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With this second issue of the Waverly Review we can only hope that we have established a tradition. We believe very strongly that our students are funny, intelligent and talented. Writing is just one area in which they excel. The Waverly Review is designed to showcase those qualities. Take some time with this writing. Read it a little bit at a time and you will find a lot more than you expect. To our graduating class, please know that we will miss you very much. Your departure will be cause for much lamentation; your return will be cause for much rejoicing. To paraphrase the immortal words of Austin, "These were the golden years."
"Dramatic comedy / 3m, 2f / interior set"--back cover.
Part of the first generation to be conceived in deep space, fifteen-year-old Waverly is expected to marry young and have children to populate a new planet, but a violent betrayal by the dogmatic leader of their sister ship could have devastating consequences.
The beyond-great Hollywood star returns in seven pyrotechnic tales that become--somehow--a family saga spread over seventeen years. Wayfaring at Waverly in Silver Lake encompasses friends, relations, and some passersby--as James McCourt cocks a cast eye on the seven deadly sins. Some samples . . . In a story evoking pride, fountainhead of the other deadly sins, Hollywood star Kaye Wayfaring, semiretired now atop the Silver Lake Hills, like Marion Davis at San Simeon, is at home during the 1984 Olympics, contemplating the translucent Norma Jean ("Nobody ever went at lines the way she did"), while over at the studio, her colleagues review the highlights of her career, culminating in her scandalous, headline-grabbing Oscar snub. Lust is represented by Kaye, now back in business on location in Ireland, starring as the wanton Irish pirate queen, Granuaile. Kaye is sheathed in the part, waiting for the light, in County Donegal, balancing visions of sacred and profane love, during the first (and always lustful) day of principal photography. Gluttony is personified by Kaye Wayfaring's son, Tristan, in the throes of adolescent meltdown, telling his beloved uncle the demented tale of his cross-country bus trip, forced landing, and rescue by south-of-L.A. beach bums, as he floats in and out of consciousness. And sin itself, as in "sinfully delicious," is exemplified by James McCourt's new book, "Wayfaring at Waverly in Silver Lake, from beginning to end.
From the formation of the first institutions of representative government and the use of slavery in the seventeenth century through the American Revolution, the Civil War, the civil rights movement, and into the twenty-first century, Virginia’s history has been marked by obstacles to democratic change. In The Grandees of Government, Brent Tarter offers an extended commentary based in primary sources on how these undemocratic institutions and ideas arose, and how they were both perpetuated and challenged. Although much literature on American republicanism focuses on the writings of Thomas Jefferson and James Madison, among others, Tarter reveals how their writings were in reality an expression of federalism, not of republican government. Within Virginia, Jefferson, Madison, and others such as John Taylor of Caroline and their contemporaries governed in ways that directly contradicted their statements about representative—and limited— government. Even the democratic rhetoric of the American Revolution worked surprisingly little immediate change in the political practices, institutions, and culture of Virginia. The counterrevolution of the 1880s culminated in the Constitution of 1902 that disfranchised the remainder of African Americans. Virginians who could vote reversed the democratic reforms embodied in the constitutions of 1851, 1864, and 1869, so that the antidemocratic Byrd organization could dominate Virginia’s public life for the first two-thirds of the twentieth century. Offering a thorough reevaluation of the interrelationship between the words and actions of Virginia’s political leaders, The Grandees of Government provides an entirely new interpretation of Virginia’s political history.
"Meet the new Bridget Jones." --PopSugar Daily "A light and funny read. If you've ever felt like your life wasn't going the way you'd planned, then you can't help but connect with Waverly's tale." --Becky Lejeune for Bookbitch.com Anything can look perfect on paper. When her fianc calls off their wedding at the last minute, Waverly Bryson wonders if her life will ever turn out the way she thought it would...or should. Her high-powered job in sports PR? Not so perfect. Her relationship with her dad? Far from it. Her perfect marriage? Enough said. To keep sane, Waverly makes a habit of jotting down "Honey Notes," her own brand of self-deprecating wisdom and a pipe dream for a line of greeting cards. As Waverly stumbles back into the dating scene (no stalkers or jean shorts, please), her personal and professional lives threaten to collide. Perfect on Paper reminds us that everyone has a bad date (or twelve), and that everyone eventually needs a best friend to tell them, "Honey, you are not alone."
A heartfelt summer read for fans of Sarah Dessen and Jenny Han about holding on and letting go. Waverly Lyons has been caught in the middle of her parents’ divorce for as long as she can remember. This summer, the battle rages over who she’ll spend her vacation with, and when Waverly’s options are shot down, it’s bye-bye Fairbanks, Alaska and hello Holden, Florida to stay with her aunt. Coming from the tundra of the north, the beach culture isn’t exactly Waverly’s forte. The sun may just be her mortal enemy, and her vibe is decidedly not chill. To top it off? Her ability to swim is nonexistent. Enter Blake, the (superhot) boy next door. Charming and sweet, he welcomes Waverly into his circle. For the first time in her life, Waverly has friends, a social life, and soon enough, feelings . . . for Blake. As the two grow closer, Waverly’s fortunes begin to look up. But every summer must come to an end, and letting go is hardest when you’ve finally found where you belong.
A little boy finds a special place where he does what his heart wants, and when he grows up, he searches once again for the meaningful place of his childhood.
New and controversial major redaction of Walter Scott's Waverley, set in Scotland in 1745, the year of the Jacobite uprising.