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In the second novel of the Dabney family saga, Sam'l Dabney is no longer "ol' man Dabney's brat" but has become a rich and successful aristocrat of such great influence that some call him the Father of Mississippi and Alabama. Old and dying, he and Tishomingo, a prince of the Choctaws, are all who are left of the group who fled the Promised Land. After Sam's death, the Dabney family, strong, greedy, and imbued with raw courage, jeers at fate and dares the impossible. They secede from Mississippi, organize an independent republic called the Free State of Lebanon, and wage a no-quarter war against the might and millions of the Confederacy at a time when the Union seemed doomed. Some die in battle, others on the gallows, and only a few live to see the tiny spark they kindled blaze into a fire for freedom. The family is led by Sam's son, Hoab, a shouting abolitionist and religious zealot, whose secret is still carefully guarded and, if ever revealed, may rock the South. He and wife, Shellie, and their children — Cormac, red-headed Morna, in spirit much like her great-aunt, Honoria, and the twins Aven and Bruce continue Sam's legacy — the tap root that pushed through the loam and into the red clay bed of the valley and from which the Dabney legacy continues to flourish. They are joined by others — neighbor Claiborne MacIvor, who loved two Dabney women; Keith Alexander, the morose and unbelievably handsome Black Knight of Vengeance; and Reverend Kirkland, the pudgy little preacher who told a great denomination, "I'll see you in hell before I surrender my rights. I am but a feeble ripple, but behind me comes the whirlwind." Tap Roots begins in 1858 and moves to a thunderous climax in 1865. The book is based on the true story of the "free state of Jones" in which the farmers and workmen of Jones County in Mississippi decide to succeed from both the United States and the Confederacy. In this part of the South there were few if any plantations, most people worked their own farms and held no slaves and they strongly resented being required "to fight a rich man's war". The majority of settlers were also of Scots-Irish decent and did not believe in slavery, so they decided to form a Republic of free men. Tap Roots was a best seller and later made into a film starring Susan Hayward.
With some 6,000 entries, A Bibliography of Tennessee History will prove to be an invaluable resource for anyone--students, historians, librarians, genealogists--engaged in researching Tennessee's rich and colorful past. A sequel to Sam B. Smith's invaluable 1973 work, Tennessee History: A Bibliography, this book follows a similar format and includes published books and essays, as well as many unpublished theses and dissertations, that have become available during the intervening years. The volume begins with sections on Reference, Natural History, and Native Americans. Its divisions then follow the major periods of the state's history: Before Statehood, State Development, Civil War, Late Nineteenth Century, Early Twentieth Century, and Late Twentieth Century. Sections on Literature and County Histories round out the book. Included is a helpful subject index that points the reader to particular persons, places, incidents, or topics. Substantial sections in this index highlight women's history and African American history, two areas in which scholarship has proliferated during the past two decades. The history of entertainment in Tennessee is also well represented in this volume, including, for example, hundreds of citations for writings about Elvis Presley and for works that treat Nashville and Memphis as major show business centers. The Literature section, meanwhile, includes citations for fiction and poetry relating to Tennessee history as well as for critical works about Tennessee writers. Throughout, the editors have strived to achieve a balance between comprehensive coverage and the need to be selective. The result is a volume that will benefit researchers for years to come. The Editors: W. Calvin Dickinson is professor of history at Tennessee Technological University. Eloise R. Hitchcock is head reference librarian at the University of the South.
Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word "Tap" was first used in publicity to describe this new American style of dance, this text separates the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments, "Daddy" Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German and Shaker). Also included are accounts of the people present at tap's inception and how various styles of dance were mixed to create a new art form.
A history of the land and people of Tennessee, with special photo sections, maps, graphs, charts, and tables.
Manchester, the seat of Coffee County, Tennessee, was established in 1836 and named after Manchester, England. The town is located midway between Nashville and Chattanooga and sits on the Highland Rim at the foot of the Cumberland Plateau, where the two forks of the Duck River converge at Old Stone Fort State Archaeological Park. This book is a compilation of vintage postcards highlighting the area's downtown, businesses, and natural riches from the early 1900s to the 1970s as it became a favorite destination for Highway 41 travelers.
The product of twenty-five years of planning, research, and writing, Guide to the Vascular Plants of Tennessee is the most comprehensive, detailed, and up-to-date resource of its kind for the flora of the Volunteer State, home to nearly 2,900 documented taxa. Not since Augustin Gattinger’s 1901 Flora of Tennessee and a Philosophy of Botany has a work of this scope been attempted. The team of editors, authors, and contributors not only provide keys for identifying the major groups, families, genera, species, and lesser taxa known to be native or naturalized within the state—with supporting information about distribution, frequency of occurrence, conservation status, and more—but they also offer a plethora of descriptive information about the state’s physical environment and vegetation, along with a summary of its rich botanical history, dating back to the earliest Native American inhabitants. Other features of the book include a comprehensive glossary of botanical terms and an array of line drawings that illustrate the identifying characteristics of vascular plants, from leaf shape and surface features to floral morphology and fruit types. Finally, the book’s extensive keys are indexed by families, scientific names, and common names. The result is a user-friendly work that researchers, students, environmentalists, foresters, conservationists, and indeed anyone interested in Tennessee and its botanical legacy and resources will value for years to come.
Whether you are reading from your armchair or on the road, this comprehensive tour guide to the state of Tennessee will inform you about the incredible diversity of historic places from east to west. Focusing on the built environment, this reference covers architectural achievements from the state capitol in Nashville to the earliest humble cabins in East Tennessee.