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What Maisie Knew is an 1897 novel by American/British author Henry James. The story was first published in The Chap-Book and the New Review, two prominent American literary magazines of the time.The protagonist of the book is Maisie, a young girl whose parents are divorced. The book follows her growth and development over the course of many years, as she evolves from a little girl to a more mature, sensible adolescent. Maisie has a difficult upbringing, as the book chronicles, for her parents use her as a tool to exact revenge on each other and to vent their frustrations from a bad divorce. Eventually, her parents abandon her entirely, and Maisie must make a tough choice about which of the guardians in her life she wants to care for her.What Maisie Knew is an extremely influential piece of American literature, analyzed by many scholars and critics over the years. Maisie's psychological growth has been a prominent subject of study; a few scholars point to her as a paradigm of Freudian developmental psychology. The book was also adapted into a successful movie in 2012.
What Maisie Knew (1897) represents one of James's finest reflections on the rites of passage from wonder to knowledge, and the question of their finality. The child of violently divorced parents, Maisie Farange opens her eyes on a distinctly modern world. Mothers and fathers keep changing their partners and names, while she herself becomes the pretext for all sorts of adult sexual intrigue. In this classic tale of the death of childhood, there is a savage comedy that owes much to Dickens. But for his portrayal of the child's capacity for intelligent `wonder', James summons all the subtlety he devotes elsewhere to his most celebrated adult protagonists. Neglected and exploited by everyone around her, Maisie inspires James to dwell with extraordinary acuteness on the things that may pass between adult and child. In addition to a new introduction, this edition of the novel offers particularly detailed notes, bibliography, and a list of variant readings. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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After her parents� bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie � solitary, observant and wise beyond her years � is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society. Part of a relaunch of three James titles.
"A female investigator every bit as brainy and battle-hardened as Lisbeth Salander." —Maureen Corrigan, NPR's Fresh Air, on Maisie Dobbs Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan's friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts and helped her earn admission to the prestigious Girton College in Cambridge, where Maisie planned to complete her education. The outbreak of war changed everything. Maisie trained as a nurse, then left for France to serve at the Front, where she found—and lost—an important part of herself. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive. Her very first case involves suspected infidelity but reveals something very different. In the aftermath of the Great War, a former officer has founded a working farm known as The Retreat, that acts as a convalescent refuge for ex-soldiers too shattered to resume normal life. When Fate brings Maisie a second case involving The Retreat, she must finally confront the ghost that has haunted her for over a decade.
"A marvelously rich and intelligent read, atmospheric, witty, irreverent, and not least a sharply perceptive portrait of those three extraordinary Jameses." -John Banville, author of The Infinities Under Certain Circumstances, No One Is More Suited to Solving a Crime than a Woman Confined to Her Bed An invalid for most her life, Alice James is quite used to people underestimating her. And she generally doesn't mind. But this time she is not about to let things alone. Yes, her brother Henry may be a famous author, and her other brother William a rising star in the new field of psychology. But when they all find themselves quite unusually involved in the chase for a most vile new murderer-one who goes by the chilling name of Jack the Ripper-Alice is certain of two things: No one could be more suited to gather evidence about the nature of the killer than her brothers. But if anyone is going to correctly examine the evidence and solve the case, it will have to be up to her. Praise for Paula Marantz Cohen "Cohen's wit is sharp, smart, and satirical, and her characterizations are vividly on target." -San Francisco Chronicle
A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.