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The man behind some of the most memorable lyrics in the Great American Songbook steps from behind his brother’s shadow. The first lyricist to win the Pulitzer Prize, Ira Gershwin (1896–1983) has been hailed as one of the masters of the Great American Songbook, a period which covers songs written largely for Broadway and Hollywood from the 1920s to the 1950s. Now, in the first full-length biography devoted to his life, Michael Owen brings Ira out at last from the long shadow cast by his younger and more famous brother George. Drawing on extensive archival sources and often using Ira’s own words, Owen has crafted a rich portrait of the modest man who penned the words to many of America’s best-loved songs, like “Fascinating Rhythm,” “Embraceable You,” and “They Can’t Take That Away from Me.” These fruits of Ira’s lyric genius sprang from the simplest of seeds: a hand-drawn weekly created for a cousin, an amateur newspaper co-written with friend and future lyricist Yip Harburg, columns in the school papers at Townsend Harris High School and, later, City College of New York. The details of his early literary efforts demonstrate both his developing ambition and the early signs of his talent. But while the road to becoming a successful lyricist was neither short nor smooth, it did lead Ira to the greatest creative partnership of his life. George and Ira Gershwin collaborated on a string of hit Broadway shows in the 1920s and 1930s that resulted in popular and financial success and spawned a long string of songs that have become classics. Owen offers fascinating glimpses of their creative process, drawing on Ira’s diaries and other contemporary sources, as well as the close relationship between the two brothers. Hollywood soon beckons and the brothers head west to California to work in the movie business. Greater fame and fortune seem right around the corner. George Gershwin died in a Los Angeles hospital in July 1937. He was only 38 years old. His death marked a stark dividing line in Ira’s life, and from that point on much of his time and energy was devoted to the management of his brother’s estate and the care of his legacy. Accustomed to living in his brother’s shadow, it now threatened to overwhelm him. He worked to balance all the administrative tasks with a new series of collaborations with composers like Kurt Weill, Jerome Kern, Harry Warren, and Harold Arlen. Ira’s last Broadway work was in 1946, and several films and a book project—a collection of his lyrics with the stories behind them—occupied his later years along with the ongoing management of George’s affairs. Ira Gershwin’s work with George left an enduring mark on American culture, as recognized by the Library of Congress in 2007 when it established the Gershwin Prize for Popular Song, which has been awarded to artists like Paul Simon, Carole King, Tony Bennett, Paul McCartney, and Elton John. In Ira Gershwin: A Life in Words, Michael Owen brings the publicity shy lyricist into the spotlight he deserves.
The Handbook of Youth Mentoring provides the first scholarly and comprehensive synthesis of current theory, research, and practice in the field of youth mentoring. Editors David L. DuBois and Michael J. Karcher, along with leading experts in the field, offer critical and informative analyses of the full spectrum of topics that are essential to advancing our understanding of the principles for effective mentoring of young people. The Handbook explores not only mentoring that occurs within formal programs such as Big Brothers Big Sisters, but also examines natural mentoring relationships that youth establish with adults outside of such programs.
No one is innocent when a mystery is unsolved. Charles Lindbergh was known for many things during his lifetime. He was a famous aviator, the first person to fly nonstop across the Atlantic Ocean, winner of the Orteig Prize, and a young American hero. But despite his honors and achievements, his name will forever be associated with the infamy of one of the Trials of the Century. The Lindbergh Kidnapping. On a dreary March night, Charles Lindbergh’s 20-month-old son was abducted from his crib. The baby’s kidnapper left behind muddy footprints, a broken ladder, and a ransom note demanding $50,000. Weeks later, Charles Lindbergh Jr. was found ... dead. Everyone was a suspect in this investigation, even the Lindberghs. After a six-week trial, Bruno Richard Hauptmann was named the ultimate culprit, but he claimed he was innocent even up to his execution day. For nearly 100 years, the Lindbergh Kidnapping still remains a major topic of controversy and fascination. A Talent to Deceive uses investigative journalism to dive into evidence ignored by previous investigators in search of the truth. Who really committed the crime? What really happened the night of March 1, 1932? What was the motive to kidnap and murder the Lindbergh baby? Follow Norris in this history-meets-mystery tale as he performs a thorough investigation to solve The Case That Will Never Die.