Download Free Welcome To Thebes Book in PDF and EPUB Free Download. You can read online Welcome To Thebes and write the review.

Set in a city named Thebes, somewhere in the 20th century, the play is introduced by a militia sergeant named Miletus and two child soldiers under his command, Scud and Megeara. They discover the body of Polynices, a warlord in the recently-ended civil war and brother of Antigone and Ismene. Meanwhile, Ismene and the new female president of Thebes, Eurydice, widow of Creon get ready for the arrival of Theseus, fi rst citizen of the powerful democratic state of Athens, to discuss rebuilding Thebes after the civil war.10 women, 10 men
Continuously inhabited for five millennia, and at one point the most powerful city in Ancient Greece, Thebes has been overshadowed by its better-known rivals, Athens and Sparta. According to myth, the city was founded when Kadmos sowed dragon’s teeth into the ground and warriors sprang forth, ready not only to build the fledgling city but to defend it from all-comers. It was Hercules’ birthplace and the home of the Sphinx, whose riddle Oedipus solved, winning the Theban crown and the king’s widow in marriage, little knowing that the widow was his mother, Jocasta. The city’s history is every bit as rich as its mythic origins, from siding with the Persian invaders when their emperor, Xerxes, set out to conquer Aegean Greece, to siding with Sparta – like Thebes an oligarchy – to defeat Pericles' democratic Athens, to being utterly destroyed on the orders of Alexander the Great. In Thebes: The Forgotten City of Ancient Greece, the acclaimed classical historian Paul Cartledge brings the city vividly to life, and argues that it is central to our understanding of the ancient Greeks’ achievements – whether politically or culturally – and thus to our own culture and civilization.
Sophocles' play, first staged in the fifth century B.C., stands as a timely exploration of the conflict between those who affirm the individual's human rights and those who must protect the state's security. During the War of the Seven Against Thebes, Antigone, the daughter of Oedipus, learns that her brothers have killed each other, having been forced onto opposing sides of the battle. When Creon, king of Thebes, grants burial of one but not the "treacherous" other, Antigone defies his order, believing it her duty to bury all of her close kin. Enraged, Creon condemns her to death, and his soldiers wall her up in a tomb. While Creon eventually agrees to Antigone's release, it is too late: She takes her own life, initiating a tragic repetition of events in her family's history. In this outstanding new translation, commissioned by Ireland's renowned Abbey Theatre to commemorate its centenary, Seamus Heaney exposes the darkness and the humanity in Sophocles' masterpiece, and inks it with his own modern and masterly touch.
Known and loved throughout Egypt as a work that celebrates the national character, Nobel laureate Naguib Mahfouz’s Thebes at War tells of a high point in Egyptian history–ancient Egypt’s defeat of Asiatic foreigners who had dominated northern Egypt for two hundred years. With a visit from a court official and a provocative insult, the southern pharaoh’s long simmering resentment boils over, leading him to commit himself and his heirs to an epic struggle for the throne. Filled with the grand clash of armies, staggering defeats, daring escapes, and glorious victories, and written at a time when Egypt was again under the sway of foreign powers, Thebes at War is a resounding call to remember Egypt’s long and noble history.
Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.
This study focuses on ways in which Statius' epic Thebaid, a poem about the civil war between Oedipus' sons Eteocles and Polynices, reflects the theme of internal discord in its narrative strategies. At the same time that Statius reworks the Homeric and Virgilian epic traditions, he engages with Hellenistic poetic ideals as exemplified by Callimachus and the Roman Callimachean poets, especially Ovid. The result is a tension between the impulse towards the generic expectations of warfare and the desire for delay and postponement of such conflict. Ultimately, Statius adheres to the mythic paradigm of the mutual fratricide, but he continues to employ competing strategies that call attention to the fictive nature of any project of closure and conciliation. In the process, the poem offers a new mode of epic closure that emphasises individual means of resolution.
The death in 2013 of Seamus Heaney is an appropriate point to honour the great Irish poet's major contribution to classical reception in modern poetry. This is the first volume to be wholly dedicated to this perspective on Heaney's work, focusing primarily on his fascination with Greek drama and myth and his interest in Latin poetry.
This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb.The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions.This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Gabriel:'A richly themed, enthralling new play.' The TimesSilence (winner of the Susan Smith Blackburn award):'Silence is a beaut. Buffini is deliciously skilled at crafting lines.' Financial TimesLoveplay:'Delightfully quirky, funny and touching. A hit if ever I saw one. Buffini has an appetite for history, and the most beguiling of dramatic voices.' Daily TelegraphDinner:'A cracking black comedy that has you laughing uproariously one moment and jumping with shock the next . . . Dinner offers a delicious feast of comedy at its most heartless and macabre.' Daily TelegraphBlavatsky's Tower:'A refreshingly dizzying perspective on that cornerstone of dysfunction - the family.' Time Out 'A truly remarkable play. Buffini is a startingly original voice and an outstanding talent.' What's On