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The New England Watch and Ward Society provides a new window into the history of American Protestantism during the late nineteenth and early twentieth centuries. By suppressing obscene literature, gambling, and prostitution, the moral reform organization embodied Protestant efforts to shape public morality in an increasing intellectually and culturally diverse society.
Wealthy and leisured Roger Lawrence adopts an orphaned twelve-year-old girl, Nora Lambert, and raises her as his eventual bride-to-be, but once Nora matures into a beautiful young woman, she is attracted to two other men. Henry James later disowned the book and spoke of "Roderick Hudson" as his first novel
A buddy cop story in a secondary world setting. What else do you need to know? . . . page-turning entertainment' Pornokitsch In the cramped quarters of the city of Yenara, humans, orcs, mages, elves and dwarves all jostle for success and survival, while understaffed watch wardens struggle to keep the citizens in line. Enter Rem. New to the city, he wakes bruised and hungover in the dungeons of the fifth ward. With no money for bail - and seeing no other way out of his cell - Rem jumps at the chance to join the Watch. Torval, his new partner - a dwarf who's handy with a maul and known for hitting first and asking questions later - is highly unimpressed with the untrained and weaponless Rem. But when Torval's former partner goes missing, the two must learn to work together to uncover the truth and catch a murderer loose in their fair city. 'A brilliant premise, wonderfully told. A city that breathes, and heroes you can't help but root for' Nicholas Eames, author of Kings of the Wyld A glorious tour through fantasy's seamier side. A wilder ride than Middle Earth, and you'll love every minute of it! Jon Hollins, author of the Dragon Lords series 'A thrilling adventure, it's a buddy action movie masquerading as a fantasy book and I found it to be an awesome read' The Tattooed Book Geek
A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years. Banned in Boston is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."
"Comprising over 500 entries on the essential topics and informed by the latest theory and research, this innovative reference resource offers a state-of-the-art survey of the fields of criminology and criminal justice. It combines this breadth of coverage with the authority and international perspective of an experienced editorial team, creating a definitive reference resource for students, scholars, and professionals."--Publisher's description.
From the #1 New York Times bestselling author and “master of contemporary romance, with heroes so hot they set the pages on fire” (Gena Showalter, New York Times bestselling author), a steamy romantic suspense novel about arson investigator, Anne Ashburn, who is consumed by her troubled past, her family’s scorched legacy, and her current case: chasing a deadly killer. Anne Ashburn is a woman consumed… Strong-willed and brash, Anne relished the thrill of fighting fires. But when one risky decision at a warehouse scene changes her life forever, she must reinvent not only her job, but her whole self. Despite the desire to move on, Anne finds her new career as an arson investigator a pale substitute for all the adrenaline-fueled buzz she left behind. She doesn’t believe she will ever feel that same all-consuming passion for a job again—until a string of suspicious fires endangers the lives of her former colleagues. Danny McGuire is the best fireman in the city but in the midst of a personal meltdown. He’s taking risks like never before thanks to a reckless death wish—until he teams up with Anne to find the fire starter. Passion flares between them—not for the first time—but as Anne narrows in on her target, the arsonist marks her as the next victim in this firestorm of a novel. With heart-pounding suspense and sizzling romance, Consumed is a compulsively readable novel that “you won’t be able to put down” (USA TODAY).
'...And then we heard the rain falling, and that was the drops of blood falling; and when we came to get the crops, it was dead men that we reaped.' Harriet TubmanIn five years, Jesmyn Ward lost five men in her life, to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own. Jesmyn grew up in poverty in rural Mississippi. She writes powerfully about the pressures this brings, on the men who can do no right and the women who stand in for family in a society where the men are often absent. She bravely tells her story, revisiting the agonizing losses of her only brother and her friends. As the sole member of her family to leave home and pursue high education, she writes about this parallel American universe with the objectivity distance provides and the intimacy of utter familiarity.
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.
From a strange, dark chapter in American political history comes the captivating story of Ted Kennedy's 1980 campaign for president against the incumbent Jimmy Carter, told in full for the first time. The Carter presidency was on life support. The Democrats, desperate to keep power and yearning to resurrect former glory, turned to Kennedy. And so, 1980 became a civil war. It was the last time an American president received a serious reelection challenge from inside his own party, the last contested convention, and the last all-out floor fight, where political combatants fought in real time to decide who would be the nominee. It was the last gasp of an outdated system, an insider's game that old Kennedy hands thought they had mastered, and the year that marked the unraveling of the Democratic Party as America had known it. Camelot's End details the incredible drama of Kennedy's challenge -- what led to it, how it unfolded, and its lasting effects -- with cinematic sweep. It is a story about what happened to the Democratic Party when the country's long string of successes, luck, and global dominance following World War II ran its course, and how, on a quest to recapture the magic of JFK, Democrats plunged themselves into an intra-party civil war. And, at its heart, Camelot's End is the tale of two extraordinary and deeply flawed men: Teddy Kennedy, one of the nation's greatest lawmakers, a man of flaws and of great character; and Jimmy Carter, a politically tenacious but frequently underestimated trailblazer. Comprehensive and nuanced, featuring new interviews with major party leaders and behind-the-scenes revelations from the time, Camelot's End presents both Kennedy and Carter in a new light, and takes readers deep inside a dark chapter in American political history.