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June 1815: The Duke of Wellington, the Prince of Orange, and Napoleon will meet on the battlefield--and decide the fate of Europe With the emperor Napoleon at its head, an enormous French army is marching toward Brussels. The British and their allies are also converging on Brussels--in preparation for a grand society ball. It is up to Richard Sharpe to convince the Prince of Orange, the inexperienced commander of Wellington's Dutch troops, to act before it is too late. But Sharpe's warning cannot stop the tide of battle, and the British suffer heavy losses on the road to Waterloo. Wellington has few reserves of men and ammunition; the Prussian army has not arrived; and the French advance wields tremendous firepower and determination. Victory seems impossible.
The story of Waterloo, the battle that finally ended Napoleon's imperial dreams: how it was fought, how it has been remembered, and what it has come to mean.
Waterloo and the Romantic Imagination offers a new and challenging look at the cultural significance of the Battle of Waterloo, and the impact it had on British Romantic culture. Drawing on a range of approaches it aims to redefine the Romantic period as an age of inter- and intra-national conflict, thus overturning conventional notions of 'The Romantic Project', and re-writing the period from first principles. Topics covered include: the impact of Waterloo on Romantic ideas of individual and national identity, the representation of the dead and wounded in poetry, painting and prose, the work of canonical and non-canonical poets.