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Tracing the modern photographic portrait over the past 150 years, the book reveals the many ways the photographic arts have investigated, represented, interpreted, and subverted the human face and, consequently, the human spirit.
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We live in an age of the mobile image. The world today is absolutely saturated with images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has enormous consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new theory and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but it is rarely understood to be fundamentally in motion. The original and materialist approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetic" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.
Metaphor and Iconicity attempts to clarify the interplay of metaphor and iconicity in the creation and interpretation of spoken and written texts from a cognitive perspective. There are various degrees in which metaphor and iconicity manifest themselves, ranging from sound symbolism and parallelism in poetic discourse to word order, inflectional forms, and other grammatical structures in ordinary discourse. The book makes unique contributions to the study of the relationship of form and meaning.
Preface Contributors 1. Narrative Strategies and the Invisible inNeelum Saran Gour's Sikandar Chowk Park:Reconstructing Identities and (Inter- )Religious Confrontation - Ludmila Vol2. From The Sandal Trees to Facing the Mirror:A Herstorical Over-view of Same-SexLove in India - Ana García-Arroyo3. Literature Still Matters! The Namesake: Woman Reads Woman- Prem Srivastava4. The Celebration of Acculturation inMonica Ali's Brick Lane - Leela Kanal5. A Socio-Cultural Feminist Critique ofInside the Haveli within the Frame ofthe Marginal - Vaishali Naik6. Reason and Rebellion in Feminism: ShashiDeshpa.
Shell Structures. Theory and Applications, Volume 2 contains 77 contributions from over 17 countries, reflecting a wide spectrum of scientific and engineering problems of shell structures. The papers are divided into six broad groups: 1. General lectures; 2. Theoretical modeling; 3. Stability; 4. Dynamics; 5. Numerical analysis; 6. Engineering
Drawing on and furthering the enterprise of Rembrandt scholars, who have been reinterpreting the artist and his work over the past 25 years, Alpers presents new considerations about Rembrandt's handling of paint, his theatrical approach to his models, his use of his studio as an environment under his control, and his relationship to those who bought his work. Her study is timely in light of recent research showing that well-known works attributed to Rembrandt are by followers instead. Alpers developed her text from a lecture series, and the prose gains readability by retaining some of the flavor of a talk. Still, this will find its audience chiefly among scholars and specialists in the field. Kathryn W. Finkelstein, M. Ln., Cincinnati Copyright 1988 Reed Business Information, Inc. -- From Library Journal.