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A "riveting," "relentlessly engrossing," and "brilliantly researched" investigation of the life of the gun -- its manufacture, its sale, and its impact -- and of our world's hugely complex relationship with firearms. In some places of the world, getting a gun is easier than getting a glass of water. In some parts of the world, an individual is allowed to carry concealed firearms into schools. In some parts of the world, there are more guns than people to shoot them. There are almost 1 billion guns across the globe today, a shocking number that is higher than ever before in history. Each year, 12 billion bullets are produced -- almost two bullets for every person on the planet. And over 300,000 people are shot dead over an average year worldwide. In The Way of the Gun award-winning investigative journalist Iain Overton takes readers on a shocking and eye-opening journey to over 25 cities all across the globe, from Cape Town to Tokyo, from San Pedro Sula to Phnom Penh, along the way encountering people from all walks of life affected by guns: Zionist anti-terror gun trainers; El Salvadoran gangland killers; porn starlets who appear as snipers in triple-X films; and South African doctors soaked in the blood of gunshot victims -- unearthing some hard truths about the terrible realities of war and gun crime. Harrowing and sobering, this riveting expose on the long-reaching and mostly unknown life of a gun is an essential and important book in today's world.
A wrongly accused man must break the law to win his freedom in this tale of the Old West. Even at seventeen years old, Carson Ryan knows enough about cow herding to realize the crew he’s with is about the worst ever. They’re taking the long way around to the Montana prairies, and they’re seriously undermanned. While rounding up strays, Ryan hears gunshots ring out across the range and gallops straight into a U.S. Army raid. He soon learns that the outfit he’s with is nothing but a bunch of murdering cattle rustlers, and the law thinks he’s one of them. Tied up, thrown in jail, and tried by a court that’s more interested in hanging a man than learning the truth, Carson has only two options: escape or die trying.
David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.
A wrongly accused man must break the law to win his freedom in this tale of the Old West. Even at seventeen years old, Carson Ryan knows enough about cow herding to realize the crew he’s with is about the worst ever. They’re taking the long way around to the Montana prairies, and they’re seriously undermanned. While rounding up strays, Ryan hears gunshots ring out across the range and gallops straight into a U.S. Army raid. He soon learns that the outfit he’s with is nothing but a bunch of murdering cattle rustlers, and the law thinks he’s one of them. Tied up, thrown in jail, and tried by a court that’s more interested in hanging a man than learning the truth, Carson has only two options: escape or die trying.
A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him. On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.
The Searing Portrayal Of War That Has Stunned And Galvanized Generations Of Readers An immediate bestseller upon its original publication in 1939, Dalton Trumbo?s stark, profoundly troubling masterpiece about the horrors of World War I brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. Johnny Got His Gun is an undisputed classic of antiwar literature that?s as timely as ever. ?A terrifying book, of an extraordinary emotional intensity.?--The Washington Post "Powerful. . . an eye-opener." --Michael Moore "Mr. Trumbo sets this story down almost without pause or punctuation and with a fury amounting to eloquence."--The New York Times "A book that can never be forgotten by anyone who reads it."--Saturday Review
After spending more than twenty-years years as a Special Agent with the FBI, Kathy Stearman recounts the global experiences that shaped her life—and the mixed feelings that she now holds about the sacrifices she had to make to survive in a man’s world. When former FBI Agent Kathy Stearman read in the New York Times that sixteen women were suing the FBI for discrimination at the training academy, she was surprised to see the women come forward—no one ever had before. But the truth behind their accusations resonated. After a twenty-six-year career in the Bureau, Kathy Stearman knows from personal experience that this type of behavior has been prevalent for decades. Stearman’s It’s Not About the Gun examines the influence of attitude and gender in her journey to becoming FBI Legal Attaché, the most senior FBI representative in a foreign office. When she entered the FBI Academy in 1987, Stearman was one of about 600 women in a force of 10,000 agents. While there, she evolved into an assertive woman, working her way up the ranks and across the globe to hold positions that very few women have held before. And yet, even at the height of her career, Stearman had to check herself to make sure that she never appeared weak, inferior, or afraid. The accepted attitude for women in power has long been cool, calm, and in control—and sometimes that means coming across as cold and emotionless. Stearman changed for the FBI, but she longs for a different path for future women of the Bureau. If the system changes, then women can remain constant, valuing their female identity and nurturing the people they truly are. In It's Not About the Gun, Stearman describes how she was viewed as a woman and an American overseas, and how her perception of her country and the FBI, observed from the optics of distance, has evolved.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
In the late 1880s, Pleasant Valley, Arizona, descended into a nightmare of violence, murder, and mayhem. By the time the Pleasant Valley War was over, eighteen men were dead, four were wounded, and one was missing, never to be found. Valley of the Guns explores the reasons for the violence that engulfed the settlement, turning neighbors, families, and friends against one another. While popular historians and novelists have long been captivated by the story, the Pleasant Valley War has more recently attracted the attention of scholars interested in examining the underlying causes of western violence. In this book, author Eduardo Obregón Pagán explores how geography and demographics aligned to create an unstable settlement subject to the constant threat of Apache raids. The fear of surprise attack by day and the theft of livestock by night prompted settlers to shape their lives around the expectation of sudden violence. As the forces of progress strained natural resources, conflict grew between local ranchers and cowboys hired by ranching corporations. Mixed-race property owners found themselves fighting white cowboys to keep their land. In addition, territorial law enforcement officers were outsiders to the community and approached every suspect fully armed and ready to shoot. The combination of unrelenting danger, its accompanying stress, and an abundance of firearms proved deadly. Drawing from history, geography, cultural studies, and trauma studies, Pagán uses the story of Pleasant Valley to demonstrate a new way of looking at the settlement of the West. Writing in a vivid narrative style and employing rigorous scholarship, he creatively explores the role of trauma in shaping the lives and decisions of the settlers in Pleasant Valley and offers new insight into the difficulties of survival in an isolated frontier community.
Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.