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This book explores the expressionist elements found in four plays by Mahesh Elkunchwar - The Old Stone Mansion, Pond, Apocalypse and An Actor's Exits. It examines how Elkunchwar used Expressionism to depict the Indian psyche in the context of Western dramatic influences. It also highlights how Indian playwrights, like Elkunchwar, were inspired by European expressionism, contributing to the evolution of postmodern Indian drama.
Study five modern works of western authors.
Papers presented at a seminar organized by the Department of English, University of Bombay, March 18-20, 1991.
Indian English Writing Is A Vast Arena Today. With New Trends Emerging, New Talents Making Their Mark, New Creative And Critical Branches Sprouting In Various Directions, As Well As With The Thematic Varieties, Technical Experiments, And Linguistic Innovations, It Is Now God S Plenty. The Extraordinary Richness And Variety Of Indian Writing Today, Indeed, Pose A Challenging Task For Any Critic Or Anthologist In The Area, Since It Has Become Next To Impossible To Give Any Comprehensive View Or Idea Of This Fast-Growing Literature In Its Totality Within The Compass Of A Single Volume.Still It Remains The Critic S Responsibility As Well As Pleasure To Find The New Authors And Texts Side By Side With The Older And Already Canonized Ones. As Robert Kroetsch, The Canadian Author, Says, We Want The Critic To Find Us Out Our Indian Authors Today Also Should Legitimately Expect The Perceptive-Responsive Critic To Find Them Out. It Is Especially Needed In The Present Case Since The Indian Writers In English Are Still Engaged In The Process Of Writing From Outside The Mainstream, And, Therefore, Are In Serious Need Of The Right Critical Attention And Understanding.It Is Precisely This Situation That Has Been Kept In View In Compiling The Present Anthology Of A Bunch Of Critical Essays On A Cross-Section Of Indian Fiction, Poetry And Drama In English. Quite A Number Of The Texts Discussed In This Volume Have Been Written In Recent Years, Whereas A Few Earlier Texts M.R. Anand S, For Example Have Also Been Included In Order To Help The Reader To View The Spectrum In A Total Perspective. The Critical Range Of This Volume Includes Mulk Raj Anand, Khushwant Singh, Ruth Jhabvala, Anita Desai, Manju Kapur, Amitav Ghosh In Fiction, A.K. Ramanujan, Nissim Ezekiel, Kamala Das In Poetry, Girish Karnad S Tuglaq And Hayavadana In Drama.The Articles Included In The Present Volume Will Allow Us A Glimpse Into Some Of The Representative Authors, Texts, And Trends.Students, Teachers, Scholars, As Well As The Common Reader Will Find The Book Useful And Interesting.
Routledge Handbook of Asian Theatre is an advanced level reference guide which surveys the rich and diverse traditions of classical and contemporary performing arts in Asia, showcasing significant scholarship in recent years. An international team of over 50 contributors provide authoritative overviews on a variety of topics across Asia, including dance, music, puppetry, make-up and costume, architecture, colonialism, modernity, gender, musicals, and intercultural Shakespeare. This volume is divided into four sections covering: Representative Theatrical Traditions in Asia. Cross-Regional Aspects of Classical and Folk Theatres. Modern and Contemporary Theatres in Asian Countries. Modernity, Gender Performance, Intercultural and Musical Theatre in Asia. Offering a cutting edge overview of Asian theatre and performance, the Handbook is an invaluable resource for academics, researchers and students studying this ever-evolving field.
Many Mahābhāratas is an introduction to the spectacular and long-lived diversity of Mahābhārata literature in South Asia. This diversity begins with the Sanskrit Mahābhārata, an early epic poem that narrates the events of a catastrophic fratricidal war. Along the way, it draws in nearly everything else in Hindu mythology, philosophy, and story literature. The magnitude of its scope and the relentless complexity of its worldview primed the Mahābhārata for uncountable tellings in South Asia and beyond. For two thousand years, the instinctive approach to the Mahābhārata has been not to consume it but to create it anew. The many Mahābhāratas of this book come from the first century to the twenty-first. They are composed in nine different languages—Apabhramsha, Bengali, English, Hindi, Kannada, Malayalam, Sanskrit, Tamil, and Telugu. Early chapters illuminate themes of retelling within the Sanskrit Mahābhārata itself, demonstrating that the story's propensity for regeneration emerges from within. The majority of the book, however, reaches far beyond the Sanskrit epic. Readers dive into classical dramas, premodern vernacular poems, regional performance traditions, commentaries, graphic novels, political essays, novels, and contemporary theater productions—all of them Mahābhāratas. Because of its historical and linguistic breadth, its commitment to primary sources, and its exploration of multiplicity and diversity as essential features of the Mahābhārata's long life in South Asia, Many Mahābhāratas constitutes a major contribution to the study of South Asian literature and offers a landmark view of the field of Mahābhārata studies.
Mahesh Dattani is the first Indian-playwright writing in English to be awarded the Sahitya Akademi award. His plays bring Indian drama into the present day in their themes "sexuality, religious tension and gender issues" while still focussing on human relationships and personal and moral choices which are the classic concerns of world drama.
This book discusses the perceptions and sketches, geological background, materials and coastal processes of the East Coast of India. It also suggests strategies for effectively managing natural coastal processes in these areas. India has a coastline of about 7,516 km with a variety of coastal extensions, which developed at different time scales, producing permanent variations in the morphologies of the coastal areas through hydrodynamic, fluvial, aeolian and terrestrial processes. The book focuses on the Balasore coast, an area drained by three main rivers (the Subarnarekha, the Dugdeugi and the Burahbolong), which impacts the coastal morphodynamic processes of the area and accounts for their multifaceted nature. Large drops or increases in the sediment supply within a short time span or over prolonged periods cause shoreline shifting. Eight satellite images from 1975, 1980, 1990, 1995, 2000, 2005, 2010 and 2013 were used to measure the shoreline dynamics, and a reference line was established using first order polynomial model with base data with 0.5 pixel root mean square error (RMSE) accuracy. The end point rate (EPR) model was adopted for estimating the future position of the shoreline. In order to assess the beach morphodynamics, the coastal modeling system (SMC) was used, which incorporates with a series of appliances and numerical models structured consistent with the space and time scale of the different dynamics affecting the littoral and beach morphology based on diverse thematic and reference documents. This study employed short-term analysis using the MOPLA module of the SMC system, which consists of three attached modules: the wave transformation module (Oluca), the depth-averaged currents module (Copla) and the sediment transport and morphological evolution module (Eros). The shoreline dynamics findings show that the magnitude of erosion is higher in the northern part of the coastline in the left bank area of the Subarnarekha river estuary and in the estuarine part of the Dugdugi and Burahbalang rivers. The southern part of the shoreline near Rasalpur and Joydevkasba is relatively stable, and the study suggests that the current shoreline shift trend will continue in the future. The SMC model indicates that the wave height, significant wave height, current velocity and the potential transport of sediment at the Kirtaniya study point are high, while at Choumukh they are low and at the Rasalpur study point they are intermediate.