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Using an imaginative framework to dig into a complex issue, John Y. Crighton offers a classic essay on the Western world's deteriorating understanding of its identity, significance and future.
From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.
There are no beings, there are only divine thoughts that appear as beings. Shapes constantly transform, manifest, and dissolve, while essential being is forever. Essential Being is the One Being, the that permeates the Cosmos. No being was ever created by anyone, for being is forever in the past, present and future. Being is One. The Ocean of being permeates all beings. Brahma, the Creator is not needed in an eternal cosmos. Vishnu, the Preserver is not needed in an ever transforming cosmos Shiva, the Destroyer is not possible in an eternal cosmos, for all things transform into other things. Although shapes appear and dissolve forever, being never dies nor is being destroyed.
Within this book are rituals, stories, traditions and experiences of magicians' scholars and artists who work with death. Some of the contributors such as Nema, Mogg Morgan, Louis Martine and Nevill Drury (to name but a few) have helped define contemporary transformative spirituality. Others are less well known but just as learned. As there should be in such a collection there is comedy, anger, confrontation and practicality. This anthology is about who we are, and where we come from. It is also about how we change. A Contemporary Western Book of the Dead contains voices and visions that acknowledge our past, feed our present and guide the direction of our future. I was musing on Singapore in all its affluent glory still having shrines for the dead on every street corner during 'The Festival of the Hungry Ghosts'. Then I was musing on how the socially mobile of modern western society eschew death rites and grieving in the name of 'holding it together' and being progressive. I thought of which civilisations are falling and which are rising again, and wondered whether acknowledging death and the ancestors is a vital part of maintaining personal identity and our place in society.I remember how my grieving father mourned for all the information he had relied on his deceased wife remembering; information which was now lost. I recalled Michael Crichton's words 'If you don't know (your family's) history, then you don't know anything. You are a leaf that doesn't know it is part of a tree.' Then I thought maybe someone should write about the cults of the ancestors and death, perhaps an anthology, perhaps cross relate experiences of loss to personal spirituality and magick and history. I know that years of working with the dead in the name of art and spirituality, didn't prepare me for the death of my mother. What helped me was the advice of someone from a long tradition of working with the ancestors. I think that collecting the experiences of spiritual practitioners in their working with grief and death is part of a living and necessary tradition that will give respect to the dead and strength, identity and support to our own personal spirituality.'
Reissue of the legendary 3,500-year-old Papyrus of Ani, the most beautiful of the ornately illustrated Egyptian funerary scrolls ever discovered, restored in its original sequences of text and artwork.
After his daughter was born prematurely in 2010, Burriesci set out to write a book for her 18th birthday. In short, honest, and simple letters, Burriesci teaches his daughter about 32 great books, from Plato to Karl Marx, and how their lessons have applied to his life. As someone who has spent a long and successful career advocating for great literature, Burriesci defends the titles in this series of tender and candid letters, rich in personal experience and full of humor. Dead White Guys is also a timely defense of the great books, arriving in the middle of a national debate about the fate of these books in high schools and universities around the country. Burriesci shows how the great books can enrich our lives as individuals, as citizens, and in our careers.
In 1927, Oxford University Press published the first western-language translation of a collection of Tibetan funerary texts (the Great Liberation upon Hearing in the Bardo) under the title The Tibetan Book of the Dead. Since that time, the work has established a powerful hold on the western popular imagination, and is now considered a classic of spiritual literature. Over the years, The Tibetan Book of the Dead has inspired numerous commentaries, an illustrated edition, a play, a video series, and even an opera. Translators, scholars, and popular devotees of the book have claimed to explain its esoteric ideas and reveal its hidden meaning. Few, however, have uttered a word about its history. Bryan J. Cuevas seeks to fill this gap in our knowledge by offering the first comprehensive historical study of the Great Liberation upon Hearing in the Bardo, and by grounding it firmly in the context of Tibetan history and culture. He begins by discussing the many ways the texts have been understood (and misunderstood) by westerners, beginning with its first editor, the Oxford-educated anthropologist Walter Y. Evans-Wentz, and continuing through the present day. The remarkable fame of the book in the west, Cuevas argues, is strikingly disproportionate to how the original Tibetan texts were perceived in their own country. Cuevas tells the story of how The Tibetan Book of the Dead was compiled in Tibet, of the lives of those who preserved and transmitted it, and explores the history of the rituals through which the life of the dead is imagined in Tibetan society. This book provides not only a fascinating look at a popular and enduring spiritual work, but also a much-needed corrective to the proliferation of ahistorical scholarship surrounding The Tibetan Book of the Dead.
A modern, all-encompassing exploration of what happens after death combines spirituality with philosophy, history, and science, all of which guide readers toward the timeless truth that human consciousness lives on after death.
When Duncan McKaskel decided to move his family west, he knew he would face dangers, and he was prepared for them. He knew about the exhausting terrain, and he was expecting the punishing elements. What he worried about was having to use violence against other men—men who would follow him and try to steal the riches that he didn’t even possess. Yet bandits were only part of McKaskel’s worries. For a mysterious stranger, Con Vallian, had appeared one night and saved his life. But was Vallian’s true interest Duncan’s wife, Susanna? And, more important, how did she feel about him? As they push on into the wilderness, Duncan must discover who is the greater threat—the thieves outside his camp or the enigmatic stranger within. . . .
A guidebook for communicating with the departed and gaining first-hand knowledge of life beyond death • Reveals that the easiest way to communicate with the departed is through dreams • Offers methods for helpful and timely communication with deceased loved ones • Provides powerful Active Dreaming practices from ancient and indigenous cultures for journeying beyond the gates of death for wisdom and healing We yearn for contact with departed loved ones. We miss them, ache for forgiveness or closure, and long for confirmation that there is life beyond physical death. In The Dreamer’s Book of the Dead, Robert Moss explains that we have entirely natural contact with the departed in our dreams, when they come visiting and we may travel into their realms. As we become active dreamers, we can heal our relationship with the departed and move beyond the fear of death. We also can develop the skills to function as soul guides for others, helping the dying to approach the last stage of life with courage and grace, opening gates for their journeys beyond death, and even escorting them to the Other Side. Drawing on a wealth of personal experience as well as many ancient and indigenous traditions, Moss offers stories to inspire us and guide us. He shares his extraordinary visionary relationship with the poet W. B. Yeats, whose greatest ambition was to create a Western Book of the Dead, to feed the soul hunger of our times. Moss teaches us the truth of Chief Seattle’s statement that "there is no death; we just change worlds."