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Someone has taken a trip and taken photographs of that trip and someone else has been invited to watch a slideshow of the trip taken. There is a road, there is an abstract painting, there is a viewer who wishes he could live in a televised loop of a sunset and another who wonders why people are fat. Tribulations of a Westerner in the Western World is a stunning first book by Vincent Dachy, a narrated slideshow of inner and outer geographies complete with 52 black and white photographs taken by the author.
...Here and now, at the end of western history, we came to this indolent, irrational, utopian, unrealistic Westerner, full of arrogance and of ignorance, believing itself as unique in history and irreplaceable in the world of changing, of becoming and of challenging... ...This sad finality is the fulfillment of “welfare and political correctness”, here, at the end of Western times, where the free world was trumpeted, the world of well-being existing only in the empty and stupid imaginations of its leaders, of its entire populations naive and unrealistic, to the cruel and harsh realities of the world... ...Here, at the end of the historical road, are the great democratic conquests of its revolutions of the last centuries (mentioning here the French Revolution - 1789, the American Revolution - 1776, the Russian Revolution - 1917), for freedom, for justice, for fraternity, which they were extremely obsessed with the propaganda and historical thinking of the West... ...Here, in generalized chaos, are present now, in the historical hic et nunc, the abuses of his liberties, the anarchies from the abstract concept of freedom, his embarrassing exaggerations from the structures of science and consciousness... ...Here and now, the West has revealed itself in all its hidden evils of capitalist ideologies, propaganda and manipulations, in all its shocking truths, beautified by trumpets and rock-and-roll music, by movies full of carrots and sick imaginations, by creating his own phobias and obsessions, within fears and anxieties, beyond of any classic psychoanalytic analysis, in its minimal rationality... Here and now is an end of accumulated in centuries of blindness, decades of deafness, years of empty readings, and stupid applauding of own weaknesses and fragilities and vulnerabilities ... ...Here and now... ...Here and now is the END OF THE WESTER – LANDS, by mocking the real values of the world, some created by Westerner, but viewed and treated with indifference, with rejection and oblivion, including here the supposed providential protection of his destiny, synthesized in God Bless America, and America under the Providence of History!... ...Here and now, it is the crash of Western, of banking, of financial, of moral (actually immoral), of artistic crashes, synthesizing a huge constant of imbecility, acting in all directions of the fissions of society... ...And this is what a Nonapocalyptologist, a Nonarmaghedo-nologist, a Nondezastrologist, but who sees and lives on live, these immense Western unrealities and utopies, must having the real courage to write and to describe these catastrophic Western collapses, which, in every day are more than visible... ... We present to you a triad of books with this dramatic topic of gloomy destiny, entitled The End of the Westerner, Finishing of America and The German Disaster... The Last Occidentolog
American moviegoers have long turned to the Hollywood Western for reassurance in times of crisis. During the genre's heyday, the films of John Ford, Howard Hawks and Henry Hathaway reflected a grand patriotism that resonated with audiences at the end of World War II. The tried-and-true Western was questioned by Ford and George Stevens during the Cold War, and in the 1960s directors like Sam Peckinpah and George Roy Hill retooled the genre as a commentary on American ethics during the Vietnam War. Between the mid-1970s and early 1990s, the Western faded from view--until the Gulf War, when Kevin Costner's Dances with Wolves (1990) and Clint Eastwood's Unforgiven (1992) brought it back, with moral complexities. Since 9/11, the Western has seen a resurgence, blending its patriotic narrative with criticism of America's place in the global community. Exploring such films as True Grit (2010) and Brokeback Mountain (2005), along with television series like Deadwood and Firefly, this collection of new essays explores how the Western today captures the dichotomy of our times and remains important to the American psyche.
Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.