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Billy Showell is a well-respected botanical watercolour artist, and her exceptional eye for detail and ability to re-create the form, texture, colour and patterning of a wide range of plants have earned her a formidable reputation worldwide. Her compositions are given a contemporary, sometimes playful twist, while retaining all the beauty and accuracy of traditional botanical paintings. In this inspiring and indispensable guide for botanical artists, she reveals the materials, methods and techniques she uses to attain her stunningly beautiful portraits of flowers, fruit and vegetables. There is expert guidance on tools and materials, working from life, observation, and drawing and painting techniques, as well as detailed sections on pattern, texture, and colour and colour mixing. With numerous step-by-step studies, close-up photographs and examples of Billy's exquisite paintings, this book is not only packed full of invaluable advice and information but also a visually stunning showcase for the work of this amazing artist.
JMW Turner is one of the greatest artists Britain has ever produced. His watercolours, with their extraordinary effects of shifting light and dramatic skyscapes, are especially highly regarded. For the first time, the secrets of Turner's technique are revealed, allowing present-day watercolourists to learn from his achievements.This book combines unrivalled knowledge of Turner's working methods from Tate curators and conservators with practical advice from some of the world's most respected watercolour experts. Twenty-two thematic exercises are illustrated with Turner's works. Expert contemporary watercolourists explain, step-by-step, how to paint a similar composition, learning from Turner's techniques. Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world centre for Turner scholarship, with a glossary of technical terms, this is an invaluable resource both for lovers of Turner's art and of watercolour painting.
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Artist Ann Blockley is renowned for her innovative approach to traditional subjects. Following the huge success of her previous book, Experimental Flowers in Watercolour, she now explores ways to interpret landscape. Packed with stunning examples of her colourful, expressive work, this book encourages you to experiment with the same techniques in your own watercolour painting to develop a personal style. Techniques covered include combining water-based paint and ink with other media such as gesso and collage to create dramatic effects; manipulating paint with materials such as plastic wrap (clingfilm); tearing, layering and reassembling paintings into watercolour collages; and developing textures and marks made using fabrics and other found objects. Throughout the book Ann offers her personal commentary on how her paintings were created, giving us a unique insight into the mind of the artist. Both practical and inspirational, this glorious book is the ideal companion for watercolour painters who want to take their work a step further.
Artists seem compelled to try to capture the amazing variety of the animal kingdom; the challenge remains how to breathe energy into your paintings and make the animals jump off the paper. This deeply practical book offers an accessible introduction to sketching animals from life, to try to capture that essence. It gives instruction on how to approach drawing; covers ideas for materials and supplies to make sketching from life a joy; gives step-by-step demonstrations of different watercolour techniques; offers specific advice on using colour and painting, fur, feathers and features and gives ideas for mixed-media experimentation. Full of colourful examples and guidance, this new book explains how to transform your studies into finished artwork that are brimming with character. It encourages you to find the extraordinary in the everyday, as well as revelling in the breadth of nature. Taking a contemporary approach to traditional watercolour, the author shows how a few, well-chosen brushes of paint can reveal the soul of your subject.
The What to Paint series is perfect for readers with some painting skills and experience, who are looking for inspiring painting subjects. Each book has 24 beautiful full-page size paintings, a colour palette for each one and informative captions pulling out details, tips and techniques used in various parts of the painting. At the back of the book there is a free outline for each painting for readers to transfer or scan on to paper. There are also instructions on transferring the images, and on selecting parts of the outlines to create new compositions. Watercolour artist, Peter Woolley, provides a stunning range of paintings encompassing a variety of scenes from gentle slopes and rolling hills to dramatic peaks of far off mountain ranges. Every painting is accompanied by outline transfers, which are ideal for beginners who want to get started painting landscapes without requiring the necessary drawing skills.
Trevor Chamberlain's watercolour paintings are a celebration of light and atmosphere, and his skill in painting directly from nature to capture the mood of his subjects has earned him an enviable reputation among both amateur and professional artists. Here Trevor Chamberlain offers a fascinating glimpse over his shoulder as he describes his approach to interpreting the effects of light and weather using the limited watercolourist's palette. Mood in nature is his constant source of inspiration and his favoured subjects are marine, town and landscape. He particularly enjoys capturing the transient aspects of the English weather but he has also travelled extensively and enjoys the challenge of confronting the unfamiliar light and surroundings in exotic locations such as Egypt, Iran and India. An artist of the plein air tradition, he always paints directly from nature at first hand, an approach which he enthusiastically recommends to readers of this book.
" Watercolour Challenge" is Channel 4`s daytime series featuring amateur painters. Presented by Hannah Gordon, the show travels to some of the most beautiful parts of the British Isles and challenges local artists to paint a scene from a chosen area in just four hours. For some this is a terrible rush - for others it is just too long. All have their distinctive style - some representational, some expressionists, some abstract - and with such a range of subjects, Diana Vowles has the opportunity to discuss all aspects of watercolour as she meets so many different painters. " Watercolour Challenge" aims to inspire other would-be artists to don their smocks and pick up their paintbrushes. The book is an accessible practical guide to watercolour painting, including guidance on how to get started, descriptions of all the major techniques, hints and tips from the " Watercolour Challenge" experts and detailed descriptions of the styles employed by the competitors.
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.