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Michael Rosen's seven-year-old son Ripton one day decided to join a pick-up game of baseball with some older kids in the park. At the end of the game Ripton asked his new friends if they wanted to come back to his house for snacks and Nintendo. Over time, five of the boys -- all black and Hispanic, from the impoverished neighborhood across the park -- became a fixture in the Rosens' home and eventually started referring to Michael and his wife Leslie as their parents. The boys began to see the Rosens as more than just an arcade of middle-class creature comforts; the Rosens began to learn the full stories of the boys' fractured lives. Soon Michael and Leslie decided that their responsibility, like that of parents everywhere, was to help all their boys get a start in life. So began a turbulent learning experience all round, beautifully and movingly depicted in What Else But Home. It's a quest to escape the previously inevitable, a test of the resilience of a newly assembled family, a love story unlike any other, and a celebration of the fact that, whatever our differences, baseball and commitment can help us bridge them.
This book is the story of the struggle for reconciliation by three men who return to their changed hometown along very different paths—Cappy Giberson from journalism school, Drayton Hunt, his biological father, from prison, and Tick Giberson from a traveling evangelist's life.
Two years of living abroad, two years of stories, encounters, and self-discovery. These are tales from everywhere but home. After graduating college, Phil Rosen dropped everything, packed up, and moved to Hong Kong. He launched a travel blog and ventured all over Southeast Asia, meeting people, seeing places, and writing about it all the while. Travelogues of different countries alternate with chapters that raise questions of self-discovery, purpose and finding meaning as a recent college graduate. There are stories from Hong Kong, Thailand, Singapore, Bali, and more. With each chapter, Phil seems to get closer and closer to answering the question "What are college graduates really supposed to do in life?"
This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.
Don Sheehan's early life, plagued by his father's alcoholic violence, was at the same time blessed by the good stories this intelligent man read aloud to his children. In his teens, unhappy in school, Don joined a street gang and then the Army Reserves, where he found he had renounced violence. On his eighteenth birthday, happening upon his post library, he walked straight to a book of Japanese poems. It went, in turn, straight to his heart, for eight hours. He'd come home at last. The house of Don's pilgrimage encompasses a wide territory: spiritual, lyric, scholarly, usually all at once. At our best, what we can take from engaging these essays is a way of falling into the heart to embrace, suffer, and, in Christ, transfigure the world's "ruining oppositions." In doing so, we fulfill what St. Maximus the Confessor saw as our human calling: to unify the polarities embedded in God's creation and thus make, not only ourselves, but all Creation whole.
The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.
In the years following the Civil War, a veritable army of homeless men swept across America's "wageworkers' frontier" and forged a beguiling and bedeviling counterculture known as "hobohemia." Celebrating unfettered masculinity and jealously guarding the American road as the preserve of white manhood, hoboes took command of downtown districts and swaggered onto center stage of the new urban culture. Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship. In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "American century" in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes—with their reputation as dangers to civilization, sexual savages, and professional idlers—became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "home" does more than chart the change from "homelessness" to "houselessness." In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.
Every poem, Robert Frost declared, "is an epitome of the great predicament, a figure of the will braving alien entanglements". This study considers what Frost meant by those entanglements, how he braved them in his poetry, and how he invited his readers to do the same. In the process it contributes significantly to a new critical awareness of Frost as a complex artist who anticipated postmodernism--a poet who invoked literary traditions and conventions frequently to set himself in tension with them. Using the insights of reader-response theory, Judith Oster explains how Frost appeals to readers with his apparent accessibility and then, because of the openness of his poetry's possibilities, engages them in the process of constructing meaning. Frost's poems, she demonstrates, teach the reader how they should be read; at the same time, they resist closure and definitive reading. The reader's acts of encountering and constructing the poems parallel Frost's own encounters and acts of construction. Commenting at length on a number of individual poems, Oster ranges in her discussion from the ways in which the poet dramatizes the inadequacy of the self alone to the manner in which he "reads" the Book of Genesis or the writing of Emerson. Oster illuminates, finally, the central conflict in Frost: his need to be read well against his fear of being read; his need to share his creation against his fear of its appropriation by others.