die than enough is enough.” Every woman who has reached this decade will—rueful and smiling—find herself in the pages of this book.
Warm, funny, compassionate, and reassuring, "You're Officially a Grown-Up" describes--in verse and illustrations--all those terrifying but eagerly anticipated freedoms that go hand in hand with leaving home and trying to make one's way in the world. 40 full-color line drawings.
COLLECTION OF 24 BRIEF POEMS WITH SUCH TITLES AS "SOME FOLKS GET FAT DRINKING FRESCA," "EATING MY HEART OUT," AND "SOME PEOPLE'S CHILDREN."
"[A] collection of poems that explores the peeves and pleasures of a long marriage ... and what lies beyond. Judith Viorst began publishing poetry in the 1960s in New York magazine, and since then, her works have celebrated life's milestones with wit and poignancy. Married for fifty-five years, she now casts a rueful, experienced eye on the amusing annoyances and deep satisfactions of a long marriage ... and what a couple must inevitably confront together"--
In many ways, the history of domestic humor writing is also a history of domestic life in the twentieth century. For many years, domestic humor was written primarily by females; significant contributions from male writers began as times and family structures changed. It remains timeless because of its basis on the relationships between husbands and wives, parents and children, houses and inhabitants, pets and their owners, chores and their doers, and neighbors. This work is a historical and literary survey of humorists who wrote about home. It begins with a chapter on the social context of and attitudes toward traditional domestic roles and housewives. The following chapters, beginning with the 1920s and continuing through today, cover the different time periods and the foremost American domestic humorists, and the humor written by surrogate parents, grown children about their childhood families, husbands, and Canadian and English writers. Also covered are the differences among various writers toward traditional domestic roles--some, like Erma Bombeck and Judith Viorst, embraced them, while others, like Caryl Kristenson and Marilyn Kentz, resisted them. Common themes, such as the isolation and competitiveness of housework, home as an idealized metaphysical goal and ongoing physical challenge, and the urban, suburban, and rural life, are also explored.
The beloved author of Forever Fifty and Suddenly Sixty tackles the ins and outs of becoming a septuagenarian with wry good humor. Fans of Viorst’s funny, touching, and wise decades poems will love these verses filled with witty advice and reflections on marriage, milestones, and middle-aged children. Viorst explores, among the many other issues of this stage of life, the state of our sex lives and teeth, how we can stay married though thermostatically incompatible, and the joys of grandparenthood and shopping. Readers will nod with rueful recognition when she asks, “Am I required to think of myself as a basically shallow woman because I feel better when my hair looks good?,” when she presses a few helpful suggestions on her kids because “they may be middle aged, but they’re still my children,” and when she graciously—but not too graciously—selects her husband’s next mate in a poem deliciously subtitled “If I Should Die Before I Wake, Here’s the Wife You Next Should Take.” Though Viorst acknowledges she is definitely not a good sport about the fact that she is mortal, her poems are full of the pleasures of life right now, helping us come to terms with the passage of time, encouraging us to keep trying to fix the world, and inviting us to consider “drinking wine, making love, laughing hard, caring hard, and learning a new trick or two as part of our job description at seventy.” I'm Too Young to Be Seventy is a joy to read and makes a heartwarming gift for anyone who has reached or is soon to reach that—it’s not so bad after all—seventh decade.