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Maggie Rose loves to sing! And her favourite song is "What Colour's the Ocean Today," a song she made up with her Grandy about how the ocean changes colour from season to season. Join Maggie Rose and Grandy through Winter, Spring, Summer, and Fall and see what colour the ocean is today! Parents and children will both enjoy reading (and singing) this book over and over again. With colourful illustrations and sheet music in the back, What Colour is the Ocean? is sure to become a family favourite . . . no matter what season it is!
Colors appear in water like magic with Mudpuppy's Color the Ocean Magic Bath Book! Bath time friends come to life when their colors magically appear under water in this delightful bath book. * 6 x 6", 15 x 15 cm * 6 color-changing pages * Safe for all ages * Colors appear in water * Keep babies and toddlers engaged and entertained at bath time
CLEO publications in Frontiers in Marine Science Foreword Josef Aschbacher, Director of ESA’s Earth Observation Programmes Satellite data have drastically changed the view we have of the oceans. Covering about 70% of Earth’s surface, oceans play a unique role for our planet and for our life – but large areas remain unexplored and are difficult to reach. Since the 1980s, Earth-orbiting satellites have helped to observe what is happening at the ocean surface. Sensors like CZCS, AVHRR, SeaWifs and MODIS provided the first ocean colour data from space. Starting in 2002, ESA's Medium Resolution Imaging Spectrometer (MERIS) on-board the environmental satellite Envisat, provided detailed information on phytoplankton biomass and concentrations of other matter in the global oceans. These satellite observations laid the groundwork for studying the marine environment and how it responds to climate change, and the research community has since delivered information on the variability of marine ecosystems. Part of this work is reflected in this stunning collection of peer-reviewed publications presented at the workshop, Colour and Light in the Ocean from Earth Observation (CLEO), held at ESA’s ESRIN site in Frascati, Italy, on 6–8 September 2016. The event attracted more than 160 participants from all over the world, including remote sensing experts, marine ecosystem modelers, in-situ observers and users of Earth observation data. Scientifically, the meeting covered applications in climate studies over primary productivity and ocean dynamics, to pools of carbon and phytoplankton diversity at global and regional scales. It also demonstrated the potential of Earth observation and its contribution to modern oceanography. Looking to the future, new satellites developed by ESA under the coordination of the European Commission will further our scientific and operational observations of the seas. With Sentinel-3A in orbit and its twin Sentinel-3B following in 2017, there is a new category of data available for operational oceanographic applications and climate studies for years to come. These data are free and easy to access by anyone interested. Looking at the role of oceans in our daily lives, I am sure that this collection of scientific excellence will be valued by scientists of today and will inspire the next generation to carry these ideas into the future.
Since the pioneering work of Clarke et a1. (1970) it has been known that chlorophyll a (or. more generally. pigments) contained in phytoplankton in near-surface waters produced systematic variations in the color of the ocean which could be observed from aircraft. As a direct result of this work. NASA developed the Coastal Zone Color Scanner (CZCS). which was launched on Nimbus-G (now Nimbus-7) in October 1978. (A short description of the CZCS is provided in Appendix I. ) Shortly before launch. at the IUCRM Colloquium on Passive Radiometry of the Ocean (June 1978). a working group on water color measurements was formed to assess water color remote sensing at that time. A report (Morel and Gordon. 1980) was prepared which summarized the state-of-the-art of the algorithms for atmospheric correction. and phytoplankton pigment and seston retrieval. and which included recommendations concerning the design of next generation sensors. The water color session of the COSPAR/SCOR/IUCRM Symposium 'Oceanography from Space' held in Venice (May 1980. i. e •• in the post-launch period) provided the opportunity for a reassessment of the state-of-the-art after having gained some experience in the analysis of the initial CZCS imagery. Such an assessment is the purpose of this review paper. which will begin with an outline of the basic physics of water color remote sensing and the fundamentals of atmospheric corrections. The present state of the constituent retrieval and atmospheric correction algorithms will then be critically assessed.
An artist marooned on a remote island in the Arafura Sea contemplates his survival chances. He understands his desperate plight and the ocean's unrelenting power. But what is its true colour? A beguiling young woman nurses a baby by a lake while hiding brutal scars. Uneasy descendants of a cannibal victim visit the Pacific island of their ancestor's murder. A Caribbean cruise of elderly tourists faces life with wicked optimism. Witty, clever, ever touching and always inventive, the eleven stories in The True Colour of the Seatake us to many varied coasts- whether a tense Christmas holiday apartment overlooking the Indian Ocean or the shabby glamour of a Cuban resort hotel. Relationships might be frayed, savaged, regretted or celebrated, but here there is always the life-force of the ocean - seducing, threatening, inspiring. In The True Colour of the Sea,Robert Drewe - Australia's master of the short story form - makes a gift of stories that tackle the big themes of life- love, loss, desire, family, ageing, humanity and the life of art.
A special artist's edition of the hugely bestselling Lost Ocean with 24 illustrations from the original book, ready to color and frame. From the artist who launched a global adult coloring trend comes this special artist's edition of the bestselling coloring book Lost Ocean. This collection features 24 of the most popular illustrations from the book, presented single-sided on extra thick cardstock in a large-scale format, easy to remove and ideal for framing, display, or art projects.
At the outset of an adventure filled with disaster and delight, Jack Aubrey and Stephen Maturin pursue a prize through the stormy seas and icebergs south of Cape Horn, where the hunters suddenly become the hunted.
Marine Optics
Creative colouring with quests. 54 large and 6 smaller illustrations. Most illustrations are single-sided for those who wish to use pens, or to remove the page from the book.
An all-new iteration of the adult coloring book—a gorgeously hand-illustrated storybook for readers to color and cherish, both an enchanting tale and a one-of-a-kind keepsake From coloring book queen Johanna Basford comes a new spin on the world of adult coloring: a lavishly illustrated fable about a little girl named Ivy who stumbles upon a secret door leading to the magical world of Enchantia. Ivy embarks on a quest through its many realms in pursuit of her inky butterfly, meeting whimsical characters and discovering many wondrous things along the way. A charming story that interacts playfully with beautiful, colorable artwork in Johanna's signature style, Ivy and the Inky Butterfly is a one-of-a-kind adventure for readers of all ages to customize, color, and cherish. Printed on specially selected ivory paper. This paper has been specifically created for Johanna Basford’s coloring books. It has a medium tooth which is perfect for creating beautiful colored pencil effects or chalk pastel backgrounds but also wonderful for pens, which will glide effortlessly over its surface.