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This study deals with the filmic self-representation of Native Americans. It focuses on five contemporary features directed by indigenes, and it deconstructs the ways in which they respond to the legacy of the Hollywood Indian. By telling their own cinematic stories, Native Americans have taken up the battle against the century-old one-dimensional characterizations of America's original peoples in the mainstream culture. These indigenous filmmakers highlight the variety and complexity of modern Native America. (Series: MasteRResearch - Vol. 1)
The experiences of Mayer as a buffalo hunter.
In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.
Join Ben D. Mahaffey and friends as they form a "Geriartric Trio" to travel to the Australian Outback in search of Buffalo, Wild Bulls, Deer, Kangaroos and other exotic animals.
This book is an autobiographical account of John Tanner, portraying his life and adventures during his thirty years of servitude among the Ojibwa. The account is divided into two major sections. Part I is mostly about his childhood and assimilation into the Ojibwa clan, his travels and experiences as a fur trader, and his unsuccessful return to white society. Part II of this document contains some limited ethnographic data on the Ojibwa, primarily focusing on the list of plants, animals, totems, and the texts of various songs of the Ojibwas used in medicine and hunting.