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Named a Best Book of the Year by The Sunday Times (UK) * The Guardian (UK) * The Washington Independent Review of Books * Sydney Morning Herald * The Los Angeles Public Library * The Irish Independent * Real Simple * Finalist for the Rathbones Folio Prize “Carys Davies is a deft, audacious visionary.” —Téa Obreht When widowed mule breeder Cy Bellman reads in the newspaper that colossal ancient bones have been discovered in the salty Kentucky mud, he sets out from his small Pennsylvania farm to see for himself if the rumors are true: that the giant monsters are still alive and roam the uncharted wilderness beyond the Mississippi River. Promising to write and to return in two years, he leaves behind his only daughter, Bess, to the tender mercies of his taciturn sister and heads west. With only a barnyard full of miserable animals and her dead mother’s gold ring to call her own, Bess, unprotected and approaching womanhood, fills lonely days tracing her father’s route on maps at the subscription library and waiting for his letters to arrive. Bellman, meanwhile, wanders farther and farther from home, across harsh and alien landscapes, in reckless pursuit of the unknown. From Frank O’Connor Award winner Carys Davies, West is a spellbinding and timeless epic-in-miniature, an eerie parable of the American frontier and an electric monument to possibility.
West's material experiments in film and art explore Southern California's changing geography This debut monograph brings together nearly a decade of "analogital" experiments in film, sculpture and installation by Jennifer West (born 1966)--one of the most committed artists working on the West Coast today. Saturated in a history of avant-garde and Third World cinema (not to mention HIV/AIDS activism and the incipient Riot Grrrl movement) since she was an undergraduate at Evergreen State College, West's work today treads similar ground: challenging the utopianism of new media adoptees as well as the nostalgia of analog-only film adherents. The 11 projects reproduced in the book, all produced between 2014 and 2021, fall under the heading of Media Archaeology, and reveal the historical and material promiscuity of West's experiments in film and art, often tied to the changing geography of Los Angeles and its surrounds.
From the cofounders of the popular design company. “Inside the must-read, the duo takes us inside 20 homes that embody the hygge way of life.” —Architectural Digest Tastemakers Christiana and Aimee of Hygge & West know that the key to making a house into a home is in the decoration—whether that means embracing natural elements, creating cozy spaces, making room for family, or finding your own personal charm in every space. Hygge & West Home offers a look into twenty covetable homes designed to promote feelings of coziness, companionship, and comfort, from an intimate apartment in San Francisco to a log cabin in Wyoming, a family home in Minneapolis, and a colorful oasis in Brooklyn. With page after page of aspirational interiors, engaging interviews with home owners, and tips on creating similar feelings in any space, this eye-catching book explores what makes a house a truly personal space and offers readers the tools and inspiration to make their home their own. “Christiana Coop and Aimee Lagos, creators of Hygge & West designs, know how to make the home a retreat, a soft and charming space that really embraces hygge, the Danish design term for a cozy, sweet environment.” —Unique Homes “A must-have resource if you are interested in design and interiors.” —Coral & Tusk
FINALIST FOR THE BOOKER PRIZE & WINNER OF THE L.A. TIMES BOOK PRIZE FOR FICTION and THE ASPEN WORDS LITERARY PRIZE “It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… At once terrifying and … oddly hopeful.” —Ayelet Waldman, The New York Times Book Review “Moving, audacious, and indelibly human.” —Entertainment Weekly, “A” rating The New York Times bestselling novel: an astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands, from the author of The Reluctant Fundamentalist and the forthcoming The Last White Man. In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . . Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.
During the 1990s, Franz West’s work moved in new and innovative stylistic directions, as his career was solidified through important international exhibitions. This publication delves into this significant decade in an effort to contextualize the evolution of West’s singular practice. The 1990s proved critical in the development of the idiosyncratic style for which West is still known today. His key innovations from this period—which included the addition of exuberant color to his papier-mâché forms, the incorporation of furniture both as art object and as social incubator, and the inclusion of work by other artists in his own installations—resulted in dynamic, frequently interactive installations that helped to expand the possibilities of sculpture and the ways in which art is experienced. Produced on the occasion of David Zwirner’s 2014 exhibition in New York, this fully illustrated publication gives an in-depth overview of the decade, arguably the most important of the artist’s lengthy career. It features essays by noted West scholars Eva Badura-Triska and Veit Loers, as well as a personal account by Bernhard Riff on video collaborations made with the artist throughout the 1990s.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Dracula, 9-11, Cats. There must be an invisible leash. In Stab the Remote, death is always close, like halitosis. Eisenlohr's vignettes are told with a lyrical gift reminiscent of Brautigan, Denis Johnson, Jennifer Clement. The narrator and the people he loves inhabit a circular terrain: Service industry nightmares. Porn. Pills. Blackouts and revelations. Acrobats of the eleventh hour are here. The Honey Bucket Hooker is here. You will find yourself here.
