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In a world where more people know who Princess Di was than who their own senators are, where Graceland draws more visitors per year than the White House, and where Michael Jordan is an industry unto himself, fame and celebrity are central currencies. In this intriguing book, Tyler Cowen explores and elucidates the economics of fame. Fame motivates the talented and draws like-minded fans together. But it also may put profitability ahead of quality, visibility above subtlety, and privacy out of reach. The separation of fame and merit is one of the central dilemmas Cowen considers in his account of the modern market economy. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture. Most pertinently, Cowen considers the implications of modern fame for creativity, privacy, and morality. Where critics from Plato to Allan Bloom have decried the quest for fame, Cowen takes a more pragmatic, optimistic view. He identifies the benefits of a fame-intensive society and makes a persuasive case that however bad fame may turn out to be for the famous, it is generally good for society and culture.
The separation of fame and merit is a central dilemma Cowen considers in this exploration of the economics of fame. He shows how fame is produced, outlines the principles that govern who becomes famous and why, and discusses whether fame-seeking behavior harmonizes individual and social interests or corrupts social discourse and degrades culture.
Charming, erudite, and the very personification of the English gentleman, Dennis Price was without doubt also one of the most promising and talented newcomers to the world of theatre and film in the late 1930s, and he arguably reached his screen best in the classic Ealing comedy 'Kind Hearts and Coronets'. Huge praise was lavished upon him and he was compared alongside theatrical contemporaries Laurence Olivier, John Gielgud and Ralph Richardson as being destined for great things. Scene-stealing performances followed over the next few decades in such differing films as 'The Dancing Years', 'The Intruder', 'Private's Progress', 'The Naked Truth', 'Tunes of Glory', 'Tamahine' and 'Theatre of Blood', to name but a few. Though whilst his career was blossoming his private life was going through turmoil when, after one of his several affairs was discovered by his wife, he faced the shame of divorce, separation from his two children and when coupled with significant tax bills, it all proved too much and the actor attempted suicide. Eventually bouncing back, he reinvented himself as a character actor and appeared in scores of notable films-and was often the best thing in them!
After a near-death experience, Sara Miller decides to confess her past indiscretions to her family. Her children will learn the truth about their mother and what she did to survive during a tragic time in her young adult life. Sara's pride, up until now, had kept these choices a secret, but life has a way of changing our plans whether we like it or not. Even though her actions were an attempt for a better life, Sara knew that her family could be destroyed by what they were about to hear that day. Ironically, her purging will prove to become a portal for the entire family to cleanse themselves and maybe help the family to heal. Only time will tell. There is a part of Sara Miller in everyone. We all want the best life possible for ourselves, and when we have a family, we sometimes try to manipulate their futures and ignore what they might want for themselves. Although many of Sara's plans succeeded to a certain degree, the price would be costly. Our primary role should be to give our children the opportunity to grow and mature and to honor their own dreams, not ours. In the end, we might be surprised to find out that they are both the same. All we can do is to love and protect them unconditionally and sit back and enjoy the ride.
“I hope I shall have ambition until the day I die,” Clare Boothe Luce told her biographer Sylvia Jukes Morris. Price of Fame, the concluding volume of the life of an exceptionally brilliant polymath, chronicles Luce’s progress from her arrival on Capitol Hill through her career as a diplomat, prolific journalist, and magnetic public speaker, as well as a playwright, screenwriter, pioneer scuba diver, early experimenter in psychedelic drugs, and grande dame of the GOP in the Reagan era. Tempestuously married to Henry Luce, the powerful publisher of Time Inc., she endured his infidelities while pursuing her own, and remained a practiced vamp well into her crowded later years, during which she strengthened her friendships with Winston Churchill, Somerset Maugham, John F. Kennedy, Evelyn Waugh, Lyndon Johnson, Salvador Dalí, Richard Nixon, William F. Buckley, Ronald Reagan, and countless other celebrities. Sylvia Jukes Morris is the only writer to have had complete access to Mrs. Luce’s prodigious collection of public and private papers. In addition, she had unique access to her subject, whose death at eighty-four ended a life that for variety of accomplishment qualifies Clare Boothe Luce for the title of “Woman of the Century.” Praise for Price of Fame “The twentieth-century history of this country, seen through the eyes and actions of a remarkable woman . . . one of the most fabulous, intimate biographies I have ever read.”—Liz Smith, Chicago Tribune “The epic Price of Fame is a thrilling account of one of the twentieth century's most intriguing and ambitious society figures.”—Amanda Foreman, bestselling author of Georgiana: Duchess of Devonshire “Delicious . . . In Price of Fame . . . Sylvia Jukes Morris takes up the story she began in Rage for Fame. . . . Both books are models of the biographer’s art—meticulously researched, sophisticated, fair-minded and compulsively readable.”—Edward Kosner, The Wall Street Journal “Clare Boothe Luce [was] one of the twentieth century’s most ambitious, unstoppable and undeniably ingenious characters. . . . This full, warts-and-all biography hauls her back into the limelight and does her full justice.”—Janet Maslin, The New York Times “Poignant and profound . . . nothing short of a triumph.”—Marion Elizabeth Rodgers, The Washington Times “Compelling . . . [a] brilliant biography.”—Peter Tonguette, The Christian Science Monitor
Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of co-existing artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema. Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven's later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week's Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other. Cowen's philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neo-conservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.
