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There is a rich tradition of hand-woven bands made by the nomadic pastoralists of Iran. They have a large and detailed design vocabulary, and were executed using weaving skills that were not exceeded by any other weaving tradition. No study of nomadic life and weavings in Iran is complete without them. Among Qashqa'i tribal weavers in particular, the warp-faced bands used to attach loads to pack animals were a key symbol of their nomadic life. These bands carry a large repository of motifs that may be a source of archaic design elements. Bands illustrate a connection between and among groups of nomadic pastoralists, as great distances may have separated their ancestors for hundreds of years. Although the overwhelming majority of weavers were illiterate, they possessed a different form of literacy in which they were capable of transferring an image into a woven structure. This is the first book devoted exclusively to these weavings. AUTHORS: Dr Fred Mushkat has been collecting and diligently studying the warp-faced woven bands of Iran since the late 1980s. His work is supplemented by detailed commentary co-written by the socio-cultural anthropologist Professor Lois Beck of Washington University in St. Louis, (the world expert on the Qashqa'i nomads in Southwestern Iran), and Naheed Dareshuri, a Qashqa'i nomadic pastoralist currently living in the United States. The book also includes a contribution by Professor Peter Alford Andrews, the world's foremost authority on the architecture and use of nomadic tents of Eurasia. SELLING POINTS: * This is the first book devoted exclusively to the hand-woven bands made by the nomadic peoples of Iran * The publication features many previously unpublished weavings of great art-historical and anthropological importance 200 colour and 10 b/w images
With the 1978-79 Revolution in Iran, the Pahlavi dynasty fell and was replaced by the Islamic Republic. In the decades since the Revolution all sectors of Iranian society, from the middle-class villas of northern Tehran to the remotest villages and nomad camps, have undergone profound changes. For many years the country was difficult to access by outsiders. Foreign media provided images of bearded men toting guns, veiled women in the cities and the horrors of the war with Iraq, yet little was known of what was going on in the countryside. Some nomad tribes were reported to be barely surviving after suffering discrimination and reductions in numbers in the last years of the Pahlavis, whereas others were said to be experiencing something of a renaissance. This book documents the life of the nomads in Iran at the end of the twentieth century.
Examining the rapid transition in Iran from a modernizing, westernizing, secularizing monarchy (1941-79) to a hard-line, conservative, clergy-run Islamic republic (1979-), this book focuses on the ways this process has impacted the Qashqa’i—a rural, nomadic, tribally organized, Turkish-speaking, ethnic minority of a million and a half people who are dispersed across the southern Zagros Mountains. Analysing the relationship between the tribal polity and each of the two regimes, the book goes on to explain the resilience of the people’s tribal organizations, kinship networks, and politicized ethnolinguistic identities to demonstrate how these structures and ideologies offered the Qashqa’i a way to confront the pressures emanating from the two central governments. Existing scholarly works on politics in Iran rarely consider Iranian society outside the capital of Tehran and beyond the reach of the details of national politics. Local-level studies on Iran—accounts of the ways people actually lived—are now rare, especially after the revolution. Based on long-term anthropological research, Nomads in Postrevolutionary Iran provides a unique insight into how national-level issues relate to the local level and will be of interest to scholars and researchers in Anthropolgy, Iranian Studies and Middle Eastern Studies.
Richard Tapper's 1997 book, which is based on three decades of ethnographic fieldwork and extensive documentary research, traces the political and social history of the Shahsevan, one of the major nomadic peoples of Iran. The story is a dramatic one, recounting the mythical origins of the tribes, their unification as a confederacy, and their decline under the Pahlavi Shahs. The book is intended as a contribution to three different debates. The first concerns the riddle of Shahsevan origins, while another considers how far changes in tribal social and political formations are a function of relations with states. The third discusses how different constructions of the identity of a particular people determine their view of the past. In this way, the book promises not only to make a major contribution to the history and anthropology of the Middle East and Central Asia, but also to theoretical debates in both disciplines.
Since the revolution in 1979, the Islamic Republic of Iran has permitted very few Western scholars to conduct research in the country. Foreign travellers and media persons have limited access and much Iranian scholarship tends to focus on the realms of politics and government. Here Julia Huang provides a remarkable account of local tribal Iranian life, offering a rare glimpse into the daily rhythms and social richness beyond the capital city of Tehran. The Qashqa'i are a confederation of nomadic tribes, of which the Qermezi ('Red Ones') are one, migrating semiannually between winter pastures near the Persian Gulf and summer pastures southwest of the city of Isfahan. Huang has visited and traveled with the Qermezi for extended periods across fourteen years. Drawing on her experiences, participation and observation, she offers an intimate window onto their life. She focuses on a small group of women spanning four generations who are part of a large extended family, and describes their ways of life, their activities and interactions, and their distinctive sociocultural and ecological setting. Like other nomadic peoples around the world, the Qashqa'i increasingly face pressures that threaten their livelihoods, lifestyles and culture. Huang shows us how women negotiate compromises between customary tribal values and external influences, and sketches their efforts to resist the influences of an Islamizing, modernizing and centralizing government. With shadows and resonances that rebound across the stories of these women, Huang is able to present multiple perspectives on events and contentious issues, for instance the politicized issue of women's state-mandated modest dress. Huang also explains how the Turkic-speaking Qashqa'i relate to the wider Iranian society and the Islamic Republic of Iran, adapting to a rapidly changing world while retaining tribal values and a distinctive ethnolinguistic identity as one of Iran's national minorities. In describing life at the local level in Iran, Huang depicts a community largely beyond the scope and reach of foreign travellers and the Western media. With rich ethnographic description and analysis, intimate portraits of the private lives and spaces of women and children, and diverse perspectives, this engagingly written account documents a disappearing way of life. 'Tribeswomen of Iran' is essential reading for all those interested in Iran, the Middle East, anthropology, nomadism and gender.
During 1970 to 1971, Borzu and his people were faced with many difficulties. When the expected winter rains did not fall, pastures and crops shriveled. Unable to sell their starving livestock for any profit, Borzu's people saw their debts to urban merchants and moneylenders increase. At the same time, Iran exercised more bureaucratic control over the Qashqa'i by applying new policies over migratory schedules and the allocation of scarce pastures, and by introducing non-Qashqa'i agriculturalists and livestock investors as legitimate land users. All these measures threatened the nomad's way of life and eventually undermined the role of headmen such as Borzu. Lois Beck details the vicissitudes endured by Borzu's people and the strategies he devised to cope with them.
Beginning in 1928, the Grenfell Mission sent out a call to socialites: "When your stockings run, let them run to Labrador!" The creative recycling of tattered stockings, dyed in soft hues, is just one of many innovations that made Grenfell hooked mats highly collectible folk art. In Silk Stocking Mats, Paula Laverty chronicles the development of a local craft into an art form. For generations Newfoundland women had augmented their family's unreliable fishing income with a "matting season" in February and March. Through the Grenfell Mission's Industrial Department, set up in 1909 to help develop cottage industries, the mat industry became an increasingly important source of income reaching peak production in the late 1920s and early 1930s when the women's mats became renowned for their strong design, meticulous craftsmanship, and distinctive northern images chronicling life in the north. Reindeer, sled dog teams, polar bears, schooners, outports, and florals are but a few of the mat designs.Silk Stocking Mats is the result of over seventeen years of exhaustive research and draws on personal interviews with older women who recall their hooking days, the study of hundreds of archival documents, and careful examination of countless Grenfell hooked mats. Laverty's book is beautifully illustrated with photographs and descriptions including rare and unusual as well as common mat designs.