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First published in 1814, this small volume comprises a collection of 110 swatches displaying nature’s colour palette together with their poetical descriptions. In the 18th century, German geologist Abraham Gottlob Werner set out to establish a standard reference guide to colour for use in the general sciences. Scottish flower painter Patrick Syme later enhanced and extended Werner’s work to include all of the most common colours or tints that appear in nature, with each colour swatch accompanied by examples from the Animal, Vegetable and Mineral Kingdoms. The resulting work was used by many scientists, explorers and anthropologists to further their studies, including Charles Darwin during his time on the HMS Beagle. Werner’s Nomenclature of Colours is considered the predecessor of modern systems such as Pantone and has even inspired heritage paint ranges from the likes of Dulux and Farrow & Ball. Art Meets Science. is republishing this beautiful volume in a facsimile edition and has taken great care to reproduce the original text and art for a new generation of artists and scientists.
Originally published in 1814, Werner's Nomenclature of Colours is a remarkable guide to the colors of the natural world. This edition includes additions by Patrick Syme, a Scottish artist who used the book to create scientifically accurate color charts for field use. With over 100 color swatches and detailed descriptions of each color, this book is an invaluable resource for artists, scientists, and nature lovers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Behrangi offers five children's stories that are notable for their realism and social significance. In keeping with his desire to combat ignorance and bridge the cultural gap between the rural poor and wealthy city dwellers and land owners, his stories do not shield children from knowledge about the pain and cruelty of life. Rather, they pay homage to the lives of the poor, who despite their powerlessness continue their struggle to survive both physically and intellectually. This edition of the book includes an essay by Gholam Husayn Sa'edi.
Presenting a variety of historiographical approaches, this Research Handbook explores the historical development of trademarks and the associated commercial practices of branding. It has an international scope, covering trademark history in Australia, Israel, pre-modern Europe, Sweden, the UK, and the US.
This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”