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The Western Jewish History Center, Vertical Files contain the office reference and research files of the Center and document its efforts to provide guidance and assistance in the study of western Jewish Americana.
The "San Francisco Jews: Old Traditions on a New Frontier" was a special traveling exhibition prepared, in 1976, by the Western Jewish History Center. It was created in commemoration of the United States' bicentennial, and it was developed with the assistance of the American Issues Forum and funded by the National Endowment for the Humanities. The collection consists of photographs and supporting information utilized in the exhibition, as well as additional biographical material received after the exhibition. Subjects of the exhibition include: David Belasco, Sol Bloom, Mortimer and Herbert Fleishhacker, Rube Goldberg, Isaias Hellman, Joshua ("Emperor") Norton, Abraham Ruef, Gertrude Stein, Joseph Strauss, Philo Jacoby, Anne Bremer, Joseph Choynski, and Jessica Peixotto.
Isaias Hellman, a Jewish immigrant, arrived in California in 1859 with very little money in his pocket and his brother Herman by his side. By the time he died, he had effectively transformed Los Angeles into the modern metropolis we see today. In Frances Dinkelspiel's groundbreaking history, the early days of California are seen through the life of a man who started out as a simple store owner only to become California's premier money-man of the late 19th and early 20th century. Growing up as a young immigrant, Hellman quickly learned the use to which "capital" could be put, founding LA's Farmers and Merchants Bank, that city's first successful bank, and transforming Wells Fargo into one of the West's biggest financial institutions. He invested money with Henry Huntington to build trolley lines, lent Edward Doheney the funds that led him to discover California's huge oil reserves, and assisted Harrison Gary Otis in acquiring full ownership of the Los Angeles Times. Hellman led the building of Los Angeles' first synagogue, the Wilshire Boulevard Temple, helped start the University of Southern California and served as Regent of the University of California. His influence, however, was not limited to Los Angeles. He controlled the California wine industry for almost twenty years and, after San Francisco's devastating 1906 earthquake and fire, calmed the financial markets there in order to help that great city rise from the ashes. With all of these accomplishments, Isaias Hellman almost single-handedly brought California into modernity. Ripe with great historical events that filled the early days of California such as the Gold Rush and the San Francisco earthquake, Towers of Gold brings to life the transformation of California from a frontier society whose economy was driven by the barter of hides and exchange of gold dust into a vibrant state with the strongest economy in the nation.
This fully revised second edition of Rosemary Wenzerul's lively and informative guide to researching Jewish history will be absorbing reading for anyone who wants to find out about the life of a Jewish ancestor. In a clear and accessible way she takes readers through the entire process of research. She provides a brief social history of the Jewish presence in Britain and looks at practical issues of research – how to get started, how to organize the work, how to construct a family tree and how to use the information obtained to tell the story of a family. In addition she describes, in practical detail, the many sources that researchers can go to for information on their ancestors, their families and Jewish history.
Country music of the late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the emerging counterculture. But starting around 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to merge it with countercultural ideals to forge a distinctly Texan counterculture. Progressive country music-a hybrid of country music and rock-blossomed in this growing Austin community, as it played out the contradictions at work among its residents. The music was at once firmly grounded in the traditional Texan culture in which they had been raised, and profoundly affected by their newly radicalized, convention-flouting ways.In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks provides new insight into the inner workings of Austin's progressive country music scene-by bringing the music and musicians brilliantly to life.