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50+ Easy Reproducible Frames That Guide Every Child to Write Different Forms of Poetry All Year Long
Children's writer and poet Amy Ludwig VanDerwater leads us on an adventure through poetry, pointing out craft elements along the way that students can use to improve all their writing, from idea finding to language play. "Poems wake us up, keep us company, and remind us that our world is big and small," Amy explains. "And, too, poems teach us how to write. Anything." This is a practical book designed for every classroom teacher. Each lesson exploration includes three poems, one by a contemporary adult poet and two by students in grades 2 through 8, which serve as models to illustrate how poetry teaches writers to: find ideas, choose perspective and point of view, structure texts, play with language, craft beginnings and endings, choose titles. Students will learn how to replicate the craft techniques found in poetry to strengthen all writing, from fiction to opinion, from personal narrative to information. "Poets arrange words and phrases just as prose writers do, simply in tighter spaces," Amy argues. "In the tight space of poetry, readers can identify writing techniques after reading one page, not thirty pages."
Comic Timing, Holly Pester's extraordinary debut collection of poems, chronicles the experience of living and working as a radical and resistant act. These poems shunt a reader between the political and personal via unique, fragmentary and illusory turns of phrase. Holly tackles marginal bodies, landlords, bog butter, desire, domestic and civic spaces in an unique and illusory voice. She chronicles the prevailing mood of our times, mining radical and anarchic histories to offer a collection of political resistance with both absurdity and seriousness. These poems interrogate and poke fun at the expectations of people in a commodified culture with a wry humour. Combining a beautifully performed naivety with a profound intellect, this collection is a hugely original approach to a number of pressing issues. Worker's rights, feminisms, reproductive rights and marginalised bodies and their positions are all thought through in this startling and innovative voice.
A collection of poems describing some of the joys and sorrows of friendship.
Differentiating Instruction With Menus offers teachers everything they need to create a student-centered learning environment based on choice. Addressing the four main subject areas (language arts, math, science, and social studies) and the major concepts taught within these areas, these books provide a number of different types of menus that elementary-aged students can use to select exciting products that they will develop so teachers can assess what has been learned—instead of using a traditional worksheet format. Each book contains attractive reproducible menus, each based on the levels of Bloom's revised taxonomy, for students to use to guide them in making decisions as to which products they will develop after studying a major concept or unit. Using creative and challenging choices found in Tic-Tac-Toe Menus, List Menus, 2-5-8 Menus, Baseball Menus, and Game Show Menus, students will look forward to sharing their newfound knowledge throughout the year. Also included are specific guidelines for products, rubrics for assessing student products, and teacher introduction pages for each menu. This book includes menus that teach students about language arts genres, mechanics, and novels.
"Ana Božic(evic''s work is sort of animist--it's either about silence or the racket of the world. How does she do it? Clicks the switch to say it's silent & it's happening then on a distant tiny stage. She's muttering, and then it's a story and a very good one. I mean in poetry at some point you don't know what the writer means. In Ana's work I watch "it" vanish (all the time) & I trust it."--Eileen Myles.
DIVPoetry lives on in the digital age/div
From the author of The Statistical Probability of Love at First Sight comes a humorous and heartwarming novel about small towns, big love, and mistaken email identity. When teenage movie star Graham Larkin accidentally sends small town girl Ellie O'Neill an email about his pet pig, the two seventeen-year-olds strike up a witty and unforgettable correspondence, discussing everything under the sun, except for their names or backgrounds. Then Graham finds out that Ellie's Maine hometown is the perfect location for his latest film, and he decides to take their relationship from online to in-person. But can a star as famous as Graham really start a relationship with an ordinary girl like Ellie? And why does Ellie want to avoid the media's spotlight at all costs?
n Kelly DuMar's girl in tree bark, the past, especially the life of the family of origin, acts as a kind of sap that provides nutrients for the photosynthesis that charges the poems. But the poems send their salubrious nourishment down to the past, which becomes transformed with the poem-making. The effect of the past on the present, and vice-versa, is not static; it is a reciprocally kinetic symbiosis, played out in fluent, daring narratives, in language keen with insight and liquid with sumptuous musicality. In almost every poem, a coupling of devastation and healing works a remarkable magic. -- Tom Daley, author of House You Cannot Reach