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Skinheads. Drug dealers. Cops. For two brothers-of-circumstance navigating the violent streets of this industrial wasteland, every urban tribe is a potential threat. Yet it is amongst the denizens of these unforgiving alleys, dangerous squat houses, and underground nightclubs that the brothers - and the small street tribe to which they belong - forge the bonds that will see them through senseless minor cruelties, the slow and constant grind of poverty, and savage boot culture violence. Friendship. Understanding. Affinity. For two brothers, these fragile ties are the only hope they have for salvation in the wake of a mutual girlfriend's suicide, an event so devastating that it drives one to seek solace far from his steel city roots, and the other to a tragic - yet miraculous - transformation, a heartbreaking metamorphosis from poet and musician to street prophet, emerging from a self-imposed cocoon an urban shaman, mad-eyed shaper of (t)ruthless reality. What We Salvage is a reckless, gritty, and unapologetic journey, a novel that seizes the poignant fragility of Catcher in the Rye and throws it into a merciless world reminiscent of A Clockwork Orange. It is a work that author James Morrow dubbed "postmodern punk," a term that befits Baillie's poetry-as-street-prose style.
A WOMAN ON THE RUN. A CAPTAIN ADRIFT IN SPACE. ONE OF THEM IS INFECTED WITH AN ALIEN PARASITE. In this dark science fiction thriller, a young woman must confront her past so the human race will have a future. Rosalyn Devar is on the run from her famous family, the bioengineering job she's come to hate, and her messed-up life. She's run all the way to outer space, where she's taken a position as a "space janitor," cleaning up ill-fated research expeditions. But no matter how far she goes, Rosalyn can't escape herself. After too many mistakes on the job, she's given one last chance: take care of salvaging the Brigantine, a research vessel that has gone dark, with all crew aboard thought dead. But the Brigantine's crew are very much alive--if not entirely human. Now Rosalyn is trapped on board, alone with a crew infected by a mysterious parasitic alien. The captain, Edison Aries, seems to still maintain some control over himself and the crew, but he won't be able to keep fighting much longer. Rosalyn and Edison must find a way to stop the parasite's onslaught...or it may take over the entire human race.
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.
Ava, a teenage girl living aboard the male-dominated deep space merchant ship Parastrata, faces betrayal, banishment, and death. Taking her fate into her own hands, she flees to the Gyre, a floating continent of garbage and scrap in the Pacific Ocean, in this thrilling, surprising, and thought-provoking debut novel that will appeal to fans of Across the Universe, by Beth Revis, and The Handmaid's Tale, by Margaret Atwood. Internationally bestselling author Stephanie Perkins called it "brilliant, feminist science fiction." Ava is the captain's daughter. This allows her limited freedom and a certain status in the Parastrata's rigid society—but it doesn't mean she can read or write or even withstand the forces of gravity. When Ava learns she is to be traded in marriage to another merchant ship, she hopes for the best. After all, she is the captain's daughter. But instead, betrayal, banishment, and a brush with love and death are her destiny, and Ava stows away on a mail sloop bound for Earth in order to escape both her past and her future. The gravity almost kills her. Gradually recuperating in a stranger's floating cabin on the Gyre, a huge mass of scrap and garbage in the Pacific Ocean, Ava begins to learn the true meaning of family and home and trust—and she begins to nourish her own strength and soul. This sweeping and harrowing novel explores themes of choice, agency, rebellion, and family, and after a tidal wave destroys the Gyre and all those who live there, ultimately sends its main character on a thrilling journey to Mumbai, the beating heart of Alexandra Duncan's post–climate change Earth. An Andre Norton Award nominee.
