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In Ashley Crownover's debut, the classic tale of Beowulf is retold from the perspective of Wealtheow, Queen of the Danes. After a century of silence, Wealtheow provides a woman's perspective on the issues facing her people, raising intriguing literary questions in a readable, modern writing style.
It is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side.The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts.
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic. "An extraordinary achievement."—New York Times The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
J.R. R. Tolkien has been revered as the father of twentieth-century fantasy; however, many initially criticized him for his handling of the textual matter as male-centric magical lands that did not feature prominent female roles or significant female characters. This book will highlight the vast community of powerful female figures that Tolkien created in his fantasy writing, stemming from the distinct and dominant female forces he created in his academic translation and poetry. These fierce women serve as a culmination of the powerful forces of women and female character that originated in Medieval, Norse, and Celtic traditions. They help to create the framework from which Tolkien shaped his female community, not merely as singular figures, as previously featured, but as a dynamic network of figures who shape Tolkien's creative art. For the first time, this discussion looks at the entire community of women, featuring previously excluded figures from his academic works and highlighting translation bias in modern manuscripts of the extant medieval works that influenced these women. It also seeks to create a comprehensive guide and detailed appendices exploring the female characters and influences throughout his writing portfolio. This book seeks to uncover the hidden voices of the past to find their rightful home in the strong female voices of the present, rewriting history to regain a sense of the past.
A warrior in enemy territory is on secret mission to raise an army in this historical adventure by the author of Wolves of the North. In AD 264, the Roman Empire has been torn in two. The western provinces—Gaul, Spain, and Britain—have been seized by Postumus, the pretender to the throne. To the east, on the plains of northern Italy, the armies of the emperor Gallienus muster, and he is keen to take his rightful place of power. A war between two emperors is coming, and everyone must choose a side. On a mission shrouded in secrecy and suspicion, Ballista is sent by Gallienus back to his original home of Hyperborea, the place of the people of his birth, to raise an army against Postumus. This means that Ballista must journey along the Amber Road to the far north. Along the way Ballista meets a fearsome, masked warlord who brings fire and sword against Ballista and his men. And in Ballista’s home of Hyperborea, not all welcome his return. In the battle between Postumus and Gallienus, only one can survive and be emperor. Renowned for their skilled blending of action and historical accuracy, Sidebottom’s Warrior of Rome novels take the reader from the shouts of the battlefield to the whisperings of the emperor’s inner circle. Rich in detail and punctuated by harrowing action, there’s no better way to transport yourself back to the days of the Roman Empire. Praise for the Warrior of Rome series “Sidebottom’s prose blazes with searing scholarship.” —The Times (UK) “Superior . . . fiction, with depth, authenticity and a sense of place.” —Times Literary Supplement (UK) “A storming Roman epic with explosive action and knuckle-whitening drama.” —The Guardian (UK) “I don’t think I’ve ever experienced antiquity so directly: the brutality, the directness of expression and feeling, the deep bonds formed amid unmitigated violence.” —David Konstan, Professor of Classics, Brown University “The best sort of red-blooded historical fiction.” —Andrew Taylor, author of The American Boy
125 drawings exhibited by the Dusseldorf Museum in 1988. The collection and accompanying narrative essays tell the story of Julo Levin, artist and teacher, and the survival of the drawings. Finely reproduced color and bandw photos of Levin's work, that of his circle of friends, and, of course, that of the children. A translation from the German (1988, Dusseldorf: Claassen). An analysis of the work of American writer Gardner (1933-82), emphasizing his compositional method, as manifested in Grendel, The King's Indian, The Sunlight Dialogues, and Jason and Medeia. Revised from a 1985 doctoral dissertation at Olso University. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
The medieval in the modern world is here explored in a variety of media, from film and book to gaming.
This book brings John Gardner’s bestselling Grendel to life in the most comprehensive study of the novel to date. Using as a guide Gardner’s discussions on art, his extensive scholarship on Anglo-Saxon poetry, and his love of stories, this chapter-by-chapter analysis shows Grendel to be much more than an ironic twist on Beowulf. It reveals three distinct fights that mirror the poem, which solves mysteries that have stymied readers for decades. Anyone studying or teaching the novel will find useful analyses of Beowulf, a discussion of the novel within Gardner’s views on morality and art, and an assessment of Grendel as a modern tragic hero and anti-hero. The monster wants to be human with every ounce of his being, even at his death. This issue of identity, particularly for those who are outcast from society, culture, and community, finds resonance in nearly all of Gardner’s works. It does so in Grendel as well, and importantly so, as this work reveals.