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How to Go Steady explores love, heartbreak, and wisdom from vintage romance comic book stories and advice columns. Romance comics were a genre of comic books that were incredibly popular in the postwar years. The first true romance title, Young Romance, was created by Joe Simon and Jack Kirby (the same creative team behind Captain America) in 1947. The genre exploded like wildfire and for years sold more copies than superhero titles. Romance comics contained stories of love and lots of heartbreak. In this history book meets how-to guide you'll learn all about dating according to romance comic books of the 1960s and 1970s. Chapters delve into how to meet potential dates, etiquette, coping with jealousy and heartbreak, meeting parents, sex, and of course, the do's and don'ts surrounding going steady. Not only will you learn everything from what to do with a borrowed hankie to how to make the first move, you'll learn how to develop the most attractive quality of all-the confidence to be yourself. Historical anecdotes and practical tips told in a fun and accessible way make How to Go Steady the perfect read for comic book fans and non-comic fans alike, as well as those looking for love.
From gentleman callers to big men on campus, from Coke dates to "parking," From Front Porch to Back Seat is the vivid history of dating in America. In chronicling a dramatic shift in patterns of courtship between the 1920s and the 1960s, Beth Bailey offers a provocative view of how we sought out mates-and of what accounted for our behavior. More than a quarter-century has passed since the dating system Bailey describes here lost its coherence and dominance. Yet the legacy of the system remains a strong part of our culture's attempt to define female and male roles alike.
It’s the summer of 1966... The fundamental old ways: chastity, rationality, harmony, sobriety, even democracy: blasted to nothing or crumbling under siege. The city glows. It echoes. It pulses. It bleeds pastel and fuzzy, spicy, paisley and soft. This is how it's always going to be: smashing clothes, brilliant music, easy sex, eternal youth, the eyes of everybody, everyone's first thought, the top of the world, right here, right now: Swinging London. Shawn Levy has a genius for unearthing the secret history of popular culture. The Los Angeles Times called King of Comedy, his biography of Jerry Lewis, "a model of what a celebrity bio ought to be–smart, knowing, insightful, often funny, full of fascinating insiders' stories," and the Boston Globe declared that Rat Pack Confidential "evokes the time in question with the power of a novel, as well as James Ellroy's American Tabloid and better by far than Don DeLillo's Underworld." In Ready, Steady, Go! Levy captures the spirit of the sixties in all its exuberance. A portrait of London from roughly 1961 to 1969, it chronicles the explosion of creativity–in art, music and fashion–and the revolutions–sexual, social and political–that reshaped the world. Levy deftly blends the enthusiasm of a fan, the discerning eye of a social critic and a historian's objectivity as he re-creates the hectic pace and daring experimentation of the times–from the utter transformation of rock 'n' roll by the Beatles and the Rolling Stones to the new aesthetics introduced by fashion designers like Mary Quant, haircutters like Vidal Sassoon, photographers like David Bailey, actors like Michael Caine and Terence Stamp and filmmakers like Richard Lester and Nicolas Roeg to the wild clothing shops and cutting-edge clubs that made Carnaby Street and King's Road the hippest thoroughfares in the world. Spiced with the reminiscences of some of the leading icons of that period, their fans and followers, and featuring a photographic gallery of well-known faces and far-out fashions, Ready, Steady, Go! is an irresistible re-creation of a time and place that seemed almost impossibly fun.
Analyzes the changes which have occurred over this century in the timing of transitions to adult life in the United States such as transitions out of school and into work and out of the parental home and into marriage and parenthood. Links demographic behavior with popular beliefs, and with the social and cultural developments and major events in American society from the 1920s to the 1970s.
“My storey is about my life. I was born in 1939, and my family literally broke apart when I was “little”. I do not recall ever living in a home with my mother and father together. There were several years I spent in foster care; and then living with Mom and then Dad, bouncing back and forth a couple of times, until I was a junior in high school. My father moved, but I didn’t. I spent my final year in high school living with a local family, thanks to a basketball coach who took special interest in me. I spent some of my time growing up being a juvenile delinquent; petty theft, shop-lifting, drinking, smoking and other such irresponsible activities. I made a decision to change my life after my freshman year in high school, and went to live with my father, whom I already knew was a strict disciplinarian and a very controlling individual. But, I got the chance to start my life over again at age 15. I made the most of my new start, and I want to tell my story!”
Ones teen years are often difficult. And when a teenager leaves homeno matter the reasonit can be more than difficult. It can be dangerous. In Mentors Glory, fifteen-year-old Jacob leaves his home in Rochester, New Hampshire, in 1957 to find summer employment. Authors David E. Plante and Lorraine M. Plante take readers on Jacobs journey as he hitchhikes down the Eastern Seaboard. Hitching rides make Jacob a conspicuous target for the perverted, and an incident in Georgia almost leads to more than he can handle. He survives the summer adventure only because his protector, Christ, is actively involved in his life and provides Jacob with mentors to guide and help him in spite of his navet. As he matures from an independent and strongwilled teenager to a young man with a family, Jacob once again finds himselfthis time with family in towon the road, looking for a job. Mentors Glory, the sequel to Kids Dont Build Boats, tells the real-life story of a young man in search of himself. While he faces danger along the way, Jacob is confident of his safety because he relies on Gods promise to never leave nor forsake him. Included in Gods special gift s to Jacob are timely mentors who provide sanctuaries, employment, and advice as he continues his search for a meaningful, productive life.
The Crime and Corruption Novel MEGAPACK® presents 4 great books by two different authors: Thomas B. Dewey and Burt Arthur. Included are: A Season for Violence, by Thomas B. Dewey Run, Brother, Run!, by Thomas B. Dewey Empty Saddles, by Burt Arthur. Kiss Me Hard is copyright © 1953 by Thomas B. Dewey. If you enjoy this volume of classic stories, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see the 270+ other entries in this series, including science fiction, fantasy, mysteries, adventure, horror, westerns -- and much, much more!
Coming of Age in the 1950s includes 64 illustrated short stories, sprung from the pages of the author's diaries, which she has kept since she was 10 years old. Most of the stories are based in Pittsburgh, Pennsylvania, but the last few feature Los Angeles, California. The stories incorporate historical facts and sociological commentary on such subjects as apartments, cars, clothes, college dorm life, dating, death, friendship, high school, illness, junior high, meals, modeling, marriage, Miss America, music, newspapers, part-time jobs, pets, religion, shopping, snow, sororities, teachers, television, and travel.
Just a Kid from Brooklyn was initially written to provide my children and their children with a family history before it was forever lost. I also wanted to leave behind a smooth glide path through life for generations not yet born. This is my story, but it may be everymans story. It is a story about meeting head-on the challenges and struggles that we face every day and the choices that we make when we are faced with them. Some people use adversity as an excuse for failurealways the victim. For others, failure is an opportunity to try again; you always have another chance. My story is meant to inspire readers to exercise their inalienable right to the pursuit of happiness, as cited in the Declaration of Independence, whether its discovery, adventure, achievement, or even money.