'My body was being torn apart, and my stomach felt as if it exploded. The pain was excruciating, and I was aware that I was dying... 'Mom?' My vision was murky, but I could see her face. It was bloody, and her eyes were large and full of fear. Her voice calmed. 'Get out of the car, Attie.' Her words sounded crisp and clear. I looked into the backseat in search of Melody and found her lying covered in blood in a twisted heap on the floor. I turned my attention back to my mother and out of the corner of my eye saw fire. 'Get out, Attie!' 'Mom?' Everything went dark.' Attie Reed should have died in the wreck that stole the lives of her mother and best friend. But her life was spared. Why? When Attie moves to Oklahoma to stay with the Bennetts for the summer, she hopes she has left her nightmares behind. But her battle is far from over, and Riley Bennett steps forward to help her fight the nighttime monsters. As the battle wears on, Riley begins fighting monsters of his own: his feelings for Attie. And Attie realizes she must begin to face the monsters of the night herself if she wants to conquer them for good. Can Attie's life be Salvaged?
New from award-winning Michigan writer Bonnie Jo Campbell, American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind. The harsh Michigan winter is the backdrop for many of the tales, which are at turns sad, brutal, and oddly funny. One man prepares for the end of the world--scheduled for midnight December 31, 1999--in a pole barn with chickens and survival manuals. An excruciating burn causes a man to transcend his racist and sexist worldview. Another must decide what to do about his meth-addicted wife, who is shooting up on the other side of the bathroom door. A teenaged sharpshooter must devise a revenge that will make her feel whole again. Though her characters are vulnerable, confused, and sometimes angry, they are also resolute. Campbell follows them as they rebuild their lives, continue to hope and dream, and love in the face of loneliness. Fellow Michiganders, fans of short fiction, and general readers will enjoy this poignant and affecting collection of tales.
Poetry. "In her gorgeous new collection, salvage, Kristy Bowen builds an associative world, where details intensify and dissipate like the sea. Haunted and mysterious, lush and encompassing, this word is wet often submerged, scaled, salt-washed. The poems within it bob and sink as they explore love and disconnection, 'the riptide / pull of strange, lonely dogs and broken phone lines.'" Ruth Foley"
"Richard Blanzac, a San Francisco-based rare book dealer, opens a box of consignment items and encounters the unexpected. There, among an assortment of literary rarities, he discovers a manuscript in verse, an Ace Double Novel, and a scattering of very old cigarette butts. These commonplace objects serve as catalysts for an extraordinary-- and unpredictable-- adventure. Without warning, Blanzac finds himself traversing a 'circle of discontinuity' that leads from the present day to the San Francisco of 1957. Caught up in that circle are an ancient Sumerian deity, a forgotten Beat-era poet named Sophie Greenwald, and an apocalyptic cult in search of the key to absolute non-existence" -- from publisher's web site.
A LOCUS AWARD FINALIST FOR BEST FIRST NOVEL! The Guardian's Pick for Best Science Fiction Book of the Year! A timely and uncanny portrait of a world in the wake of fake news, diminished privacy, and a total shutdown of the Internet BEFORE: In Bristol’s center lies the Croft, a digital no-man’s-land cut off from the surveillance, Big Data dependence, and corporate-sponsored, globally hegemonic aspirations that have overrun the rest of the world. Ten years in, it’s become a center of creative counterculture. But it’s fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City—now the apotheosis of the new techno-utopian global metropolis? AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary—who has visions of people presumed dead—is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft’s black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure. The world of Infinite Detail is a small step shy of our own: utterly dependent on technology, constantly brokering autonomy and privacy for comfort and convenience. With Infinite Detail, Tim Maughan makes the hitherto-unimaginable come true: the End of the Internet, the End of the World as We Know It.
Salvage-Style Projects is the definitive inspirational resource and how-to guide for turning cast-off architectural details into high-style, low-cost home furnishings. This 144-page book includes 22 creative reuse projects for everything from vintage porcelain faucet taps to paneled wood doors. All that's required of the reader is a sense of adventure, an eye for bargains, and a good tool kit. The author even helps with the last two by offering treasure-hunting tips and a guide to setting up an in-home workshop.