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First published in 2002, Living Wood is both a practical manual and an inspirational guide, updating much of the information included in Mike's best-selling book Green Woodwork. Living Wood covers: • Becoming a green woodworke--Mike's story, from playing in the woodlands to owning a share in a woodland in Herefordshire • Buying, managing, and harvesting a woodland; • Developing woodland facilities, including tracks, steps, huts, a barn, a kitchen, and a compost toilet • Setting up a woodland workshop--plans for a shelter and updated designs for a shaving horse, a pole lathe, and other green wood-working tools and devices • Making ladder-back chairs, including cleaving, steam-bending, and techniques for ultra-tight joints without glue • Seating chairs with bark and with cord • A comprehensive list of suppliers, woodland organizations, and books Now in its fourth edition, Living Wood includes a selection of photographs of Mike’s latest workshop at Brookhouse Wood.
Compelling collections of short fiction and essays by the Pulitzer Prize–winning author of The Color Purple and “marvelous writer” (San Francisco Chronicle). Whether she is writing fiction or nonfiction, sharing personal reflections or expressing political views, Alice Walker is without question “one of [our] best American writers” (The Washington Post). The first African American woman to win a Pulitzer Prize—for The Color Purple—Walker is both a committed artist and engaged activist, as reflected in the four works in this volume. Living by the Word: In this “entertaining and often stirring” follow-up to In Search of Our Mothers’ Gardens, Walker reflects on issues both personal and global, from her experience with the filming of The Color Purple, to the history of African American narrative traditions, to global threats of pollution and nuclear war (Library Journal). You Can’t Keep a Good Woman Down: The women in these “consummately skillful short stories” face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them (San Francisco Chronicle). But even as the female protagonists face exploitation, social inequalities, and casual cruelties, Walker leavens her stories with ample wit and “[enters] their experience with sympathy but without sentimentality” (The Washington Post). In Love & Trouble: Walker’s debut short fiction collection features stories of women traveling with the weight of broken dreams, with kids in tow, with doubt and regret, with memories of lost loves, with lovers who have their own hard pasts and hard edges. Some from the South, some from the North, some rich, and some poor, the “marvelous characters” that inhabit In Love & Trouble “come away transformed by knowledge and love but most of all by wonder” (Essence). In Search of Our Mother’s Gardens: In essays both personal and political about her own work and other writers such as Zora Neale Hurston, Flannery O’Connor, and Jean Toomer; the Civil Rights Movement; antinuclear activism; feminism; and a childhood injury that left her emotionally scarred and the healing words of her daughter, Walker “reflects not only ideas but a life that has breathed color, sound, and soul into fiction and poetry—and into our lives as well” (San Francisco Chronicle). Includes a new letter written by the author on In Search of Our Mother’s Gardens.
Justice served is based on a true story of love, prejudice, infidelity and murder. In 1961 a white woman is murdered and a young man whom she has taken under her wing and treated as a son is arrested and later executed. Almost forty years later one of his young cousins begins a quest to clear his name.
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In Now I Sit Me Down, the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history--of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America--the Barcalounger--traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues, and no-nonsense ergonomic task chairs--they're all here. The famous Danish furniture designer Hans Wegner once remarked, "A chair is only finished when someone sits in it." As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Far From This Earth and Other Stories is volume 2 of a collection of Chad Oliver's SF, containing the following: Stardust Let Me Live in a House Field Expedient Transformer If Now You Grieve a Little Anachronism North Wind Pilgrimage The Wind Blows Free Of Course Rite of Passage Didn't He Ramble? Second Nature Ghost Town End of the Line Just Like a Man Far From This Earth King of the Hill Meanwhile, Back on the Reservation A Lake of Summer
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
For years I have carried the guilt of my grandfathers death. If I had told Momma, Daddy, Nana or even Papa himself about the shadow that I was seeing around him or the bad that I felt coming from him that night when I touched him. Then maybe Papa would have lived. When I first began to have the Premonitions of Matt’s death and when I realized that it was the same as what I saw and felt with Papa that night it scared me more than anything has since Papa left. The weekend that this all began I really thought it was my punishment for letting Papa die I thought that I was in some kind of Purgatory. Now Purgatory or even Hell would seem like a picnic in a park. With all Matt and I have been through in these months trying to stay together, Matt is the love of my life, my soul mate, my angelic prince; he’s my breathe, my oxygen and my every heartbeat, but I sit here waiting to become a fifteen year old widow, though our parents have never acknowledged our marriage. If I don’t fight my fears of Daddy’s reaction and do what the voices have told me and the dreams have shown me then Matt will die violently and painfully. If Matt dies it is my fault just as it was with Papa.