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After her parents� bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie � solitary, observant and wise beyond her years � is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society. Part of a relaunch of three James titles.
Reproduction of the original: Embarrassments by Henry James
"A female investigator every bit as brainy and battle-hardened as Lisbeth Salander." —Maureen Corrigan, NPR's Fresh Air, on Maisie Dobbs Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan's friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts and helped her earn admission to the prestigious Girton College in Cambridge, where Maisie planned to complete her education. The outbreak of war changed everything. Maisie trained as a nurse, then left for France to serve at the Front, where she found—and lost—an important part of herself. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive. Her very first case involves suspected infidelity but reveals something very different. In the aftermath of the Great War, a former officer has founded a working farm known as The Retreat, that acts as a convalescent refuge for ex-soldiers too shattered to resume normal life. When Fate brings Maisie a second case involving The Retreat, she must finally confront the ghost that has haunted her for over a decade.
Previously published as part of The New Dead: A Zombie Anthology. Praise for WHAT MAISIE KNEW and the THE NEW DEAD: "Provocative, haunting, and genuinely unsettling... David Liss's novelette What Maisie Knew is a stunning and gruesome meditation on the banality of capitalism and evil... This powerful anthology [THE NEW DEAD] shines a bright and unflinching light on the fears of death, decay, and loss that underpin America's longstanding obsession with the undead." - Publishers Weekly *Starred Review*
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
When Maisie is struck by lightning, her face is partially destroyed. She's lucky enough to get a face transplant, but how do you live your life when you can't even recognize yourself any more? She was a runner, a girlfriend, a good student ... a normal girl. Now, after a single freak accident, all that has changed. As Maisie discovers how much her looks did and didn't shape her relationship to the world, she has to redefine her own identity, and figure out what 'lucky' really means.
"A marvelously rich and intelligent read, atmospheric, witty, irreverent, and not least a sharply perceptive portrait of those three extraordinary Jameses." -John Banville, author of The Infinities Under Certain Circumstances, No One Is More Suited to Solving a Crime than a Woman Confined to Her Bed An invalid for most her life, Alice James is quite used to people underestimating her. And she generally doesn't mind. But this time she is not about to let things alone. Yes, her brother Henry may be a famous author, and her other brother William a rising star in the new field of psychology. But when they all find themselves quite unusually involved in the chase for a most vile new murderer-one who goes by the chilling name of Jack the Ripper-Alice is certain of two things: No one could be more suited to gather evidence about the nature of the killer than her brothers. But if anyone is going to correctly examine the evidence and solve the case, it will have to be up to her. Praise for Paula Marantz Cohen "Cohen's wit is sharp, smart, and satirical, and her characterizations are vividly on target." -San Francisco Chronicle
“Delightful and darkly magical. Julia Fine has written a beautiful modern myth, a coming-of-age story for a girl with a worrisome power over life and death. I loved it.” —Audrey Niffenegger, author of The Time Traveler’s Wife and Her Fearful Symmetry Finalist for the Bram Stoker Superior Achievement in a First Novel Award • Shortlisted for the Chicago Review of Books Best Novel Prize • A Bustle Unmissable Debut of the Year • A Popsugar Best Book of the Year • A Washington Post Best Fantasy Book of May • A Refinery 29 Best May Book • A Chicago Review of Books Best May Book • A Verge Gripping Fantasy Novel of May In this darkly funny, striking debut, a highly unusual young woman must venture into the woods at the edge of her home to remove a curse that has plagued the women in her family for millennia—an utterly original novel with all the mesmerizing power of The Tiger’s Wife, The Snow Child,and Swamplandia! Cursed.Maisie Cothay has never known the feel of human flesh: born with the power to kill or resurrect at her slightest touch, she has spent her childhood sequestered in her family’s manor at the edge of a mysterious forest. Maisie’s father, an anthropologist who sees her as more experiment than daughter, has warned Maisie not to venture into the wood. Locals talk of men disappearing within, emerging with addled minds and strange stories. What he does not tell Maisie is that for over a millennium her female ancestors have also vanished into the wood, never to emerge—for she is descended from a long line of cursed women. But one day Maisie’s father disappears, and Maisie must venture beyond the walls of her carefully constructed life to find him. Away from her home and the wood for the very first time, she encounters a strange world filled with wonder and deception. Yet the farther she strays, the more the wood calls her home. For only there can Maisie finally reckon with her power and come to understand the wildest parts of herself.
With clarity, sensitivity, and striking authenticity, Eliza Minot adeptly captures the voice of a vibrant, intelligent child swept into a sea of sorrow and confusion in The Tiny One. Via Mahoney Revere is eight years old when her mother is killed in a car accident. Confused by anguish, bewildered by her mother's absence, and mystified by the notion of death itself, Via retells the day of her mother's death in minute detail, trying to discern the crack in the world through which her mother must have slipped. She takes us through the seemingly ordinary moments of her day, from a cold-cereal breakfast to math class, when she is called to the principal's office to hear the news. Every small event of the tragic day calls up earlier memories from Via's young life, resulting in a beautifully patterned portrait of a comfortable childhood guarded by a warm and loving mother. Via attempts to grasp "how something so big could fit into such a little thing as a day."