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A boy and girl playing dress up ask the reader for imaginative and real uses of a shoe, a chair, a hat, a cup, a broom, and finally a bed.
But all the kids are wearing them! Any child who has ever craved something out of reach will relate to this warm, refreshingly realistic story. Features an audio read-along. "I have dreams about those shoes. Black high-tops. Two white stripes." All Jeremy wants is a pair of those shoes, the ones everyone at school seems to be wearing. But Jeremy’s grandma tells him they don’t have room for "want," just "need," and what Jeremy needs are new boots for winter. When Jeremy’s shoes fall apart at school, and the guidance counselor gives him a hand-me-down pair, the boy is more determined than ever to have those shoes, even a thrift-shop pair that are much too small. But sore feet aren’t much fun, and Jeremy comes to realize that the things he has -- warm boots, a loving grandma, and the chance to help a friend -- are worth more than the things he wants.
"This inventive new collection of poetry introduces readers to everyday objects that have been ingeniously reimagined into something else altogether."--Provided by publisher
Explores shoes for various occupations. The book also includes a guessing game, matching shoes to a job.
"If the Shoe Fits encompasses everything I love about rom-coms. I laughed, I swooned, I smiled. Another hit for Julie Murphy!" —Colleen Hoover, #1 New York Times best-selling author of Hopeless If the shoe doesn’t fit, maybe it’s time to design your own. Cindy loves shoes. A well-placed bow or a chic stacked heel is her form of self-expression. As a fashion-obsessed plus-size woman, she can never find designer clothes that work on her body, but a special pair of shoes always fits just right. With a shiny new design degree but no job in sight, Cindy moves back in with her stepmother, Erica Tremaine, the executive producer of the world’s biggest dating reality show. When a contestant on Before Midnight bows out at the last minute, Cindy is thrust into the spotlight. Showcasing her killer shoe collection on network TV seems like a great way to jump-start her career. And, while she’s at it, why not go on a few lavish dates with an eligible suitor? But being the first and only fat contestant on Before Midnight turns her into a viral sensation—and a body-positivity icon—overnight. Even harder to believe? She can actually see herself falling for this Prince Charming. To make it to the end, despite the fans, the haters, and a house full of fellow contestants she’s not sure she can trust, Cindy will have to take a leap of faith and hope her heels— and her heart—don’t break in the process. Best-selling author Julie Murphy’s reimagining of a beloved fairy tale is an enchanting story of self-love and believing in the happy ending each and every one of us deserves.
Meet four girls who love shoes: SHOE-LA-LA!"Shoes with zippers, Shoes with straps,Shoes with buckles, Shoes with taps."Prance from page to page in search of the perfect pair of party shoes. Girls of all ages will love to go on a shoe shopping expedition with these four friends, from "fuzzy boots for when it snows" to "ballerinas on our toes." The girls try on every shoe in the store, but "eeny, meeny, my, oh, my [they] just don't know which shoes to buy." With some feathers and glitter, a little bit of glue, and a LOT of imagination, the girls come up with the best shoes of all!
Features step-by-step instructions that teach children the importance of recycling through creative projects and challenge them to come up with recycling ideas of their own.
"You never get a second chance to make a first impression." Have you ever heard this saying? Before we get a chance to say a word, our gestures and manners have already spoken for us. Though some of the rules of good manners change, others remain constant. This book is about the constants: the least you need to know to make a good first impression. As Clarence Thomas once said, "Good manners will open doors that the best education cannot." Use this book as a master key to open those doors.
"He is the most vicious, merciless and merciless king in the entire Zombie King Dynasty.It was said that he needed three concubines to sleep every day and a hundred concubines every three days. The reason why he bathed in the female's blood was because his body was suffering from a hidden disease.It was said that he hated people who were disobedient the most. Anyone that dared to offend him would be sentenced to death and turned into a dried corpse.It was said that he was heartless and without love. He would not be tempted by any woman, and even more so, he would not fall in love with any woman. It was only because he had a heart of stone.However, since the appearance of some unfortunate woman who had accidentally barged into his Bedchamber, taken advantage of him, and kicked him out of bed, it is said that those "rumors" have become legends. "
Thomas Dekker's singular comic drama, The Shoemakers' Holiday moves through the urban landscape of 16th century apprenticeships and artisan production in this tale of thwarted marriages and class division. Simon Eyre and his rags to riches journey to becoming the city's Lord Mayor embroils a host of lively characters who find themselves in the generative setting of the shoemakers' workshop. Whether it be Roland Lacy, who abandons his military duties under the guise of a Dutch shoemaker to stay close to Rose Oatley, his love interest, or Ralph Damport, a journeyman shoemaker, who cannot escape conscription and finds himself separated from his wife Jane with the appearance of an elusive shoe providing the only chance of reunion. Dekker's comedy focuses on the early modern tensions between urban artisans, wealthy merchants and the landed aristocracy. Through these relationships he explores gender, immigration and disability, mixing acute social commentary within the promise of festive escape and transformation. This edition offers readers a clear, accessible, fully annotated text, with a comprehensive introduction that covers research on class, comedy, the figure of the stranger and representations of disability. It also explores the ways in which the play's intertwining preoccupations with love, labour and war are shaped by the city in which it was written, providing insight into urban life at the end of the Tudor era.