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The story of a grisly triple murder in Central Victoria in October 2014 - contemporary Australian true crime at its best 'An ugly story told beautifully. WEDDERBURN will hold you tightly in its grip, and leave an imprint when it lets you go.' Myfanwy Jones 'In WEDDERBURN, we see the trauma caused by the blackest of hearts. A desolate yet deeply affecting tale of savage crime in rural Australia.' Mark Brandi 'Maryrose Cuskelly has the rare gift of telling a true story with the excitement and vividness of fiction; she never forsakes the facts in this chilling and hypnotic book.' William McInnes 'The slaughter was extravagant and bloody. And yet there were people in the small town of Wedderburn in Central Victoria who, while they did not exactly rejoice, quietly thought that Ian Jamieson had done them all a favour.' One fine Wednesday evening in October 2014, 65-year-old Ian Jamieson secured a hunting knife in a sheath to his belt and climbed through the wire fence separating his property from that of his much younger neighbour Greg Holmes. Less than 30 minutes later, Holmes was dead, stabbed more than 25 times. Jamieson returned home and took two shotguns from his gun safe. He walked across the road and shot Holmes' mother, Mary Lockhart, and her husband, Peter, multiple times before calling the police. In this compelling book, Maryrose Cuskelly gets to the core of this small Australian town and the people within it. Much like the successful podcast S-Town, things aren't always as they seem: Wedderburn begins with an outwardly simple murder but expands to probe the dark secrets that fester within small towns, asking: is murder something that lives next door to us all?
SHORTLISTED FOR THE RELIT 2022 NOVEL AWARD A joy ride set on a crash course with the past. Audrey Cole has always loved to drive. Anytime, anywhere, any car: a questionable rustbucket, a family sedan, the SUV she was paid to drive around the oil fields. From the second she learned to drive, she’s always found a way to hit the road. Years ago, when she abandoned her oil field job, she found herself chauffeuring around the Lever Men, a B-list band relegated to playing empty dive bars in far-flung towns. That’s how she found herself at the Crash Palace, an isolated lodge outside the big city where people pay to party in the wilderness. And now, one night, while her young daughter is asleep at home, Audrey is struck by that old urge and finds herself testing the doors of parked cars in her neighbourhood. Before she knows it, she’s headed north in the dead of winter to the now abandoned Crash Palace in a stolen car, unable to stop herself from confronting her past The Crash Palace is a funny, moving, and surprising novel by the author of the Amazon First Novel Award–nominated The Milk Chicken Bomb. Audrey is unlike any character you’ve met before, and you'll love being along for the ride.
A comprehensive and up-to-date introduction to Romans, and a systematic survey of recent studies in the field.
The kid sells lemonade. Not a lot of people buy lemonade, especially now that it's winter, but the kid makes good lemonade, even if his friend Mullen thinks it ought to be sweeter. They don't talk much with the other ten-year-olds - most of the others are Dead Kids anyway. Except for Jenny Tierney, but she's busy breaking kids' faces with her math book. Besides, the Russians from the meat-packing plant are a lot cooler, and they always win at curling. But in small-town Alberta, there are just too many roman-candle fights, bonspiels, retaliatory river diversions, black-market submarines, exploding boilers, meat-packing-plant suicides and recess-time lightning strikes for one lonely kid to get any attention. He might as well go to Kazakhstan. Then the adults in his life start disappearing down tunnels and into rendering vats. Being ten is hard enough without all that, especially when your best friend is ruining the lemonade. But the Milk Chicken Bomb should change everything. Frenetic, hilarious and gently heartrending, The Milk Chicken Bomb takes us inside the mind of a troubled ten-year-old who is just beginning to understand that the adults around him are as lonely and bewildered as he is in the face of the slapstick demands of the world.
Robert Wedderburn was one of the first promoters of black power by revolutionary force, if necessary. His publications had an enormous impact in his time. His autobiography is a vital indictment of an execrable system.
Veteran scholar A. J. M. Wedderburn scrutinizes perhaps one of the most central tenets of the Christian faith the resurrection of Jesus and he does so through the cold hard lens of historical criticism. Recognizing that such a rigorous examination can be an uncomfortable undertaking which constantly threatens to undermine cherished and established beliefs (from the foreword) and risks controversy and sharp criticism, Wedderburn, nonetheless, strives to apply strenuously the methods of historical criticism to the question of Jesus' resurrection in an effort to determine whether the resurrection was more probable, less probable, or somewhere in the middle. Wedderburn eschews neat and tidy answers, insisting that If in truth any talk of God or of ultimate reality must come up against a profound mystery, then does that not set a question-mark against the sort of theological studies where what God is and is not is declared with the greatest of precision? (from the foreword).