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Biographies of 575 persons who are buried or have ashes / memorials in West Dapto Catholic Cemetery. A complement to West Dapto Catholic Cemetery: The Early Families.
Peter Larkin (ca.1787-1879) was a son of Patrick Larkin (d.1827/1855) and Mary Conrey or Connery, born in Gort, Galway, Ireland. Peter married Bridget Cunningham, and in 1821 Peter was transported to New South Wales. In 1826, his wife and family joined him at "Yalla," Illawara, New South Wales. Descendants and relatives lived in New South Wales, Queensland and elsewhere.
Patrick White's brilliant 1961 novel, set in an Australian suburb, intertwines four deeply different lives. An Aborigine artist, a Holocaust survivor, a beatific washerwoman, and a childlike heiress are each blessed—and stricken—with visionary experiences that may or may not allow them to transcend the machinations of their fellow men. Tender and lacerating, pure and profane, subtle and sweeping, Riders in the Chariot is one of the Nobel Prize winner's boldest books.
Now a major documentary film starring Billy Bragg In the late eighteenth and nineteenth centuries the British Government banished their political enemies - viewed with the same alarm as today's 'terrorists' - to the shores of Australia. Sent as convicts to the other side of the world, these political prisoners included liberals, democrats and republicans; machine breakers, food rioters, trade unionists and Chartists; radical journalists and intellectuals; Irish revolutionaries, Scottish Jacobins, and Canadian and even American insurgents. Criminals and traitors in the eyes of the law, many of these transported political prisoners were heroes and martyrs to their own communities, and are still revered in their homelands as freedom fighters and patriots, progressive thinkers and crusading reformers. Yet in Australia, memory of these rebels and their causes has dimmed. In Death or Liberty historian Tony Moore brings new life to their stories and restores them to their rightful place in Australian and world history. 'This important and dramatic era of Australian, Irish and British Empire history has been too often only partially told. Now we have the whole vivid tale, told by an excellent historian and engrossing narrator. Here we become fascinated by the lives of patriots and prisoners, and prisoners, and of those who try to contain and punish them-all in terms which light up the past and have an unexpected relevance to the present.' - Thomas Keneally 'In Death or Liberty Tony Moore has uncovered Australia's forgotten history as an instrument of state terror used against political radicals. Told with passionate verve, this is a tale full of dramatic incident, tragic loss, hair-breadth escapes, and the triumph of new ideas. Moore has returned Australia to its rightful place in the global battle over what it means to be free.' - Associate Professor Kirsten McKenzie, University of Sydney '"Death or Liberty!" was the call to arms of many of the agitators and rebels whom Britain banished to Australia. Tony Moore has woven their stories together as one-an eloquent and committed narrative.' - Dr Peter Cochrane, author of Colonial Ambition
Jane Franklin's diary account of her travels from Van Diemen's Land to Port Phillip and then overland from Melbourne to Sydney in 1839 provides a detailed and colourful snapshot of colonial society recorded by a sharply observant witness -- back cover. includes brief references to Aboriginal people.
A magic pudding who changes from steak and kidney to jam roll and apple dumpling in seconds. A walking, talking dessert that never runs out of pleasing things to eat. A koala bear, named Bunyip Bluegum, A sailor named Bill Barnacle, and Sam Sawnoff the penguin have a wonderful hilarious magical adventure defending the Pudding against thieves who want it for themselves.
Tells the stories of each family buried in St Paul's, detailing for each person their parentage, arrival in Australia (if relevant), and children; and information on their life as gleaned from family members and over 2,000 newspaper articles (transcribed as they appeared in the local press at the time)--Book jacket.
In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established—and to the place it has been most effectively challenged: literature. With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse. Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Arriving at a critical juncture in history—especially in the United States, one of the last Christian-inspired democracies to resist abolition—The Death Penalty is both a timely response to an important ethical debate and a timeless addition to Derrida’s esteemed body of work.