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Despite making mistakes along the way, Sherri Gibbons lived her life as a semi-decent person. Then a near-death experience made her reevaluate her life. She realized that while being semi-decent is okay; there is always room to be a better person. Learning how to be a better person-and reminders on how to strip away the unnecessary drama in our lives-can come from unlikely sources. Oliver, Sherri's quirky English bulldog, was the teacher of these lessons. Oliver was experiencing situations similar to Sherri-an incurable illness was of those things-only he was handling life much better than Sherri. What Oliver Taught Me is a charming and insightful memoir of how a strange and adorably funny English bulldog helped Sherri become a better human. Follow along as Sherri takes us through relevant life events and the weird parallel lives she and Oliver were living.
Philosophy reads humanity against animality, arguing that "man" is man because he is separate from beast. Deftly challenging this position, Kelly Oliver proves that, in fact, it is the animal that teaches us to be human. Through their sex, their habits, and our perception of their purpose, animals show us how not to be them. This kinship plays out in a number of ways. We sacrifice animals to establish human kinship, but without the animal, the bonds of "brotherhood" fall apart. Either kinship with animals is possible or kinship with humans is impossible. Philosophy holds that humans and animals are distinct, but in defending this position, the discipline depends on a discourse that relies on the animal for its very definition of the human. Through these and other examples, Oliver does more than just establish an animal ethics. She transforms ethics by showing how its very origin is dependent upon the animal. Examining for the first time the treatment of the animal in the work of Heidegger, Merleau-Ponty, Derrida, Agamben, Freud, Lacan, and Kristeva, among others, Animal Lessons argues that the animal bites back, thereby reopening the question of the animal for philosophy.
What the Dying Teach Us: Lessons on Living is a spiritual approach to health care that teaches the reader about values, hope, and faith through actual experiences of terminally ill persons. This unique approach to health care teaches the living how to deal with grief and the bereavement process through faith and prayer. Priests, pastors, chaplains, and psychotherapists will learn how to treat parishioners or patients with the values the dying leave behind, allowing part of their deceased loved one’s beliefs and teachings to guide them through the grieving process. In the end, you will also become aware of your spiritual self while helping others heal and renew their soul.While What the Dying Teach Us concentrates on the values you can learn from the terminally ill, the author includes his own views on: how our tears manifest the depth into which our relationship with a deceased loved one travels how dimensions of reality lead us to appreciate the present experiencing events in life without judgment or comparison the role faith may play in health care as a healer of the terminally ill how the strength of prayer can drastically change livesWhat the Dying Teach Us celebrates the spirit loved ones leave behind and teaches you how to surrender into an eternal relationship with them. Furthermore, because of this experience, you will be able to find a new and deeper realization of your own existence. What the Dying Teach Us will help you spiritually connect with yourself as well as with deceased loved ones that continue to live on through faith.
This book is for restless souls who desire to know God more deeply. Ashley Mae Hoiland bids us follow her down the hallowed and well-trodden path between the heart and mind, where glimpses of godliness are discovered in rainstorms, bus rides, temples, and mountains. As a Latter-day Saint, Hoiland explores the complexities of faith in everyday life where laughter and creativity matter as much as faith, hope, and charity.
When Oliver's parents move into separate houses, he spends a lot of time looking out of windows with his pet lion as he adjusts to a new preschool and to living in two places.
From the illustrator of the #1 smash hit The Day the Crayons Quit comes the age-old tale of a boy and his moose . . . Wilfred is a boy with rules. He lives a very orderly life. It's fortunate, then, that he has a pet who abides by rules, such as not making noise while Wilfred educates him on his record collection. There is, however, one rule that Wilfred's pet has difficulty following: Going whichever way Wilfred wants to go. Perhaps this is because Wilfred's pet doesn't quite realize that he belongs to anyone. A moose can be obstinate in such ways. Fortunately, the two manage to work out a compromise. Let's just say it involves apples. Oliver Jeffers, the bestselling creator of Stuck and The Incredible Book Eating Boy, delivers another deceptively simple book sure to make kids giggle.
"[A]n eloquent, brave, big-hearted book…about the timeless anxieties and emotions of parenthood, and the modern twists thereon.” —James Fallows, The Atlantic Love That Boy is a uniquely personal story about the causes and costs of outsized parental expectations. What we want for our children—popularity, normalcy, achievement, genius—and what they truly need—grit, empathy, character—are explored by National Journal’s Ron Fournier, who weaves his extraordinary journey to acceptance around the latest research on childhood development and stories of other loving-but-struggling parents.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.
From the renowned neurologist and bestselling author of Awakenings and The Man Who Mistook His Wife for a Hat comes a fascinating investigation of the many manifestations of migraine, including the visual hallucinations and distortions of space, time, and body image which migraineurs can experience. “So erudite, so gracefully written, that even those people fortunate enough never to have had a migraine in their lives should find it equally compelling.” —The New York Times The many manifestations of migraine can vary dramatically from one patient to another, even within the same patient at different times. Among the most compelling and perplexing of these symptoms are the strange visual hallucinations and distortions of space, time, and body image which migraineurs sometimes experience. Portrayals of these uncanny states have found their way into many works of art, from the heavenly visions of Hildegard von Bingen to Alice in Wonderland. Dr. Oliver Sacks argues that migraine cannot be understood simply as an illness, but must be viewed as a complex condition with a unique role to play in each individual's life.