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Haunting photographs and dark family secrets make this second spine-tingling novel from Norah Olson the perfect read for fans of creepy, suspenseful teen fiction. A love of photography, an old camera, and countless questions—these are all that sixteen-year-old Gretchen has left of her mother, who mysteriously disappeared years ago. Now she must return to the place where her mom vanished—a decaying mansion that Gretchen has suddenly inherited from her great-aunt Esther. However, Gretchen won’t find the answers she’s seeking without unraveling the secrets that lurk inside the house. There are stacks of photographs and letters from her ancestors that go back centuries, pointing to some kind of haunting past. But when proof of the mansion’s dark history appears to Gretchen in the form of ghostly visions and the soft, eerie whisper of her mother’s voice, there’s no doubt that something sinister has taken place there. No matter how scared she might be, Gretchen must somehow uncover the reasons why this indescribable force has descended upon her family and find a way to set everyone—even the dead—free.
A perennially popular book by a beloved author—now in an updated package with a new preface—sheds light on what the next life may have in store. “A book about living that will help readers see more beauty, feel more power, and know more love.” — don Miguel Ruiz, international best-selling author of The Four Agreements If the dead could speak, don’t you wonder what they would say to those of us they’ve left behind? What would they tell us to soothe our sorrow for their loss, calm our fears of what happens when we die, and fire us up to live the best possible lives we can right now? These are the questions New York Times best-selling author Mike Dooley seeks to answer in The Top Ten Things Dead People Want to Tell You—and ten years after its initial release, it’s still one of Mike’s most popular and beloved books. In pages filled with wisdom, humor, and, yes, joy, Mike explores our most pressing and profound questions about the afterlife—and this life—by adopting the perspective of those who have made the transition to the next phase. Among the revelations and insights they share: • We were ready; you are not. • There’s no such thing as a devil or hell. • We’re sorry for any pain we may have caused. • Your pets are just as crazy, brilliant, and loving here as they were there. • Nothing we say can prepare you for the beauty of the moment you arrive. New readers are discovering The Top Ten Things Dead People Want to Tell You all the time—and this anniversary release gives the book a fresh new package and new preface from the author to frame its invaluable insights for the times we live in now. “Mike Dooley lifts the veil between our perceptual world and the world beyond our physical sight. [He] reminds us that we’re always being guided. . . . Read this book and reconnect with the love that is all around you.” — Gabrielle Bernstein, #1 New York Times best-selling author
They are waiting for death. He is waiting to kill them. In May 2020, fourteen-year-old Andrew Golding went out for a walk following a row with his mum. He was never seen again. Four years later, when the press discovers police errors in Andrew Golding's case, DI Ridpath is called in to investigate. As Ridpath delves into the case, he slowly discovers something much bigger and far more brutal than he ever expected – a murderer from the past who threatens his career and the lives of those close to him. Can he unravel the secrets before the killer strikes again? The latest tense and gripping DI Ridpath thriller set in Manchester. Perfect for fans of Mark Billingham and Damien Boyd.
A modern, all-encompassing exploration of what happens after death combines spirituality with philosophy, history, and science, all of which guide readers toward the timeless truth that human consciousness lives on after death.
"This is Alice. She was taken by Ray five years ago. She thought she knew how her story would end. She was wrong."-- [P.4] Cover.
"Intriguing and captivating."—Celia Rees, author of Witch Child WRONGED. HANGED. ALIVE? (AND TRUE!) Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon. Newes from the Dead is a 2009 Bank Street - Best Children's Book of the Year.
Higson's terrifying, utterly compelling prequel to The Enemy introduces an all-new cast of characters and sets the stage for a dramatic third book in the series. The disease only affects people sixteen or older. It starts with the symptoms of a cold. Then the skin begins to itch, and spots appear—spots that soon turn into pus-filled boils. But the worst part is the headache, the inner voices that tell you that you need to eat them... the young ones. When the Disaster strikes, the world turns upside down for Ed, Jack, Bam, and the other students at Rowhurst School. The parents and older siblings they left back at home are dead—or worse. Once the teachers go on the attack, the kids know it's time to escape and make their way to the city. It's got to be better in London...or will it be worse?
Thrills and chills descend on the town of Nightshade during Halloween in this fourth book in the series, following Dead Is So Last Year. As the creepy little town of Nightshade prepares to celebrate its 200th anniversary—on Halloween, of course—many of its paranormal residents are receiving mysterious blackmail letters. Psychic teen Daisy Giordano and her sisters set out to find out who is behind the threats. But launching an investigation isn’t easy for Daisy with her overprotective father watching her every move. Though she’s is happy to have him back after the years he spent being held captive by an anti-paranormal group called the Scourge, Dad is having a difficult time adjusting to home life—and the fact that his little girl is now a senior in high school. He even disapproves of Daisy’s boyfriend, Ryan. Can their relationship take the strain? And Daisy’s got even more on her plate: A talented amateur chef, she has won cooking lessons with celebrity chef Circe Silvertongue. After nosing around (with a little help from Circe’s pet pig), Daisy begins to suspect the temperamental chef’s secrets aren’t only in her ingredients . . . Praise for the Dead Is series “[Perez] delivers a wise-cracking, boy-lusting, determined sleuth of a high school protagonist . . . this quick, lighter-than-air spoof of the undead, cheerleaders and popularity is pure pleasure.”—Publishers Weekly “A fun ride from start to finish. Perez’s smart and sassy style soars.”—Mary E. Pearson, author of the Remnant Chronicles “[A] quick, lively romp . . . Teens looking for a breezy read will find plenty to like here.”—Booklist
Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.