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The power and simplicity of the Korean Zen tradition shine in this collection of teachings by a renowned modern master, translated by Martine Batchelor. Kusan Sunim provides a wealth of practical advice for students, particularly with regard to the uniquely Korean practice of hwadu, or sitting with questioning. An extensive introduction by Stephen Batchelor, author of Buddhism without Beliefs, provides both a biography of the author and a brief history of Korean Zen.
Chinul (1158–1210) was the founder of the Korean tradition of Zen. He provides one of the most lucid and accessible accounts of Zen practice and meditation to be found anywhere in East Asian literature. Tracing Back the Radiance, an abridgment of Buswell’s Korean Approach to Zen: The Collected Works of Chinul, combines an extensive introduction to Chinul’s life and thought with translations of three of his most representative works.
Kusan Sunim (1901-83) was one of the greatest modern masters of Korean Zen. As the Zen Master of the Songgwang Monastery, he preached the sermons and dharma talks collected here. First published in 1985 and long out of print, these pithy, down-to-earth, refreshingly practical guides to meditation and spiritual cultivation are now again available to followers of Buddhism and the Way of Zen. A brief history of Korean Buddhism, a fascinating account of life in a Korean monastery, and a biography of Master Kusan provide important background information, and the glossary of Korean and general Buddhist terms is a valuable tool for readers new to the field of Buddhist studies. Of special interest is Master Kusan's presentation of a meditation practice, unique to Korean Zen, the hwadu. Zen students familiar with koan riddles and the "just sitting" practice of Japanese Zen will be eager to learn of this distinctively Korean approach to meditation, and to read Master Kusan's detailed instructions for its practice. Master Kusan also offers a interpretation of the classic Ten Oxherding Pictures, illustrated by the ink paintings of "Living National Treasure" Sokchong Sunim.
Chinul (1158–1210) was the founder of the Korean tradition of Zen. He provides one of the most lucid and accessible accounts of Zen practice and meditation to be found anywhere in East Asian literature. Tracing Back the Radiance, an abridgment of Buswell’s Korean Approach to Zen: The Collected Works of Chinul, combines an extensive introduction to Chinul’s life and thought with translations of three of his most representative works.
Hwadu is the most authoritative edition of Zen questions and answers by JeonBeop Zen Master DaeWon Moon JaeHyeon. Through Hwadu one may encounter the living Zen of the Korean tradition.
Robert Buswell, a Buddhist scholar who spent five years as a Zen monk in Korea, draws on personal experience in this insightful account of day-to-day Zen monastic practice. In discussing the activities of the postulants, the meditation monks, the teachers and administrators, and the support monks of the monastery of Songgwang-sa, Buswell reveals a religious tradition that differs radically from the stereotype prevalent in the West. The author's treatment lucidly relates contemporary Zen practice to the historical development of the tradition and to Korean history more generally, and his portrayal of the life of modern Zen monks in Korea provides an innovative and provocative look at Zen from the inside.
Zen Sand is a classic collection of verses aimed at aiding practitioners of kôan meditation to negotiate the difficult relationship between insight and language. As such it represents a major contribution to both Western Zen practice and English-language Zen scholarship. In Japan the traditional Rinzai Zen kôan curriculum includes the use of jakugo, or "capping phrases." Once a monk has successfully replied to a kôan, the Zen master orders the search for a classical verse to express the monk’s insight into the kôan. Special collections of these jakugo were compiled as handbooks to aid in that search. Until now, Zen students in the West, lacking this important resource, have been severely limited in carrying out this practice. Zen Sand combines and translates two standard jakugo handbooks and opens the way for incorporating this important tradition fully into Western Zen practice. For the scholar, Zen Sand provides a detailed description of the jakugo practice and its place in the overall kôan curriculum, as well as a brief history of the Zen phrase book. This volume also contributes to the understanding of East Asian culture in a broader sense.
An overview of Korean Buddhism and its major figures in the modern period.