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Wendell's life has always been difficult and pointless as he wanders the streets, seeking comfort in a bard's fleeting song or getting hired to chase crows away. When he sees the king's strange, sad daughter in a painting, it is only another thing to forget about before returning to the dust of the city. But when she is suddenly found missing, the truths hiding in her eyes will be lost forever... unless he can persuade the king to send him out, with only an old, beaten dagger and the riddles of a storyteller to guide him through places of darkness and ruined beauty. Along the way, he may learn that the wind does more than whisper, and all that is gold does not always glitter. But the old stories have deeper secrets than anyone can remember anymore, secrets that only a whisper knows.
Wendell is a high school outcast who lives a lonely, suburban existence, losing himself in books in order to avoid his distant, motorcycle-riding stepfather, Ted. When the school bullies convince Wendell to venture into the forest around their neighborhood and explore the long-abandoned Renaissance Faire grounds they all believe to be haunted, Wendell is surprised to find a man living in the barn — and even more surprised by the man himself. His new acquaintance seems the definition of crackpot, believing himself to be a medieval knight named Sir Habersham, tasked with the duty of slaying the dragon he insists is wandering the woods. But when Wendell starts hearing rumblings — and listening to Habersham's stories — he starts to wonder if, perhaps, it could all be true. In a heartfelt coming-of age story, Wendell must defy logic in order to follow his heart.
Danny Dragonbreath and his friend Wendell get an up-close underwater tour of the Sargasso Sea from Danny's sea-serpent cousin, encountering giant squid and mako sharks--and learn about standing up to bullies in the process.
Bryan Phoenix Presents: Saint's Vigil, a novel of horror and suspense. Killed in a violent robbery, rescued and revived, a music teacher feels her loss is too much to bear. Panicked and broken, Saundra hides in Saint Michael's cathedral while law enforcement pursues the murderers. As darkness overwhelms her, she can only pray to the distant lights of heaven. Has she been cast into hell? In their terrible conflict, will the warring angels save her or destroy her? Called to the scene, Deputy Sheriff Hugh Miller entangles his team in a tactical nightmare, and his friends are killed and injured there. He saves Saundra from certain death by positioning himself between her and the assailants, but his use of force earns him a suspension. Inexplicably, the criminals escape. With the threat of more murders, Hugh joins the investigation in secret, obsessed with stopping the killers. His efforts place him in a deadly game poised to lose all he values and loves. Tracking seemingly supernatural events spiraling out of control, Hugh must find a way to bring them into his hand.
It is undisputed that dragons are extinct, except for strange animals like Komodo dragons and other creatures with odd features. Supposedly, they never existed. Suppose, just suppose, that they did exist, once upon a time. This is the story of what might have been the last interaction between people and dragons. It is also the story of loving couples, kings, queens, and disputes between brothers over a throne and a beautiful duke's daughter. It speaks of the enduring power of love and forgiveness and their power to heal. I wanted to provide an alternative to some of the stereotypes of dragons, and of people, too. If you want to let your imagination explore these possibilities, please read more!
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.