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"Milton Brown is one of the great unsung heroes of American music; and one of the true fathers of western swing. Ginell's biography offers a wealth of new information on Brown and his times and paints a marvelously detailed portrait of the rich Texas music scene of the Depression era." -- Charles K. Wolfe, Middle Tennessee State University
If you have ever heard the sound of rhythm guitar in a good western swing band, you may have wondered how the guitarist achieved that unique chordal sound. While the song might be a simple one-playable with only two or three chords-the western swing guitarist changes chords every two beats, providing a driving and harmonically interesting background for the singers and instrumentalists. This book is designed for intermediate players who have a basic understanding of open chords. It begins with study of the Texas fiddle back-up style and the chords used to enhance this music. the chords and progressions explained in this book can be used in many types of music in addition to western swing and would serve as an excellent transition from open-string folk chords to more of a jazz approach.
(Piano/Vocal/Guitar Artist Songbook). All Night Long * Bring It on down to My House * Bubbles in My Beer * Dusty Skies * Faded Love * Fat Boy Rag * Hang Your Head in Shame * I Can't Go On This Way * I Wonder If You Feel the Way I Do * I'm Gonna Be Boss * Ida Red * Keeper of My Heart * A Maiden's Prayer * My Confession * New Texas Playboy Rag * Roly Poly * San Antonio Rose * Smoke On the Water * Spanish Two Step * Stars and Stripes on Iwo Jima * Stay a Little Longer (The Hoedown Fiddle Song) * Steel Guitar Rag * Sugar Moon * Take Me Back to Tulsa * Texarkana Baby * Thorn in My Heart * We Might As Well Forget It * White Cross on Okinawa * You Don't Care What Happens to Me * You're From Texas.
Lana Sue has had too many husbands and too little success as a country-western singer. Loren Paul's a semi-successful writer presently sitting on top of a western Wyoming mountain waiting for Cosmic answers. Together or apart, Loren Paul and Lana Sue are modern folk heroes on this deliciously ribald saga of the new Wild West—a spirited tale of love and loss, of country music and coming home. "What propels Western Swing is a cheerfully unfashionable conviction that in spite of past mistakes, lost hopes, and emotional pain, these two people belong together." —New York Times Book Review "The humor of Western Swing is the key to Tim Sandlin's memorable characters...a wonderful and satisfying experience." —Atlanta Journal-Constitution "Sandlin's is a book about running into the sun and keeping on, with humor, passion, and faith, no matter how you burn or mess up." —Los Angeles Times Book Review "Tim Sandlin writes about crazy people. Not scary crazies, but the kind of interesting, funny eccentrics with whom the reader would like to spend an evening drinking beer...Western Swing is funny, wise and a bubbling joy to read." —Kansas City Star "Ongoing life is what this book is all about...Sandlin's voice is a wry mix of cynicism and innocence. Add to that a well developed sense of the bizarre, and you have a book that's fun to read, brimming with high-spirited zaniness."—St. Louis Post-Dispatch
Take it Away! Unlock the secrets of hot take-off lead guitar as played by the greatest players from the greatest bands. Western Swing master Joe Carr has transcribed the great guitar solos from the Bob Wills band and other greats and breaks them down note by note into useful licks that can be used to improvise original hot solos. Includes solos by western swing legends Eldon Shamblin, Jimmy Wyble, Leon Rhodes, Junior Benard (often called the first rockabilly) and more. the accompanying CD uses classic western swing song progressions and presents the licks at a medium, learnable pace. Written in standard notation and tablature.Learn hot take-off style lead guitar Includes transcribed solos by Shamblin, Wyble, Rhodes, Bernard and more. Includes play-along CD with all licks at playable pace. Features the music of Bob Wills and other Western Swing greats.
Over 100 transcriptions of classic swing fiddle solos. Includes interviews with the masters, exercises, tips, discography, bibliography and rare historical photographs.
High Fidelity meets Blue Highways in this gloriously offbeat quest for the true roots of Texas Swing.
The result of years of research by its authors, this discography strives to identify and trace the recorded development of the musical style now known as western swing from its early years through World War II. The style developed from the Texas string band tradition, growing from a fiddle and guitar duo into full swing band groups, and along the way, it drew from and absorbed a variety of other musical styles, thus making it one of the most diverse genres in American music. Until now, studies have been limited to a few book-length biographies, but through exhaustive research and interviews, Ginell and Coffey have provided the most complete and comprehensive listing of pre-War western swing and hot string band recordings to date. Accessible through a variety of indexes, the information included here comprises four sections. The reader can easily find cross-referenced information on which musicians played with which bands on which songs. Easy-to-follow linear and chronological development of the music is provided as well.
(Guitar Recorded Versions). Western Swing was born in the '30s and is still going strong! This book includes 25 swingin' classics, including the solos of the best guitarists from yesterday and today, such as Chet Atkins, Ray Benson, Vince Gill, Roy Lanham, Marty Stuart and more. Songs: Choo Choo Ch' Boogie * Corrine Corrina * Faded Love * Hesitation Blues * Honky Tonkin' * My Bucket's Got a Hole in It * New San Antonio Rose * Stay a Little Longer * Steel Guitar Rag * Yearning * and more. Includes a special introduction to Western Swing guitar styles.
They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.