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"Welsh Rarebit Tales" by Harle Oren Cummins. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
WELSH RAREBIT TALES contains 15 very short stories. In explaining how these tales came to be, the author tells that he was a member of a "certain literary club" which held irregular meetings. Each member would read his latest work since the previous meeting. The others would comment and critique the work, which created "much mutual benefit" to all. At one such meeting, it seems that the members had "run short of first-class plots" so they decided to attempt an experiment, and sat down to a dinner of: 1 Large Portion Welsh Rarebit, 1 Broiled Live Lobster, 1 Piece Home Made Mince Pie, 1 Portion Cucumber Salad. The following meeting of the club had to be postponed "on account of illness of fourteen of the members," but at the next, "the accompanying tales were related." He notes also that "By unanimous sentence of the other fourteen members, and as a punishment for having been the originator of the scheme, mine was chosen as the unlucky name under which the Tales should appear" and hence, Welsh Rarebit Tales came into being. All these tales are very different. There is a mix of science fiction, horror, dark crime and all reveal something about the nature of the characters. Some are sad, some are downright pathetic, but for the most part, in combination they make for fun reading. The 15 tales in this collection are: The Man Who Made a Man In the Lower Passage The Fool and His Joke The Man and the Beast At the End of the Road The Space Annihilator A Question of Honor The Wine of Pantanelli The Strangest Freak The False Prophet A Study in Psychology The Painted Lady and the Boy The Palace of Sin The Man Who Was Not Afraid The Story the Doctor Told ===================== KEYWORDS/TAGS: Welsh, rarebit, tales, short stories, eclectic, literary club, science fiction, horror, dark crime, sin, vice, sex, fun reading, The Man Who Made a Man, Lower Passage, Fool, Joke, Beast, End of the Road, Space, Annihilator, Question of Honor, Wine, Pantanelli, Strange, Freak, False Prophet, Study, Psychology, Painted Lady, Boy, Palace of Sin, Afraid, courage, fear, Doctor
By William Elliot Griffis is a magical journey into the heart of Welsh folklore. Griffis masterfully retells enchanting tales of fairies, dragons, and mystical landscapes that have been passed down through generations. Each story is imbued with the rich cultural heritage of Wales, making this collection a treasure trove for both young readers and those young at heart.
The first study to place this genius of modern comics creation in his historical context
H. G. Wells' "The Country of the Blind & Other Sci-Fi Tales - 33 Fantasy Stories in One Edition" showcases a collection of gripping science fiction tales that exemplify Wells' genius for storytelling and imaginative world-building. These stories explore themes of technology, society, and the future, showcasing Wells' unique vision and ability to provoke thought and discussion. His writing style is engaging and thought-provoking, with a focus on blending scientific ideas with speculative fiction, making this collection a must-read for fans of the genre. The literary context of Wells' work can be seen as a precursor to modern science fiction, influencing generations of writers to come. H. G. Wells' background as a prolific writer and visionary thinker shines through in the intricate narratives and vivid worlds he creates in this collection. Inspired by the scientific advancements and social changes of his time, Wells uses his storytelling to explore the possibilities and dangers of progress, making him a key figure in the development of science fiction as a genre. I highly recommend "The Country of the Blind & Other Sci-Fi Tales" to readers who appreciate thought-provoking science fiction that challenges assumptions and explores the boundaries of human knowledge and imagination. Wells' timeless stories continue to inspire and captivate readers with their visionary ideas and compelling narratives.
How deviant materials figure resistance Yeast ferments, gelatin jiggles, drugs and alcohol froth and bubble, and flesh from animals and plants actively molds and rots. These materials morph through multiple states and phases, and their movement is imbued with a liveliness that is suggestive of volition. Deviant Matter examines four aesthetic and material categories— gelatinousness, fermentation, putrefaction, and intoxication—to theorize how the modern state seeks to manage deviant populations across multiple scales, from the level of the single cell up to the affective and aesthetic imperatives of the state and its bureaucratic projects. Kyla Wazana Tompkins deploys a new materialist engagement with the history of race and queer life, making an argument for queer of color method as political and disciplinary critique. Deviant Matter delves into a vast archive that includes nineteenth-century medical and scientific writing; newspaper comic strips and early film; the Food and Drug Act of 1906; the literature of Martin Delany, Louisa May Alcott and Herman Melville; and twenty-first century queer minoritarian video, installation, and performance art. Drawing from the genealogy of Black feminist and queer of color critique, in Deviant Matter rot, jelly, ferment and intoxicating materials serve as figures for thinking about how matter, art, politics, and affect can be read across multiple scales, ranging from the intimate and molecular everyday to the vast print production and inner workings of the state. Tompkins demonstrates that we are moved by our encounters with the materials in Deviant Matter, producing feelings and sensations that she links to a system of social value where these sensations come to be understood as productive, exciting, disgusting, intoxicating, or even hallucinatory. Moving through multiple states and phase changes, falling apart and reforming again, ferment, rot, intoxicants and jelly energize and choreograph both themselves and human behavior. At the same time, these materialities come to signify exactly those populations whose energy escapes the extractive efforts of capitalism and the state.