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An account of the history, architecture and monuments of the chapel, the final, exquisite flowering of the gothic style.
This booklet catalogues in alphabetical order the architects buried and/or memorialised in the Abbey. Their names are accompanied by brief biographies identifying the high spots of their architectural careers. The Appendix is a plan of the Abbey marked up to show where their graves and/or memorials are to be found. Also included are Sir Christopher Wren and Nicholas Hawksmoor, neither of whom is buried or memorialised in the Abbey. They are deemed to qualify for entry solely because their contributions to the structure of the building are too significant to ignore and may be deemed to constitute their memorials. On the same basis, several of the medieval master masons responsible for the building and extension of Henry III’s church rate a brief mention at the end.
This series provides a forum for the most recent research into the political, social and ecclesiastical history of the 14th century.
First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
Julie Spraggon offers a detailed analysis of Puritan iconoclasm in England during the 1640s, which led to a resurgence of image breaking a century after the break with Rome. She examines parliamentary legislation, its enforcement & the parallel action undertaken by the army to rid the land of superstition.
The first in a ground-breaking two-volume history of Henry III's rule "Professor Carpenter is one of Britain's foremost medievalists...No one knows more about Henry, and a lifetime of scholarship is here poured out, elegantly and often humorously. This is a fine, judicious, illuminating work that should be the standard study of the reign for generations to come."--Dan Jones, The Sunday Times Nine years of age when he came to the throne in 1216, Henry III had to rule within the limits set by the establishment of Magna Carta and the emergence of parliament. Pacific, conciliatory, and deeply religious, Henry brought many years of peace to England and rebuilt Westminster Abbey in honor of his patron saint, Edward the Confessor. He poured money into embellishing his palaces and creating a magnificent court. Yet this investment in "soft power" did not prevent a great revolution in 1258, led by Simon de Montfort, ending Henry's personal rule. Eminent historian David Carpenter brings to life Henry's character and reign as never before. Using source material of unparalleled richness--material that makes it possible to get closer to Henry than any other medieval monarch--Carpenter stresses the king's achievements as well as his failures while offering an entirely new perspective on the intimate connections between medieval politics and religion.
Gothic Tombs of Kinship is a study of one monumental tomb type in Northern Europe, traced from the thirteenth through the fifteenth centuries. This is the first extensive treatment that recognizes the kinship tomb for what it is, rather than compounding it with its celebrated counterpart, the ceremonial tomb, where the final rites or funeral procession of the deceased are represented. The unique characteristic of a tomb of kinship is that it includes a figurative representation of a family tree. This book establishes the kinship tomb as an important Northern European iconographical type, equal in interest to the ceremonial tomb as a manifestation of the mentality of the late Middle Ages. It traces the development of the type from its inception in France and diffusion in the Low Countries and England until its vulgarization in prefabricated tombstones and alabaster tombs in the fifteenth century. The study demonstrates that after being imported into England in the late thirteenth century, the kinship tomb became a vehicle for Edward III's assertion of his claim to the French throne and, inspired by the king and court, the preferred type of the fourteenth-century English baron. Limited to the princes and knights and their ladies in the thirteenth century, the tomb was adopted by the minor gentry and the middle class by the late fourteenth century, with a corresponding change from an extended family program to one confined to the nuclear family. Gothic Tombs of Kinship identifies a representative number of kinship tombs from the period and the territories that marked their apogee, deciphers their programs, and places them in their cultural context.