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Grab your tutu - it’s time for ballet class! Full of bright and lively photographs, ballet terms, and easy-to-understand definitions, this fun introduction to a ballet class will have little dancers eager to take center stage and reach for the stars.
A story that follows the everyday life of two girls, one a professional ballerina, the other a student, both of whom love ballet.
When the tide is out, the curtain is up on this clever tale of an underwater, watercolor ballet featuring dancing crabs and all of their aquatic friends from children’s book author and poet Renée LaTulippe and illustrator Cécile Metzger. “Beautiful, original, entertaining.”—Midwest Book Review Welcome. Enter. Sit right there. The Crab Ballet is about to begin! This spectacular seaside show, starring dancing crabs, an aquatic corps de ballet, and a cast of French ballet terms, is sure to delight ballet dancers of all stripes.
Grab your tutu - it’s time for ballet class! Full of bright and lively photographs, ballet terms, and easy-to-understand definitions, this fun introduction to a ballet class will have little dancers eager to take center stage and reach for the stars.
Join talented Catie and her friends at ballet school. 27 ready-to-color pictures show the young dancers practicing leaps, pirouettes, and other moves. For even more fun, create your own exciting ballet scenes with 26 colorful stickers.
In this bilingual coloring book, talented Catie and her friends are busy getting ready for a recital. Children can join them at ballet school to color pictures of their rehearsals and the performance, from practicing pirouettes to taking a final bow. Brief captions are in both English and Spanish. En este libro de colorear bilingüe la talentosa Catie y sus amigos se preparan para el recital. Acompáñalos coloreando dibujos de los ensayos escuela de ballet y el estreno, desde como practicar piruetas hasta el saludo final al público. Leyendas en inglés y en español.
This book offers an inside view of ballet as the art form we see on stages today, detailing how expressive movement is initiated and controlled, and discussing the importance of embedding creativity and expressivity within ballet technique from the dancer’s first lesson to their final performance. Janet Karin O.A.M. promotes ballet as a holistic art form resulting from the integration of mind, brain and body, and describes the motor control factors that can enhance or interfere with achievement. Throughout, professional dancers’ personal experiences illuminate the text, from the euphoria of ‘flow’ to the search for creativity and harmony, from the debilitating effects of anxiety, trauma and pain to the reward of artistic autonomy. Teaching is presented from a philosophical viewpoint, enriching and extending the child’s innate movement skills and expressive power. Practical yet reflective, this is an essential guide for dancers as well as dance educators and students.
From the acclaimed, controversial singer-songwriter Sinéad O'Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song. Blessed with a singular voice and a fiery temperament, Sinéad O'Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world famous--living a rock star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II's photograph, Sinéad has fascinated and outraged millions. In Rememberings, O'Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother's Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince's "Nothing Compares 2U." Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad's memoir is a remarkable chronicle of an enduring and influential artist.
Since being adopted by the King and Queen of Starrycrest two years ago, Kara has lived a magical life, complete with doting parents and staff as well as a starring role in the Starrycrest Starlets' production of The Nutcracker. The princess is on top of the world until big changes threaten her place in the Denison family as well as in the kingdom. Kara's magical life quickly turns into a nightmare when she is forced to face her deepest insecurities and prepare for the biggest night of her life with a dance partner whom she does not even like. To complicate matters even more, Stella Dixon, the Starlets new dance instructor, tells the princess about a program in Eclipston that helps orphans find their forever families. Kara loves the idea and wants to implement a similar program in Starrycrest, but others in the royal family refuse. The tiny royal soon realizes that, in order to be the princess she has always hoped to be and make Starrycrest a better kingdom, she must take matters into her own hands as her mother once did. After an encounter with Victrollia, an evil troll who hates the Denisons and wants to avenge the death of her cousin, Trovella, goes terribly wrong, the princess and her loyalty to her family is put to the ultimate test. In the end, Kara will learn that living life to the fullest means you must love the way you dance.
In this profoundly original and far-reaching study, Robert M. Polhemus shows how novels have helped to make erotic love a matter of faith in modern life. Erotic faith, Polhemus argues, is an emotional conviction—ultimately religious in nature—that meaning, value, hope, and even the possibility of transcendence can be found in love. Drawing on a wide range of disciplines, Polhemus shows the reciprocity of love as subject, the novel as form, and faith as motive in important works by Jane Austen, Walter Scott, the Brontës, Dickens, George Eliot, Trollope, Thomas Hardy, Joyce, D. H. Lawrence, Virginia Woolf, and Samuel Beckett. Throughout, Polhemus relates the novelists' representation of love to that of such artists as Botticelli, Vermeer, Claude Lorrain, Redon, and Klimt. Juxtaposing their paintings with nineteenth- and twentieth-century texts both reveals the ways in which novels develop and individualize common erotic and religious themes and illustrates how the novel has influenced our perception of all art.