"Wholly riveting." --New York Times Book Review "Justine Bateman was famous before selfies replaced autographs, and bags of fan mail gave way to Twitter shitstorms. And here's the good news: she took notes along the way. Justine steps through the looking glass of her own celebrity, shatters it, and pieces together, beyond the shards and splinters, a reflection of her true self. The transformation is breathtaking. Revelatory and raucous, fascinating and frightening, Fame is a hell of a ride." --Michael J. Fox, actor, author of A Funny Thing Happened on the Way to the Future "In a new book, Fame: The Hijacking of Reality, the two-time Emmy nominee takes a raw look at the culture of celebrity, reflecting on her stardom at its dizzying peak--and the 'disconcerting' feeling as it began to fade." --People Magazine A Book Soup (Los Angeles, CA) best seller, October 15–21, 2018 "As the title Fame: The Hijacking of Reality more than implies, this is a book about the complicated aspects of all things fame." --Vanity Fair "Bateman digs into the out-of-control nature of being famous, its psychological aftermath and why we all can't get enough of it." --New York Post "The Family Ties alum has written the rawest, bleakest book on fame you're ever likely to read. Bateman's close-up of the celeb experience features vivid encounters with misogyny, painful meditations on aging in Hollywood, and no shortage of theses on social media's wrath." --Entertainment Weekly "Bateman addresses the reader directly, pouring out her thoughts in a rapid-fire, conversational style. (Hunter S. Thompson is saluted in the acknowledgments.)...But her jittery delivery suits the material--the manic sugar high of celebrity and its inevitable crash. Bateman takes the reader through her entire fame cycle, from TV megastar, whose first movie role was alongside Julia Roberts, to her quieter life today as a filmmaker. She is as relentless with herself as she is with others." --Washington Post "While Bateman's new book Fame: The Hijacking of Reality (out now) touches on the former teen starlet's experience in the public eye, it's not a memoir. Far from it, in fact--it's instead an intense meditation on the nature of fame, and a glimpse into the repercussions it has on both the individual experiencing it and the society that keeps the concept alive." --Entertainment Weekly "Bateman takes an unsentimental look at the nature of celebrity worship in her first book, Fame: The Hijacking of Reality." --LA Weekly Entertainment shows, magazines, websites, and other channels continuously report the latest sightings, heartbreaks, and triumphs of the famous to a seemingly insatiable public. Millions of people go to enormous lengths to achieve Fame. Fame is woven into our lives in ways that may have been unimaginable in years past. And yet, is Fame even real? Contrary to tangible realities, Fame is one of those "realities" that we, as a society, have made. Why is that and what is it about Fame that drives us to spend so much time, money, and focus to create the framework that maintains its health? Mining decades of experience, writer, director, producer, and actress Justine Bateman writes a visceral, intimate look at the experience of Fame. Combining the internal reality-shift of the famous, theories on the public's behavior at each stage of a famous person's career, and the experiences of other famous performers, Bateman takes the reader inside and outside the emotions of Fame. The book includes twenty-four color photographs to highlight her analysis.
"Lord, I have heard of your fame; I stand in awe of your deeds, Lord. Repeat them in our day, in our time make them known; in wrath remember mercy." —Habakkuk 3:2 My Fame, His Fame is a call for believers to heed the example of the prophet Habakkuk by stepping to their watch on the ramparts and calling for a revelation of God’s mighty acts to be repeated in our time. It is an inspiring reminder that our lives are to be lived for one aim: to increase the fame of the Famous One. Thann presents a radically different—and far better—approach to achieving success in life and you will walk away inspired and equipped to live for the purpose of His fame.
The author of Welcome to the New World and Bad Paper discusses America’s obsession with celebrity in this 2007 investigation. Why do more people watch American Idol than the nightly news? What is it about Paris Hilton’s dating life that lures us so? Why do teenage girls—when given the option of “pressing a magic button and becoming either stronger, smarter, famous, or more beautiful” —predominantly opt for fame? In this entertaining and enlightening book, Jake Halpern explores the fascinating and often dark implications of America’s obsession with fame. He travels to a Hollywood home for aspiring child actors and enrolls in a program that trains celebrity assistants. He visits the offices of Us Weekly and a laboratory where monkeys give up food to stare at pictures of dominant members of their group. The book culminates in Halpern’s encounter with Rod Stewart’s biggest fan, a woman from Pittsburgh who nominated the singer for Hollywood’s Walk of Fame. Fame Junkies reveals how psychology, technology, and even evolution conspire to make the world of red carpets and velvet ropes so enthralling to all of us on the outside looking in. Praise for Fame Junkies “An astute look at the mighty vortex of fame, which this author believes will only get more powerful.” —Kirkus Reviews “Halpern displays an evocative, insiderish style reminiscent . . . of Tom Wolfe’s when he peered into 1960s celebrity culture.” —Wall Street Journal “A critical look at Americans’ infatuation with fame and determines that fame is elusive, desirable—and also possibly addictive . . . . [An] engaging study.” —Publishers Weekly