"Audacious . . . Reddi has produced a social novel in the broadest sense, leading us to make connections beyond the page. Such connections stretch beyond California, requiring us to think about—to reimagine—the history of immigration in the United States." — David L. Ulin, Alta “Reddi is a talented writer with a gift for pacing — she knows how to employ suspense to keep readers turning pages.” — Los Angeles Times “In Passage West, Reddi expertly navigates decades of rich history through the eyes of multiple characters. . . Passage West lays out the foundation for American society today.” — WBUR “Rishi Reddi takes ‘epic’ to the next level with this untold PoC history of California. Passage West is a novel of California, of the U.S.-Mexico border, and of America, that you probably had no idea you needed in your life. . . . Reddi’s prose, measured and with exquisite attention to sonics of accents and multiple languages, [is] a pleasure.” — Electric Literature “Reddi takes up the lives of Punjabi farmers in California . . . Passage West is also a story of the pull of old ties; the urgency and desperation to seek love, make connections and prove oneself, so as to belong in this different world that has, inadvertently or otherwise, become home. . . . Reddi's novel is visual and resounds with vibrant pulsating drama.” — PopMatters "Vibrant. . . . This wise and wonderfully written novel, reminiscent of John Steinbeck’s best, shines a light on a little-known facet of American history. . . . It speaks to the question of what it means to be American, of who belongs, and, most importantly, how we can do better as a nation at guaranteeing the basic human rights and dignities of everyone who lives and works on this soil. . . . Ms. Reddi is a tremendous talent." — Criminal Element “Riveting . . . . An enthralling and dramatic story . . . Passage West informs the reader at great depth about the history of Indian, Japanese, and Mexican immigrants in California without breaking the spell of the narrative.” — High Country News “A richly layered historical novel that tells the stories of ordinary people living in extraordinary times . . . Reddi is a meticulous researcher, history buff and, like her character Ram, a fascinating storyteller. She skillfully embeds the ubiquitous bigotry of the time in her narrative. Although the novel provides readers with a detailed view of our nation’s past indignities, the book’s themes of racism, discrimination and anti-immigration, disconcertingly resemble the divisiveness of the United States today.” — BookTrib "Reddi’s engrossing first novel (after the collection Karma) explores the immigrant experience of Indian-Americans in early 20th-century California.... Reddi vividly evokes the landscape and the characters’ place in it, making the conclusion all the more wrenching. Reddi’s Steinbeck-ian tale adds a valuable contribution to the stories of immigrants in California." — Publishers Weekly “A debut novel recounts the struggles and triumphs of immigrants in California's Imperial Valley a century ago…. The sweeping narrative is deeply researched and offers a fascinating look at a historic era from a fresh perspective…. The lives of two Indian immigrants are scarred by forces still alive a century later.” — Kirkus Reviews “Reddi’s richly imagined, character-driven novel sheds light on a little-known history of Indians in the U.S. and surprisingly echoes current events. A wonderful historical saga for fans of Jane Smiley’s Some Luck.” — Booklist
Lindy West wasn't always loud. She was once a nerdy, overweight teen who wanted nothing more than to be invisible. Fortunately for women everywhere, along the road she found her voice, and that cripplingly shy girl, who refused to make a sound, somehow grew up to be one of the loudest, shrillest, most fearless feminazis on the internet. Here, she recounts how she went from being the butt of people's jokes, to telling her own brand of jokes - ones that carry with them with a serious message and aren't at someone else's expense.
Will Wright explores the continuing popularity of the myth of the Wild West, demonstrating how, as a cultural icon, it speaks deeply to a desire for individualism and liberty. The author discusses the myth through market and social theory.