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a full-color hardback photographic book featuring photographs of DC spanning three decades. The photographs are exclusive never-to-be duplicated images taken by renowned photographer Stephen R. Brown on assignment for national and international magazines. The newest editon adds forty-four pages and several new Memorials to the book and features portfolios on the WWII Memorial, the Korea Memorial, Vietnam Memorial and new page on both Arlington and the Women's Memorial.
DC Photo Book: An Insider’s View is a full-color photographic book featuring photographs of DC spanning three decades. The photographs are exclusive never-to-be duplicated images taken by renowned photographer Stephen R. Brown on assignment for national and international magazines. The book has been featured on the White House News Photographers Association Site, WTTG Fox Washington and is supported by an advertising campaign in the local newspapers and a daily news blogs. It is the most complete and up to date survey of the Memorial and neighborhoods in DC and is updated with every printing. This book was first published in 2009 and has to date sold 16,000 copies. You can order your copy using a credit card through our website or through our Amazon Author’s Page. For case quantities or questions, please feel free to email us at [email protected] or call at 202-667-1965.
The ideal companion guide for capturing awe-inspiring photos of Washington, D.C.! Whether using a compact camera or a high-end dSLR, this companion guide provides you with detailed information for taking spectacular shots of some of the most recognizable architecture in the world. Whether you aim to capture memorable photos of the White House, U.S. Capitol, Washington Monument, Lincoln Memorial, or one of D.C.'s other many remarkable memorials, this portable resource goes where you go and walks you through valuable tips and techniques for taking the best shot possible. You’ll discover suggested locations for taking photos, recommended equipment, what camera settings to use, best times of day to photograph specific attractions, how to handle weather challenges, and more. In addition, beautiful images of Washington, D.C.'s most breathtaking attractions and recognizable landmarks serve to both inspire and assist you as you embark on an amazing photographic adventure! Elevates your photography skills to a new level with photography secrets from professional photographer John Healey Presents clear, understandable tips and techniques that span all skill levels, using all types of digital cameras, from compact cameras to high end DSLRs Features Washington, D.C.'s main attractions in alphabetical order as well as thumb tabs on the pages so you can quickly and easily access the information you are looking for Shares detailed information and insight on critical topics, such as ideal locations to photograph from, the best time of day to shoot, camera equipment to have handy, weather conditions, and optimal camera settings to consider Whether you're a local familiar with the territory or a visitor seeing our nation's capital for the first time, this handy guide will help capture fantastic photos!
From Mount Vernon to Georgetown, The White House to the monuments, Historic Photos of Washington, D.C. is a photographic history collected from the area's top archives. With about 200 photographs, many of which have never been published, this beautiful coffee table book shows the historical growth of our nation's capital in stunning black and white photography. The book shows life, government, events and people important to Washington D.C. and the building of this unique city.
Bon vivant, railroad historian, photographer, pioneering food critic, chronicler of New York's café society, and noted newspaperman, Lucius Beebe (1902–1966) was an American original. In 1938, with the publication of High Iron: A Book of Trains, he transformed the world of railroad-subject photography forever by inventing the railroad picture book genre. In 1940, he met creative and life partner Charles Clegg (1916–1979), also a talented photographer. Beebe and Clegg produced an outstanding and diverse portfolio of mid-twentieth century railroad-subject photographs. Beebe, sometimes with Clegg, also authored about forty books, including many focused on railroads and railroading. The Railroad Photography of Lucius Beebe and Charles Clegg brings their incredible story and best photographic work together. Providing an extensive biographic introduction to Beebe and Clegg, author Tony Reevy presents a multi-faceted view of the railroad industry that will appeal to rail enthusiasts as well as those interested in American food culture, the history of New York City, and LGBT studies. The Railroad Photography of Lucius Beebe and Charles Clegg is an indispensable history to the work of two men who forever changed the way we see and experience American railroads.
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways in which such accumulations of photographs create the values, hierarchies, histories and knowledge-systems, through multiple, folded and overlapping layers that might be described as the museum’s ecosystem. These photographic dynamics are studied through the prism of the Victoria and Albert Museum, London, an institution with over 150 years' engagement with photography’s multifaceted uses and existences in the museum. The book differs from more usual approaches to museum studies in that it presents not only formal essays but short ‘auto-ethnographic’ interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work. As such this book offers an extensive and unique range of accounts of what photographs ‘do’ in museums, expanding the critical discourse of both photography and museums.